Page 307 - 二十世纪及当代艺术

ARTIST BIOGRAPHIES 艺术家简历

186 187 Exhibition: 2016 AND NE FORHTEDON NÁ, Galerie Perrotin, HongKong; 2015 Alluvial: Huang
Yuxing, Minsheng Art Museum, Shanghai; 2015 Huang Yuxing, Antenna Space, Shanghai;
2012 Huang Yuxing, Beijing Commune, Beijing; 2010 Light: Huang Yuxing Painting Exhibition,
Hongqiao Gallery, Shanghai.Group exhibitions: 2014 Cross-Border, Shanghai Gallery, Shanghai;
2013 Antenna Space Opening exhibition, Antenna Space, Shanghai; 2012 The New Generation
of Sex and Love, Time Space, Beijing.

胡博·华士（1855-1935） 1855年出生于荷兰，1935年逝世于纽约。他的艺术生涯中，曾为多国政要和名人绘制肖像，包括慈禧太
HUBERT VOS 后、李鸿章、袁世凯等。其作品在法国巴黎的卢浮宫博物馆、荷兰马斯特里赫特的伯尼芳坦博物馆、芝加
哥历史博物馆、哈佛大学福格艺术博物馆、檀香山艺术学院、巴黎的卢森堡宫、大都会艺术博物馆和史密
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森尼美国艺术博物馆中均有收藏。

Born in Maastricht, Netherlands in 1855, died in New York in 1935. During his career, Hubert
Vos painted portraits of political figures and celebrities from many countries, including
Empress Dowager Cixi, Li Hongzhang, Yuan Shikai, and so on. The Louvre Museum,
Bonnefanten Museum, the Chicago History Museum, the Fogg Art Museum, the Honolulu
Museum of Art, the Luxembourg Palace, the Metropolitan Museum of Art, the Capital Museum,
and the Smithsonian American Art Museum are among the public collections holding works by
Hubert Vos.

今井俊满（1928-2022） 出生于1928年，日本京都。于东京艺术学院接受训练。他早期的绘画可溯源野兽派的风格。1952年获得第
TOSHIMITSU IMAI 十五届新制作协会沙龙的最佳新秀奖，并于同年前往巴黎修习中世纪历史与哲学。1955年受到艺评家达皮
埃的影响，创作转向抽象风格。1953年今井俊满受邀参加圣保罗双年展。1956年回到日本举办展览。1960
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年于威尼斯双年展展出；1962年获颁第五届日本东京当代艺术展奖项，广受好评。但艺术家继续突破创作
藩篱，开始醉心象征性绘画。1970年后今井俊满更将文字与日本文化元素融入画面。在艺术家后期的作品
中，创作转向处理日本侵华与二次世界大战的主题。作品曾获日本大原美术馆、国立国际美术馆、东京国
立近代美术馆典藏。

Imai Toshimitsu was born in 1928 in Kyoto, Japan. Received training at Tokyo Art Academy. His
early paintings can be traced to the style of Fauvism. In 1952, he won the Best Rookie Award at
the 15th Salon of the New Production Association. In the same year, he went to Paris to study
medieval history and philosophy. In 1955, influenced by art critic Dapié, his creation turned to
an abstract style. In 1953 Ima Toshimitsu was invited to participate in the São Paulo Biennale.
In 1956 he returned to Japan to hold an exhibition. It was exhibited at the Venice Biennale in
1960; he was awarded the Fifth Tokyo Contemporary Art Exhibition in 1962, which was well-
received.
However, the artist continued to break through the barriers of creation and became enamoured
with symbolic painting. After 1970, Toshimitsu incorporated calligraphy and Japanese cultural
elements into his paintings. In his later works, the theme turned to Japan's invasion of China
and World War II. His works have been collected by the Ohara Museum of Art in Japan, the
National Museum of International Art, and the National Museum of Modern Art in Tokyo.