Page 304 - 二十世纪及当代艺术

艺术家简历 ARTIST BIOGRAPHIES

洪凌（b.1955） 1955年生于北京，1979年毕业于北京师范大学美术系，1987年毕业于中央美术学院油画系研修班。现任中
HONG LING 央美术学院油画系第三工作室副教授、中国美术家协会会员。现生活和工作于北京和安徽。
主要个展：2017 冥然归隐洪凌2017作品展，台北索卡艺术中心，台湾；2016 洪凌回顾展-北京站，索卡艺
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术，北京；2015 天地大美—洪凌艺术回顾展，中国美术馆，北京；2014 循踪喻怀洪凌个展，保利艺术
空间，香港；2013 道法自然--洪凌个展，台北艺术大学关渡美术馆，台北；2012 洪凌--当代中国山水，伦
敦亚洲艺术基金会，伦敦；2011 苍莽气象--洪凌个展，今日美术馆，北京；2008 性灵山水--洪凌个展，索
卡艺术中心，台北。
主要群展：2016 文人绘画六君子—北京索卡15周年特展，索卡艺术空间，北京；2014 空寒，索卡艺术
空间，北京；梳理重启中国当代艺术，索卡艺术空间，北京；2013 山水意境朱德群、赵无极、洪凌群展，
索卡艺术中心，台北。

Born in Beijing in 1955. He graduated from the fine art department of Beijing Normal University
in 1979 and the oil painting department of the China Central Academy of Fine Arts in 1987. He is
an Associate Professor of the oil painting department at the China Central Academy of Fine Arts
and is a member of the China Artists Association. Hong currently divides his time between Beijing
and Anhui. Solo Exhibitions: 2017, Retreat into Silence Hong Ling 2017 Works Exhibition, Soka Art
Center, Taipei, Taiwan; 2016, Hong Ling Retrospective Exhibition - Beijing, Soka Art, Beijing; 2015,
The Beauty of Heaven and Earth - Hong Ling Art Retrospective Exhibition, National Art Museum of
China, Beijing; 2014, Tracing the Trace Hong Ling Solo Exhibition, Poly Art Space, Hong Kong; 2013,
Tao, Method, Nature - Hong Ling Solo Exhibition, Kuandu Museum of Fine Arts, Taipei National
University of the Arts, Taipei; 2012, Hong Ling - Contemporary Chinese Landscape, Asia House,
London; 2011, Vast and Vague Atmosphere - Hong Ling Solo Exhibition, Today Art Museum, Beijing;
2008, Spirit of Landscape - Hong Ling Solo Exhibition, Soka Art Center, Taipei. Group Exhibitions:
2016, Literati Painting Six Gentlemen - Beijing Soka 15th Anniversary Special Exhibition, Soka Art
Space, Beijing; 2014, Cold and Empty, Soka Art Space, Beijing; 2013, Landscape Conception Zhu
Dequn, Zhao Wuji, Hong Ling Group Exhibition, Soka Art Center, Taipei.

黄敏俊（b.1971） 出生于台北。在过去三十年的创作生涯中，光一直是黄敏俊研究的主要课题。黄敏俊发现过去的色彩理论
HUANG MINJUN 已经不能满足他对光影表现的追求。印象派过于注重光影而忽略了形体的轮廓，造成了光影与形体之间的
取舍，这成为他突破的课题。在黄敏俊基于光原理的色彩理论中，蓝色主要是光衰减的结果。因此，他将
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光的三原色与颜料的三原色进一步调整、统一为新的光的三原色（品红、黄色、翠绿），即所谓的光色合
一，并提供实例和当代色彩理论作为佐证，以缩小绘画与现实的差距，使绘画更具有传统绘画无法达到的
真实感和立体感。个展：2022年，系谱与辩证黄敏俊新光色论创作的再发现，秋刀鱼艺术中心，台北；
2021年，系谱与辩证黄敏俊新光色论创作的再发现，桃园文化局，桃园，台北；2020年，光色合一再辩证
黄敏俊新光色论的视觉光谱及其超自然性，耘非凡美术馆，台南；再科学黄敏俊个展，桃园展演中心，桃
园；光色合一再辩证黄敏俊个展，秋刀鱼艺术中心，台北；2019年，光·形光色合一黄敏俊个展，秋刀鱼
艺术中心，台北；2016年，新色彩观—黄敏俊个展大地的低鸣，桃园文化局第一展览室，桃园；2008
年，功夫系列，上海国际艺术博览会，上海；新东方精神-黄敏俊北京个展，北京798艺术特区MING ART
GALLERY，北京；2005年，油画个展，Galerie la Forge，法国。

Born in Taipei. In the past thirty years of his creative career, light has been the main subject
of Huang MingChun's research. Huang MingChun found that the colour theories of the past
could no longer satisfy his pursuit of light and shadow expression. Impressionism focused too
much on light and shadow and neglected the contours of form, resulting in a trade-off between
light and shadow and form, which became the subject of his breakthrough. In Minjoon Hwang's
colour theory based on the principle of light, blue is mainly the result of light attenuation.
Therefore, he further adjusts and unifies the three primary colours of light and the three