Page 194 - 当代艺术夜场

艺术家简历 ARTIST BIOGRAPHIES

Born in Beijing, and graduated from the Printmaking Department of the Central Academy
of Fine Arts in 1989. Now living in Beijing, he is a professional painter. He has held solo
exhibitions in New York, Philadelphia, France, Paris, Luxembourg and other places. In 2001,
he held a solo exhibition at LOFT Gallery in Paris. Major exhibitions: 2018 Image 180 Liu Wei's
solo exhibition, Ullens Center for Contemporary Art, Beijing; 2016 Taipei International Art Fair,
Future Lin House Gallery, Taipei; 2015 Surrealist Reality three-person exhibition by Ji Dachun,
Liu Wei and Mou Boyan, aye Gallery, Beijing; 2014 Parkview Contemporary Art Collection
Exhibition I, Parkview Exhibition Hall, Beijing; out of context: 1984, 37.8 ART LAB, Beijing; 2013
Asian Young Artist Nomination Exhibition, Today Art Museum, Beijing; 2013 History The Road
Venice Biennale and Twenty Years of Chinese Contemporary Art - 55th Venice Biennale Special
Invitational Exhibition, Chengdu Museum of Contemporary Art, Chengdu; Tiangong Kaiwu, Amy
Li Gallery, Beijing; 2001 Liu Wei solo exhibition, LOFT Gallery, Paris, France.

刘晓辉（b.1975） 1975年出生于山东，1991年来到北京，相继在中央美术学院完成附中，大学和研究生的学习。2007年应邀
LIU XIAOHUI 赴英国伦敦进行艺术交流和创作，目前任教于中央美术学院壁画系。刘晓辉作品的结构是紧紧围绕其生活
路径，利用绘画语言的造型塑造和对色彩的反复分析，在对于当下经验的不断肯定与否定中，通过在绘画
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过程中反复地推敲与提炼，运用指向性模糊的题材和寻常的场景事物，力图通过质和量的渗透反应，来寻
找一个空间进行反复实践和判断。个展包括：2023，木槿，空白空间，北京；2020，刘晓辉：转身，798艺
术区A07楼，北京；2018，刘晓辉：两个动作，香格纳北京，北京；2015，刘晓辉：西西弗斯之谜，天线空
间，上海。

Born in Shandong in 1975. In 1991, he came to Beijing and subsequently completed his studies
at the affiliated middle school, university, and graduate school of the Central Academy of Fine
Arts (CAFA). In 2007, he was invited to London, UK, for art exchange and creation. He currently
teaches in the Mural Department at CAFA. The structure of Liu Xiaohui's works closely follows
his life path. Through the use of painting language to shape forms and the repeated analysis of
colours, he affirms and negates the current experience. He continuously refines and scrutinizes
his work, using directional vague subjects and ordinary scenes and objects to seek a space for
repeated practice and judgment, aiming to reflect on the penetration of quality and quantity.
Solo exhibitions include: 2023, Mujin, Blank Space, Beijing; 2020, Liu Xiaohui: Turning, 798 Art
Zone A07 Building, Beijing; 2018, Liu Xiaohui: Two Actions, ShanghART Beijing, Beijing; 2015,
Liu Xiaohui: The Mystery of Sisyphus, Antenna Space, Shanghai.

米里亚姆·卡恩（b.1949） 1949年出生于瑞士巴塞尔，目前在瑞士斯坦帕生活和工作。1968年至1973年间，她在巴塞尔设计学院接受
MIRIAM CAHN 平面艺术课程的培训。1979年，她因在高速公路桥上放置壁画而闻名，并于1984年代表祖国参加威尼斯双
年展。卡恩的作品受到了20世纪70年代和80年代女权主义运动和思想的影响。在她的艺术生涯之初，她在
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作品中使用自己的身体，在地上、工作室的地板上作画，有时甚至赤身裸体或蒙住眼睛，以减少心灵对创
作过程的影响。在卡恩的作品中，任何身体，无论是男人还是女人，动物还是植物，都不仅仅是其物质形
态。她将身体置于情感和主观的色彩中—通常是明亮的，这些颜色变成了情感。她带出了那些被埋葬的东
西，她的作品唤起了身体的欲望，就像它唤起了身体所遭受的暴力一样。米里亚姆·卡恩的作品被现代艺
术博物馆、泰特现代美术馆、蓬皮杜中心和现代艺术博物馆等主要机构收藏。

Born in Basel, Switzerland in 1949 and currently lives and works in Stampa, Switzerland. She trained at
the Gewerbeschule in Basel, where she took lessons in graphic art from 1968-1973. She gained renown
in 1979 when she placed murals along a motorway bridge and in 1984, she represented her country at
the Venice Biennale. Miriam Cahn's work contains the influence of the feminist movement and thoughts
of the 1970s and 80s. At the beginning of her artistic career, she used her own body in her work by
painting on the ground, on her studio floor, and sometimes naked or with her eyes blindfolded to reduce
the influence of the mind on the creative process. Anybody, whether man or woman, animal or vegetation