Page 194 - 当代艺术

艺术家简历 ARTIST BIOGRAPHIES

Born in Saitama, Japan, in 1942, he received an art degree from the oil painting department
of Tama University of Fine Arts in 1968, and studied under artists Yoshishige Saito and
TakamatsuJiro. After graduation, he became a representative of the “Mono-ha” and was
active in international art exhibitions. Mono-ha, the literal translation is school of things, is
a symbolic group of Japanese post-war modern art. The “phase earth” created by Sekine
Nobuo in 1968 is widely regarded as the origin of the Wu school movement and one of the most
representative Japanese art creations at that time, which has a significant and far-reaching
impact on the future development of earth, installation and minimalist art in Asia. Inspired by
Zen philosophy, Sekine Nobuo’s works combine the theory of topology (phase geometry) with
artistic experiments to explore the pluralistic perception of the essence of things from different
angles and the change of the relationship between people and things under the condition
that things are deformed but do not deteriorate. His works include earth art, installations of
natural and industrial materials, field-specific three-dimensional human sculpture, and plane
creation exploring painting media. In 1970, Sekine Nobuo represented Japan in the 35th Venice
Biennale with the “empty phase” series, and then successively participated in the biennales
held in France, Japan and South Korea. In 2001, Tate Museum of modern art organized his
works into the exhibition “Century City” in order to praise Sekine Nobuo’s contribution to
Japanese modern art. Important exhibition: 2013 “parallel perspectives: Italian and Japanese
art in the 1950s, 1960s and 1970s”, the warehouse, Dallas, USA; 2012 “Tokyo 1955-1970: new
avant-garde”, Museum of modern art, New York, United States; 2005 “Reflection on the school
of things”, Osaka National International Art Museum, Osaka, Japan. His works are collected
by many public institutions, including the former Art Museum of Tokyo, the Art Museum of
Ota City, the Sichuan Vietnam Municipal Art Museum, the Osaka National International Art
Museum, the National Modern Art Museum of Guochuan City, Korea, the Louisiana Museum
of modern art in Denmark, the Keller milbo Museum in the Netherlands, and Henie onstad
kunstcenter in Norway.

何多苓（b.1948） 1948年5月生于成都，中国当代抒情现实主义油画画家的代表。1973年毕业于成都师范学院美术班，1977年
He Duolin 入四川美术学院油画专业学习，1979年入四川美术学院。
绘画系油画专业研究班，1982年毕业后在四川成都画院从事油画创作，现居成都。1985年应美国马萨诸塞
125
州艺术学院邀请赴美讲学。
上世纪80年代初，他即以油画《春风已经苏醒》、《青春》、连环画《雪雁》等作品引起轰动，成为塑造
一个民族和集体形象的代言画家。1992年，其作品《今夕何夕》颠覆其一贯恪守的焦点透视法则，首次使
用双重空间的处理手法，作品风格更为趋近中国古典绘画风格。
何多苓的艺术具诗意的特质，重绘画性，唯美、优雅、感伤，他追求的是无拘无束的自由度。他的艺术造
型功底坚实而全面，落笔之处，人物、景象充满生命活力。他在形式语言上所推崇的单纯感与中国传统水
墨画具有异曲同工之妙，在洗练中见细致，于单纯中现复杂，表现出一种超然的精神境界和深层次的艺术
追求。
现为中国美术家协会会员，中国油画学会理事，成都画院专职油画家，国家一级美术师、成都画院艺术委
员会主任。作为“伤痕美术”的代表人物，上世纪80年代初即以《春风已经苏醒》、《青春》、连环画
《雪雁》、《追穷寇》、《我们曾唱过这支歌》等作品轰动一时。油画《青春》曾获第六届全国美展铜
奖，还曾获第七届全国美展铜奖，摩纳哥政府奖等。《雪雁》获第三届全国连环画评奖绘画二等荣誉奖。
在当代中国画坛，何多苓是一位令人瞩目的人物。自1982年推出油画《春风已经苏醒》以来，他不断有新
作问世，画风悄悄地变化，形式、语言在逐渐完善，但他作为画家的面貌却是鲜明的，予人的形象是整体
的。他被认为是具有杰出才能的现实主义画家。
许多重要的画廊和博物馆，如西外滩的龙美术馆，都曾展出过何多苓的作品。何多苓的作品曾多次在拍卖
会上推出，根据作品的尺寸和媒介，实现的价格从1449美元到1，707，701美元不等。自2005年以来，这位
艺术家在拍卖会上的价格记录是2014年在香港佳士得拍卖的1，707，701美元《生活》。何多苓曾在CAFA
Art Info、Ocula和ArtDaily的文章中出现过。最近的一篇文章是2021年12月为《中国日报》撰写的《一个世