Page 250 - 二十世纪及当代艺术
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艺术家简历  ARTIST BIOGRAPHIES



       李斛(1919-1975)             号柏风,别号竹风。四川人。1939年任教于四川万县师范,曾任万县民众教育馆艺术部主任。1946年毕业
       LI HU                     于重庆中央大学艺术系。1948年清华大学营造助教。1951年被徐悲鸿聘为中央美术学院国画讲师,1962
                                 年任人物科主任,后为该院教授。中国美术家协会会员。擅人物画,兼及山水,尤善画夜色。常融西法于
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                                 中国画之中。其作品曾入选第一、二、三、四届全国美展。作品《侦察》、《武汉大桥桥墩工程夜景》、
                                 《印度妇女》、《工地探望》均藏于中国美术馆。为纪念关汉卿戏剧创作700周年所作《关汉卿画像》藏于
                                 中国国家博物馆。《三峡夜航》藏于民族饭店。1957年曾与宗其香、萧淑芳、王合内举办联展。1976年在
                                 中央美院陈列馆举办其遗作展,1979年在中国美术馆再度举办其遗作展。


                                 Renowned painter and art educator, Li Hu was born in Sichuan Province in 1919. He taught
                                 at the Department of Chinese Painting at the Central Academy of Fine Arts and served as the
                                 Director for the Subject of Figure Paintings. Li Hu inherited ideas from his teacher Xu Beihong
                                 to fuse Chinese and Western styles in modern Chinese figure paintings. His works were widely
                                 exhibited nationally. "

                                 广东番禺人。擅长版画、美术史论、美术教育。1927年毕业于广州市立美术学校,1930年留学日本,"
                                 九·一八"愤而后回国。1934年在广州组织"现代版画会",是响应鲁迅号召的新兴木刻运动的先驱者之一。
                                 抗日战争时期随军流转于湘、赣一带,举办抗战木刻展、出版宣传、推动木刻运动,曾发起和组织"全国木
                                 刻界抗敌协会"。1947年应徐悲鸿邀请任国立北平艺专教授。投身学生爱国民主运动,作品以传单形式出现
                                 在游行队伍中,如《向炮口要饭吃》、《团结就是力量》。1949年后历任中央美术学院教授、1954年负责
                                 组建版画系并担任版画系主任三十三年,中国美术家协会常务理事、顾问,中国版画家协会主席。


       李桦(1907-1994)             Li Hua is from Panyu, Guangdong. Good at engraving, art history and art education. He
       LI HUA                    graduated from Guangzhou Municipal Art School in 1927, studied in Japan in 1930, and angrily
                                 returned home after the Mukden Incident in 1934. In the same year, the "Modern Engraving
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                                 Society" was organized in Guangzhou, which was one of the pioneers to respond to Lu Xun's
                                 call of developing China's woodcarving art. During the counter Japanese war, he moved around
                                 Hunan and Jiangxi with the army, held Anti Japanese War woodcarving exhibitions, published
                                 and promoted the woodcarving movement, initiated and organized the "national woodcarving
       Lot 1621                  Association against the enemy". In 1947, he was invited by Xu Beihong to be a professor at the
                                 National Beiping Art College. He devoted himself to the patriotic and democratic movement of
                                 students, and his works appeared in the parade in the form of leaflets, including < Xiang Pao
                                 Kou Yao Kou Fan Chi> <Tuan Jie Jiu Shi Li Liang>. After 1949, he successively served as
                                 professor of the Central Academy of Fine Arts, director of the engraving department, executive
                                 director and consultant of China Artists Association, and chairman of China Engraving
                                 Association."


       李骆公(1917-1992)            1917年生于中国福建,1940年上海美专西画系毕业,1941年赴日留学,考入日本大学艺术专攻科,校外师
       LI LUOGONG                从猪熊弦一郎、里见胜藏、野口弥太郎等日本画坛巨匠。留学期间作品入选第十三、第十四回“日本独立
                                 美展”。1944年冬回国,历任哈尔滨美术研究所所长,东北师范大学讲师,辽东学院美术系主任、天津津
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                                 沽大学教授、河北省立女子师范学院副教授、河北师范学院美术系(今天津美术学院)系主任等。
                                 1957年后全力研究现代书法篆刻,经钱瘦铁、王个簃指点并与邓散木、宁斧成结为挚友,遂以现代中西绘
                                 画形式美渗入书法篆刻,艺风突变。1961年至1965年间发表首批诗文、书法。篆刻作品,并被介绍到港
                                 澳。1969年下放广西直至去世,精研草篆,《光明日报》、《福建画报》、香港《大公报》、《良友》、
                                 《澳门日报》、美国《华侨日报》等载文专栏介绍其人其艺。1983和1985年应邀访问日本和澳门举办个
                                 展。1992年逝世。

                                 Born in Fujian, China in 1917, he graduated from the Western Painting Department of the
                                 Shanghai Art Institute in 1940 and went to Japan to study in 1941, where he enrolled in the
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