Page 338 - 二十世纪及当代艺术

艺术家简历 ARTIST BIOGRAPHIES

丁衍庸（1902-1978） 1902年生于广东省茂名县，1920年赴日本留学，翌年进入东京美术学校就读西洋画科。1925年回国，与
TING YANYONG 蔡元培、陈抱一创办中华艺术大学，任董事兼教务长及艺术教育系主任。1928年，担任大学院（教育部前
身）筹办的第一届全国美术展览会总务委员及审查委员。1929年，参加全国第一次美术展览会，参与筹备
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广州市立博物院，出任美术部主任。1946年被聘为广东省立艺术专科学校校长。1949年移居香港，1957
年，应钱穆的邀请与陈文士共同创办艺术专修科，其后改为艺术系，加入香港中文大学，任教至1978年。

Born in Maoming County, Guangdong Province in 1902, he went to Japan to study in 1920 and
entered the Tokyo Art School in the following year to study Western painting. Returning to
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China in 1925, he founded the China University of the Arts with Cai Yuanpei and Chen Baoyi and
served as director, provost and director of the Department of Art Education. In 1928, he served
as the general committee member and review committee member of the First National Art
Exhibition organized by the Graduate School. In 1929, he participated in the First National Art
Exhibition, participated in the preparation of the Guangzhou Municipal Museum, and served as
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the director of the Art Department. In 1946, he was appointed as the principal of Guangdong
Provincial Art College. He moved to Hong Kong in 1949. In 1957, at the invitation of Qian Mu, he
co-founded the art major with Chen Wenshi, which was later changed to the art department.
He joined the Chinese University of Hong Kong and taught there until 1978.

藤田嗣治（1886-1968） 出生于日本东京都的画家，雕刻家。曾就读于东京艺术大学，在知名艺术家黑田清辉指导下学习油画。
TSUGUHARA FOUJITA 1920年代在巴黎开创了融合水墨韵味的油画风格，以女人体为主要题材，在乳白底色上勾勒纤细的墨线，
并施以梦幻般的淡彩，被称为绝妙的乳白色肌肤。1920年代在巴黎的秋季沙龙展出作品后，受到了法国人
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民的追捧，并成为巴黎画派的主要成员之一。藤田嗣治完成了日本第一代油画家的理想和使命，第一次向
欧洲展现出日本式油画的魅力，他也由此赢得了世界性声誉。由于1940年代太平洋战争期间藤田嗣治参与
了军政府组织的战争画绘制，日本战败之后，藤田嗣治作为美术界的战争责任代表人物受到攻击和批判。
1949年藤田嗣治黯然离开日本返回巴黎，1955年加入法国国籍，1959年接受洗礼，皈依基督教，再也没有
踏上日本的土地。藤田嗣治的艺术生涯起起落落，却始终坚持信念，声名享誉欧洲、美洲和亚洲，时至今
日仍然是在法国最为著名的日本艺术家。

Born in Tokyo, Japan. Tsuguhara Foujita studied at Tokyo University of the Arts and studied
oil painting under the guidance of the famous artist Kuroda Kiyote. In the 1920s, he created
an oil painting style that combined the charm of ink and wash in Paris. He used the female
body as the main subject, outlined slender ink lines on a milky white background, and applied
dreamy light colours, which were called excellent milky white skin. After exhibiting his works at
the Salon d'Automne in Paris in the 1920s, he became popular among the French people and
became one of the main members of the Paris School of Painting. Tsuguharu Fujita fulfilled
the ideals and mission of the first generation of Japanese oil painters and showed the charm
of Japanese oil painting to Europe for the first time, and he also won a worldwide reputation.
Because Fujita participated in the war paintings organized by the military government during
the Pacific War in the 1940s, after Japan's defeat, Fujita was attacked and criticized as a
representative figure responsible for the war in the art world. In 1949, Foujita sadly left Japan
and returned to Paris. He became a French citizen in 1955, was baptized in 1959, converted to
Christianity, and never set foot in Japan again. Tsuguharu Fujita's artistic career has had ups
and downs, but he has always persisted in his beliefs and gained fame in Europe, America and
Asia. Today, he is still the most famous Japanese artist in France.