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ARTIST BIOGRAPHIES  艺术家简历

                                       Shanghai; 2014 Visual Boundaries, Linda Art Center, Beijing; Immortal Landscape, Hive Center
                                       for Contemporary Art, Beijing; 2013 Visibility - 2013 Shanghai Oil Painting sculpture museum
                                       invitation exhibition, Shanghai Oil Painting Sculpture Institute, Shanghai; 2012 Soka Vision -
                                       20th Anniversary Exhibition, Soka Art Center, Taipei 2012 Chinese Contemporary Art Exhibition,
                                       Olympia Art Center, London, United Kingdom; 2011 Xishan Qingyuan - New Chinese Paintings,
                                       San Francisco Museum of Asian Art, San Francisco, USA.

             舒群(b.1958)                1958年出生于吉林省洮南市,祖籍安徽旌德。1968年随父亲舒展学习绘画。1982年毕业于鲁迅美术学院
             SHU QUN                   中国画系,获学士学位;1995年在武汉大学被聘为副教授。作品及论文发表于国内重要专业杂志及核心杂
                                       志,作品多次参加国内外重要画展联展。现主要从事理论研究及创作研究。主要展览:2015,形式乌托邦
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                                       群展,艺凯旋艺术空间,北京;2013,捕捉  OCAT出版物展,OCT当代艺术中心,深圳;2012,开放的肖
                                       像,民生现代美术馆,上海;2011,纸上美术馆,伊比利亚当代艺术中心,北京;2010,穿越历史:中国
                                       当代艺术邀请展,贵点艺术空间,北京;中国当代艺术三十年历程·绘画篇(1979-2009)作品展,民生现
                                       代美术馆,上海。

                                       Shu Qun was born in Jilin Province. In 1984, Shu Qun was one of the founders of the Northern Art
                                       Group, along with Wang Guangyi, Ren Jian and Liu Yan, among others. In 1982, Shu graduated from
                                       the Lu Xun Academy of Fine Arts in Shenyang. In the mid-1980s, he helped organize conferences
                                       and exhibitions, including the 'Large-Scale Slide Exhibition of New Wave Art' at the Zhuhai
                                       Conference (1986) and the Northern Art Group Biennale (Jilin College of the Arts, Changchun, 1987).
                                       In 1987, Shu was interviewed by China Central Television (CCTV), and in 1989, he participated in the
                                       'China/Avant-Garde Exhibition' at the National Art Museum of China in Beijing.
                                       Shu published numerous articles in the 1980s and early 1990s, such as 'Form Follows
                                       Content' in Art (Meishu) magazine (no. 7, 1986), 'A Monologue about Rational Painting' in
                                       Jiangsu Pictorial (Jiangsu huakan) (no. 9, 1989) and 'Rational Painting' in Art Panorama (Yishu
                                       guangjiao) (no. 5, 1991). Shu continues to work as an artist in Chengdu and exhibits widely.

             宋琨(b.1977)                1977年生于内蒙古。2006毕业于中央美术学院油画系,硕士学位,现居北京。主要个展:2024「无尽藏
             SONG KUN                  2001-2024宋琨个展」,松美术馆,北京;2021 「泛灵境界·较人泣珠」,乔空间,上海;2019 「写真·女
                                       体」,SSSSTART,上海;2018 「泛灵净界」,Cc基金会&艺术中心,上海;2017 「阿修罗净界」,清艺术空
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                                       间,东京。主要群展:2017 一次别离群展,杨画廊,北京;2016走出牡丹亭中国当代女性艺术展,俄罗斯民
                                       族博物馆,圣彼得堡;2015 多重宇宙有限与无限 存在与共存群展,民生美术馆,上海;2014 我这一代:中
                                       国青年艺术家群展,坦帕美术馆&圣彼得斯堡美术馆,佛罗里达;2013  纵横阡陌中国当代青年艺术家作品馆
                                       藏展,龙美术馆,上海;2010 转思写实主义:中国当代艺术展,洛克菲勒中心,纽约。
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                                       Born in Inner Mongolia in 1977, and earned her MFA in 2006 from the oil painting department
                                       of the Central Academy of Fine Art (CAFA). Song's practice focuses on painting, while
                                       incorporating music live, video, installation and other media. She is hailed as one of the most
                                       promising female artists in China.
                                       Exhibitions: It's My Life (Boers-Li Gallery, Beijing, 2006); Song Kun (Hammer Museum, Los Angeles,
                                       California, USA, 2007); Xi Jia-River Lethe (Boers-Li Gallery, Beijing, 2008); Seeking the Recluse
                                       but not Meeting (Walter Maciel Gallery, Los Angeles, USA, 2009); A Thousand Kisses Deep (UCCA,
                                       Beijing, 2012); HALF THE SKY – Women in the New Art of China; (Leonard Pearlstein Museum,
                                       Philadelphia, USA, 2011); Visual Stream of Consciousness (Minsheng Art Museum, Shanghai,
                                       2014); My Generation: Young Chinese Artists (Tampa Museum of Art, USA, 2014); China8 – Rhein –
                                       Ruhr Chinese Contemporary Art Exhibit (NRW-Forum Düsseldorf, Germany, 2014); Cosmos (M21
                                       Minsheng Art Museum, Shanghai, 2015), ASURA SUKHAVATI (Hive Center for Contemporary Art,
                                       Beijing, 2015); She (Long Museum, Shanghai, China, 2016); SUKHAVATI .o 0 ( Cc Foundation & Art
                                       Center, Shanghai, China, 2018); Painting: Macro (Guangdong Museum of Art, China, 2020).
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