Page 198 - 当代艺术
P. 198

艺术家简历  ARTIST BIOGRAPHIES



       黄宇兴(b.1975)               1975年生于北京,2000年毕业于中央美术学院壁画系。2015年,他是玉兹博物馆项目室的第一位客座艺术
       Huang Yuxing              家。黄玉兴的作品不局限于某种理想形象的标准,而是从绘画内部自然生长。从他的职业生涯开始,水、
                                 漩涡、森林、矿物、水晶,甚至建筑都是他一贯喜欢的主题。虽然从未试图精确地表现这些物体的自然状
       51
                                 态,但他既没有完全放弃它们在现实世界中的形状。此外,他甚至试图重构这些物体的印象。例如,当人
                                 们站在河边时,通常会不自觉地盯着河水看。黄玉兴在画布上加载的色彩使观众沉浸在同样的空虚中。但
                                 与后印象派的点彩主义不同的是,黄宇兴从不被动地等待观众的眼睛来混合纯色,而是将颜色重叠起来,
                                 反复调整,最终达到他的满意点;他打算通过遵守这一创作过程来唤起他画中的能量。对颜色、形状和构
                                 图的修改已经控制了艺术家,使他忙得不可开交。正是在这个过程中,绘画为自己赢得了新鲜感和自给自
                                 足的生命,以及不断成长的动力。
                                 个展:  2019年  “吠叫婴儿的湖”,东京白石画廊,日本;2018年“黄金王国”,白石画廊,台北;2016
                                 年  “AND  NE  FORHTEDON  NÁ”,佩罗廷画廊,香港;2015年  ”黄宇兴2005-2015年”,民生现代美术
                                 馆,上海;”Liquidus”,禹州博物馆,上海;2014年,“河流吞噬了树木,他接下来会吞噬你。”,天
                                 线空间,上海;2012年  “黄宇兴”,北京公社,北京;“革命公园”,Paul  Frèches画廊,巴黎;2010年
                                 “光--黄宇兴绘画展”,星空间,北京;红桥画廊,上海;2008年 “变化中的生命史”,红桥画廊,上海

                                 Born in Beijing, Huang Yuxing graduated from the Department of Mural Painting at the Central
                                 Academy of Fine Arts in 2000. He was the first guest artist at the Yuz Museum Project Room
                                 in 2015. Huang Yuxing's work is not limited to the standard of a certain ideal image, but also
                                 grows naturally from within the painting. From the beginning of his career, water, whirlpools,
                                 forests, minerals, crystals, and even architecture have been consistently his favorite motifs.
                                 Although never tries to precisely represent these objects naturalistically, he has neither
                                 completely abandoned their shape in the real world. Moreover, he even attempts to reconstruct
                                 the impression of these objects. For example, when standing in front of a river, people usually
                                 tend to stare blankly without realizing it. The colors that Huang Yuxing loads onto the canvas
                                 immerse the audience in the same emptiness. But different from the Pointillism of Post-
                                 Impressionists, Huang never passively waits for the audience's eyes to mix the solid colors,
                                 but overlaps the colors and adjusts them over and over to finally reach his point of satisfaction;
                                 he intends to evoke the energy within his paintings by abiding this creative process. The
                                 modification of colors, shapes, and compositions has taken control of the artist and kept him
                                 busy. It is during this process that the painting gains for itself a life of freshness and self-
                                 sufficiency, as well as the motivation for continuous growth.
                                 SOLO EXHIBITION: 2019 "The Lake of Barking Infants”, Whitestone Gallery Tokyo, Japan;
                                 2018 "Kingdom of Gold”, Whitestone Gallery Taipei; 2016 "AND NE FORHTEDON NÁ, Galerie
                                 Perrotin, Hong Kong; 2015 "Alluvial Huang Yuxing 2005–2015”, Minsheng Modern Art Museum,
                                 Shangha; “Liquidus”, YUZ Museum, Shanghai; 2014, "The River's Gobbled Up Trees and He'll
                                 Swallow You Next." Antenna Space, Shanghai; 2012 "Huang Yuxing”, Beijing Commune, Beijing;
                                 "Jardin des Révolutionnaires”, Galerie Paul Frèches, Paris; 2010 "Light -Huang Yuxing's
                                 Drawing Exhibition”, Star Gallery, Beijing; Red Bridge Gallery, Shanghai; 2008 "Life History in
                                 Changing”, Red Bridge Gallery, Shanghai
   193   194   195   196   197   198   199   200   201   202   203