Page 246 - 二十世纪及当代艺术

艺术家简历 ARTIST BIOGRAPHIES

thematic orientation in Jiang Huan's recent painting art in the pursuit of pictorial modernity.
In addition, there is a certain aura on Jiang Huan's works that is strong and inescapable, such
as laziness, ambiguity, and weariness that converge into a sense of what Martin Dulleman calls
existential boredom. This deep boredom of modern people, like Heidegger's "fog of silence",
permeates the faces of every figure in Jiang Huan's oil paintings, thus forming the unique
"cold beauty" style of his works. Although the skin of the figures is delicately depicted in the
delicate gray tones, and the bodies of men and women are intertwined, the eyes are hollow,
the smiles are forced, and the emotions are not compatible. In Jiang Huan's recent paintings,
the despondency of the bodies of urban men and women is made more poignant by a splash of
pink on the cold-toned images. Through the conveyance of various modern urban experiences,
Jiang Huan's realistic paintings of the body present strong individual characteristics and visual
modernity.Main Exhibitions:December 6-15, 2018 "Forward - Contemporary Art Exhibition",
Shanshui Art Museum, Beijing; December 5-15, 2015 "Jiang Huan - Tuo Chun - Feeling
"Before", Today Art Museum, Beijing; February 3 - March 1, 2010 "Eli Klein Fine Art: Winter
Show 2010", Yilai New York Gallery, New York New York, USA"

今井俊满（1928-2002） 出生于1928年，日本京都。于东京艺术学院接受训练。他早期的绘画可溯源野兽派的风格。1952年获得第
TOSHIMITSU IMAI 十五届新制作协会沙龙的最佳新秀奖，并于同年前往巴黎修习中世纪历史与哲学。1955年受到艺评家达皮
埃的影响，创作转向抽象风格。1953年今井俊满受邀参加圣保罗双年展。1956年回到日本举办展览。1960
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年于威尼斯双年展展出；1962年获颁第五届日本东京当代艺术展奖项，广受好评。但艺术家继续突破创作
藩篱，开始醉心象征性绘画。1970年后今井俊满更将文字与日本文化元素融入画面。在艺术家后期的作品
中，创作转向处理日本侵华与二次世界大战的主题。作品曾获日本大原美术馆、国立国际美术馆、东京国
立近代美术馆典藏。

Toshimitsu Imai was born in 1928 in Kyoto, Japan. He trained at the Tokyo Academy of Art.
In 1952, he received the Best New Artist Award at the 15th Salon of the New Production
Association, and in the same year he went to Paris to study medieval history and philosophy.
1955, influenced by the art critic Dapier, he turned to abstraction. 1953, Toshimitsu Imai was
invited to participate in the Sao Paulo Biennial. 1956, he returned to Japan for an exhibition.
1960, he exhibited at the Venice In 1960, he exhibited at the Venice Biennale; in 1962, he was
awarded the prize at the 5th Tokyo Contemporary Art Exhibition, which was well received.
After 1970, Toshimitsu Imai began to incorporate text and Japanese cultural elements into his
paintings. In his later works, the artist turned to the themes of Japan's invasion of China and
World War II. His works have been collected by the Ohara Museum of Art, the National Museum
of International Art, and the National Museum of Modern Art, Tokyo.

金田（b.1960） 男，1960年生于南京、1987年毕业于南京艺术学院、国家一级美术师、江苏省美术馆副馆长、江苏省美术
JIN TIAN 家协会副主席、江苏省美术家协会油画艺委会主任、中国油画学会理事、中国美术家协会会员。
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Jin Tian, male, born in Nanjing in 1960, graduated from Nanjing Art Institute in 1987,
national level artist, deputy director of Jiangsu Art Museum, vice chairman of Jiangsu Artists
Association, director of oil painting art committee of Jiangsu Artists Association, director of
China Oil Painting Society, member of China Artists Association.