Page 164 - 亚洲二十世纪及当代艺术

41 趙無極 1920-2013 Zao Wou-Ki

ᕐࢤ Deux Cimes
Oil on canvas
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ذ੹ ೥̺ O i l o n c a n v a s
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ɓɘʞɚЇɓɘʞɧϋЪ
ɓɘʞɚЇɓɘʞɧϋЪ 54 × 65 cm. 21 /4 × 25 /8 in. .
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Signed in Chinese and English on bottom right; titled and
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ೌ฽ Za o €̛ɨᕐࢤ Z a o W ou-Ki 1952 ϋʞ S a i g t n e e d i d i n C h h i n i n e e s s e e a i n g d E d i g n E s n h o l n b h o t n t o m r i g e h v e t ; t s i e t l e d a n d
ೌ฽ Zao€̛ɨᕐࢤ Zao Wou-Ki 1952 ϋʞ
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dated in Chinese, signed in English on the reverse
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˜ -1953 ϋʬ˜€೥ߠ
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LITERATURE
̈و 2 2019, Zao Wou-Ki catalogue raisonné Vol.1 1935 – 1958, ,
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2019 ϋdႻೌ฽Όණୋɓ՜ 1935-1958‘d̿ Groupe Flammarion / Foundation Zao Wou-Ki, Paris, p.165 5
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1935-1958
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ז৵лॽ̈وٟ࿬Ⴛೌ฽ਿږึ̈وdˋኇdୋ
ז৵лॽ̈وٟ࿬Ⴛೌ฽ਿږึ̈وdˋኇdୋ
RPOVENANCE
165 ࠫ G a l eri e Pi er r e L o eb , P a ri s
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Galerie Pierre Loeb, Paris
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Galerie Redies, Duisbourg
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ˋኇͤࡾဧgਔ̺೥఼ G a l e r i e R e di e s , D ui s b o u r g
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1956 ϋdॲߒז༁g ڛᅃԢփ ϗᔛ 1 1978, Collection of Roland Hänssel et Waltraut, Stuttgart t
1956 ϋdॲߒז༁gڛᅃԢփϗᔛ
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Ӂͺ౶ఝཤࠔ౶೥఼ 3 30 March 2017, Nagal Stuttgart, Roland Hänssel, Gründer
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1978 ϋd̡ྡ̋तᖯᚆgᒵ෦ဧ˃੉ϗᔛ Acquired directly by present important private Asian
1978 ϋd̡ྡ̋तᖯᚆgᒵ෦ဧ˃੉ϗᔛ
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This w ork is accompanied b y a cer tifica t e o f a uthenticity
This work is accompanied by a certificate of authenticity
ତԭݲࠠࠅӷɛᔛ࢕ٜટᒅІɪࠑԸ๕
ତԭݲࠠࠅӷɛᔛ࢕ٜટᒅІɪࠑԸ๕
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ڝjႻೌ฽ਿږึකͭʘЪۜᗇࣣ
ڝjႻೌ฽ਿږึකͭʘЪۜᗇࣣ N o t e : L a r r y A d r i c h w a s a p i o n e e r i n t h e U . S . f a s h i o n
Note: Larry Adrich was a pioneer in the U.S. fashion
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ൗjڛᅃԢփމߕ਷ࣛༀପุᎲ᎘࿬ϗᔛ࢕iᒵ industry and an art collector; Mr. and Mrs. Hänssel had
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෦ဧ˃੉׵ 1961 ϋϓͭٝΤᖵஔ̈وٟ৵р౶ established renowned publishing house Manus Presse in
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ϋϓͭٝΤᖵஔ̈وٟ৵р౶
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1961
HKD 8,000,000 – 15,000,000
USD 1,025,600 – 1,923,100
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Chinese art and fell in love with works by Mi Fu and Zhao Mengfu (1254-1322). . distance. Moreover, the Western
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Against that backdrop, Zao takes the “blank space” aesthetic that is such an s t y le b uil din g j u x t a p o s e d t o n a t u r e
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integral part of Chinese painting and calligraphy and transforms it in Deux i illuminates the miracle of human
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C im e s i n t o s p a c e t h a t i s da r k , h a z y a n d i m b u e d w i t h m u l t i p l e r ic h l a y e r s o f c i v i l i z a t io n , e u l o g i z i n g t h e jo y , h o p e
Cimes into space that is dark, hazy and imbued with multiple rich layers of
civilization, eulogizing the joy, hope
and yearning of modern people.
a p p r o x i m a t e c o l o u r c h a n g e s . I n t h i s w a y , h e us e s c o l o u r e d o i l s t o c o n s t r u c t a a n d y e a r n i n g o f m o d e r n p e o p l e .
approximate colour changes. In this way, he uses coloured oils to construct a
dreamlike space. Indeed, there is an interesting similarity between this piece
d r e a ml i k e s p a c e . I n d e e d , t h e r e i s a n i n t e r e s t i n g s i m i l a r i t y b e t we e n t h i s pi e c e Zao Wou-Ki named the work Deux
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an d M o u n t a i n s a n d P i n e s i n S pr i ng b y M i F u . A l t h o u g h Z a o d o e s n o t d i r e c t l y C im e s a n d t h i s s y m b o l i z e s n o t
and Mountains and Pines in Spring by Mi Fu. Although Zao does not directly
Cimes and this symbolizes not
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depict objects, in the hazy night sky meteors are changed into coloured dots o n l y t h e i m a g e o f m o u n t a i n t o p s ,
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only the image of mountain tops,
and plummet from top to bottom, the moonlight is lightly sprinkled on the
a n d p l u m m e t f r o m t o p t o b o t t o m , t h e m o o n l i g h t i s l i g h t l y s p r i n k l e d o n t h e b u t a l s o r e v e a l s t h e s o u r c e s o f
but also reveals the sources of
m o u n t a i n t o p s a n d t h e d i s t a n t p e a k s a r e b a r e l y l i t s o t h e v i e we r c a n i m a g i n e i inspiration for his artistic work
mountain tops and the distant peaks are barely lit so the viewer can imagine
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g r a s s fl u t t e r i n g i n t h e w i n d , t r ic k l i n g s t r e a m s , s h i m m e r i n g l i g h t i n t h e w a t e r , -- China and France, which he
grass fluttering in the wind, trickling streams, shimmering light in the water,
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floating clouds and a brightly coloured life on the mountains and land in the
fl o a t i n g c l o u ds a n d a b r i g h t l y c o l o u r e d l i f e o n t h e m o u n t a i n s a n d l a n d i n t h e
e m b r a c e s a s t w o s o u r c e s o f
embraces as two sources of
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culture. In 1948, Zao traveled from
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China to France and in 1951 he
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West and in doing so rediscovered
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and came to better understand
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and affirm the unique aesthetics
of the East. The strengths of East
o f t h e E a s t . T h e s t r e n g t h s o f E a s t
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and by making full use of both in
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his art he breathed new life into
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painting
p a in t in g
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Ϸڇ݆ʆ๿ؒྡ‘dኈॷ͉d35 x 44.1 cmd҂˾d̨݂̏ࢗ௹
Ⴛ ೌ ฽ٓု‘dذ੹೥̺d55 x 46 cmd
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