Page 200 - 当代艺术夜场
P. 200

艺术家简历  ARTIST BIOGRAPHIES



       王兴伟(b.1969)               生于沈阳。1990年毕业于沈阳师范大学艺术系。现为职业画家。主要个展:2019  沈阳之夜王兴伟个展,麦
       WANG XINGWEI              勒画廊,北京;2016荣与耻王兴伟个展,站台中国当代艺术机构,北京;2013王兴伟尤伦斯个展,尤伦斯
                                 当代艺术中心,北京。主要群展:2018  露点群展,166艺术空间,上海;2017  门闩:x肖像画的隐晦目的群
       327
                                 展,草场地C-Space+Local,北京;2016 中国当代艺术四十年M+希克藏品展, ArtisTree ,香港。

                                 Born in Shenyang. Graduated from Shenyang Normal University's Art Department in 1990.
                                 Currently working as a professional painter. Solo Exhibitions: 2019 Shenyang Nights solo
                                 exhibition by Wang Xingwei, Meyer Gallery, Beijing; 2016 Honor and Shame solo exhibition by
                                 Wang Xingwei, Platform China Contemporary Art Institute, Beijing; 2013 Wang Xingwei's solo
                                 exhibition at the Ullens Center for Contemporary Art, Beijing. Group Exhibitions: 2018 Dew
                                 Point group exhibition, 166 Art Space, Shanghai; 2017 Latch: The Obscure Purpose of Portrait
                                 Painting group exhibition, C-Space+Local, Beijing; 2016 Forty Years of Chinese Contemporary
                                 Art M+ Sigg Collection Exhibition, ArtisTree, Hong Kong.


       王音(b.1964)                生于山东济南,1988年毕业于中央戏剧学院舞台美术系。获奖:中国当代艺术奖  (CCAA)  提名奖。主要个
                                 展:2016  礼物王音个展,尤伦斯当代艺术中心,北京;2015  未明王音小幅作品展,西路沙龙,长沙;
       WANG YIN
                                 2014年王音,当代唐人艺术中心,北京。主要群展:2019  比赛继续,舞台留下,广东时代美术馆,广州;
       304
                                 2017  疆域——地缘的拓扑群展,华侨城当代艺术中心上海馆,上海;2015  交叉小径的花园15位艺术家的
                                 路径与节点群展,沪申画廊,上海。


                                 Wang Yin was born in Jinan, Shandong Province. In 1988 Wang graduated from the Department
                                 of Fine Arts at the Central Institute of Theater. Prizes: 2004 Chinese Contemporary Art Award
                                 (CCAA). Solo Exhibitions: 2014 Wang Yin, Tang Contemporary Art, Beijing; 2013 Start-Wangyin
                                 independent Project, Platform China, Beijing; 2011 The Soviet And The Filing Sation, Gao
                                 Magee Gallery, Madrid. Group Exhibitions: 2014 Hans van Dijk 5000 Names, UCCA Center
                                 for Contemporary Art, Beijing; 2014 Early Platform China, Beijing; 2014 Other Flows Six
                                 Contemporary Chinese Painters, Bemier-Eliades Gallery, Greece; 2014 About Painting, OCAT
                                 Xian 2014 Spring Exhibition, Xian; 2014 The Travelers Note, Hive Center For Contemporary Art,
                                 Beijing.

       吴山专(b.1960)               生于浙江舟山,1986年毕业于中国美术学院。1995年毕业于汉堡艺术学院获硕士。主要个展:2010  蝶蛙,
       WU SHANZHUAN              汉雅轩,香港。主要群展:2016  语言亭,上海民生现代美术馆,上海;2015  圆的振荡─括桥吴山专  英
                                 格-斯瓦拉-托斯朵蒂尔新作展,汉雅轩,香港;2014  戴汉志:5000个名字群展,尤伦斯当代艺术中心,北
       315
                                 京;2013  绿盒子重绘形貌:媒体现实的空间天鸿美和院艺术中心,杭州;2012  每一天群展,沪申画廊,
                                 上海;2012 编辑图片强迫症,香格纳画廊H空间,上海。


                                 Wu Shanzhuan (born in 1960, in Zhoushan, Zhejiang Province) graduated from the Zhejiang
                                 Academy of Fine Arts in Hangzhou (now the China Academy of Art). Wu is one of China's
                                 most enigmatic conceptual artists, whose work involves language, pseudo-text, humor, and
                                 symbolism from everyday life. As one of the leaders of the Chinese Conceptual Movement in
                                 the 1980s, Wu Shanzhaun was the first artist in China to incorporate textual pop references into
                                 his work. Wu's pivotal 1986 installation, Red Humour International, laid the foundation for his
                                 highly idiosyncratic and sophisticated approach to painting, which forgoes image in favour of
                                 political jingoism, religious scripture, and advertising slogans.
   195   196   197   198   199   200   201   202   203   204   205