Page 249 - 二十世纪及当代艺术

ARTIST BIOGRAPHIES 艺术家简历

李贵君（b.1964） 1964年生于北京，1980年进入中央美术学院附中学习绘画，1988年从中央美术学院油画系第一工作室毕
LI GUIJUN 业，师从靳尚谊、杨飞云等先生。早在大学一年级，他就凭借创作的《140画室》展露才华，参加了“前进
中的中国青年美展”并荣获奖项。置身于80年代中期，李贵君也曾投身中国现代艺术的浪潮当中，但对于
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他来说，没有知青的生活经历，也没有异域风情的猎奇想法，因此，画这个时代的人，成为他自我选择、
独立探索的艺术道路。
90年代起，“对女性之美的当代诠释”逐步形成李贵君的绘画风格。他以超离生活的创作方式，追求理
想、单纯的画面，“青春期的少女”成为这一时期突出的主题形象，洗练的形象中富有语言变化，显示出
艺术家超强的语言控制力和审美想象力。
进入新世纪，李贵君借助艺术遥接历史经典时期的人文情境，即绘画语言是人类视觉的光彩和妙趣的创造
力展现，是人类情感与精神的相互感动与彼此沟通。对于李贵君而言，还原形象不是根本，视觉妙趣才
构成绘画的本质。在近期的作品中，艺术家逐步聚焦针对女性“灵”与“美”的表达，而对“灵性”的诠
释，正是艺术家所言：“‘神’和‘彩’是我对画最看重的，没有神彩画面就没有生命和感染力。”
主要展览：2001年 “2001新加坡艺术节”，新加坡；2002年 “个人作品展 – 李贵君作品展”，中国香
港；“女人的形象”展览，泰国曼谷；“当代33位艺术家作品展”，北京；2003年 “个人作品展 – 李贵
君”，泰国曼谷；2004年 “北京写实画派首展”，中国美术馆；2005年 “中国写实画派2005年展”，中
国美术馆；“寻源”画展，中国美术馆；2006年 “中国写实画派2006年展”，中国美术馆；

Born in Beijing in 1964, he entered the Central Academy of Fine Arts in 1980 to study painting,
and graduated from Studio 1 of the Oil Painting Department of the Central Academy of Fine
Arts in 1988, where he studied with Jin Shangyi and Yang Feiyun. As early as his first year in
college, he showed his talent by creating "Studio 140", which won him an award in the "China
Youth Art Exhibition in Progress". In the mid-1980s, Li Guijun also joined the wave of Chinese
modern art, but for him, he did not have the life experience of the Cultural Revolution and the
youth, nor did he have the curiosity of exoticism, so painting people of this era became his self-
chosen and independent artistic path.
Since the 1990s, "contemporary interpretation of the beauty of women" has gradually formed Li
Guijun's painting style. He pursued ideal and simple images in a way that transcended life, and
"adolescent girls" became a prominent theme image during this period.
Entering the new century, Li Guijun uses art to connect with the humanistic context of the
classical period in history, that is, the language of painting is a creative expression of the
brilliance and exquisite interest of human vision, a mutual moving and communication of
human emotions and spirit. For Li Guijun, the restoration of images is not fundamental, but the
visual interest is the essence of painting. In his recent works, the artist has gradually focused
on the expression of the "spirit" and "beauty" of women, and the interpretation of "spirituality"
is exactly what the artist said: "The 'spirit' and 'color' are what I value most in my paintings,
without them there is no life and infectiousness."Major Exhibitions:2001 "2001 Singapore Art
Festival", Singapore; 2002 "Solo Exhibition - Li Guijun's Works", Hong Kong, China; "Image of
Woman " Exhibition, Bangkok, Thailand; "Contemporary 33 Artists Exhibition", Beijing; 2003
"Solo Exhibition - Works by Li Guijun", Bangkok, Thailand; 2004 "Inaugural Exhibition of Beijing
Realistic Painting School", National Art Museum of China; 2005 "2005 Annual Exhibition of
Chinese Realistic Painting School", National Art Museum of China; "Seeking the Source"
Exhibition, National Art Museum of China; 2006 "Chinese Realistic Painting School 2006 Annual
Exhibition", National Art Museum of China;