Page 194 - 亚洲二十世纪及当代艺术

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sculptor Antoine Bourdelle. Upon his return to China, he continued to explore various
s c u l p t o r A n t o i n e B o u r d e ll e . U p o n h i s r e t u r n t o C h i n a , h e c o n t i n u e d t o e x p l o r e v a r io us the artwork. His brushwork leaps and bounds, ,
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artistic expressions, including the Fauvist movement and abstract expressionism. In
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1 9 7 2 , wh e n h i s s t u d e n t Z a o W o u - K i v i s i t e d h i m , h e p r e s e n t e d W u D a y u w i t h a v o l u m e f from Eastern ink painting. Simultaneously, ,
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1972, when his student Zao Wou-Ki visited him, he presented Wu Dayu with a volume
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showcasing the works of Pablo Picasso, adding to the rich tapestry of experiences
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s h o w c a si n g t h e w o r k s o f P a b l o P i c a s s o , a d d i n g t o t h e r i c h t a p e s t r y o f e x p e r i e n c e s other colours gradually layer upon each other. .
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that served as abundant nourishment for Wu Dayu’s creative output in his later years. . L a r g e a r e a s o f b r o wn h u e s a r e c o n c e n t r a t e d t o
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Large areas of brown hues are concentrated to
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accentuate the figures, while starting from the
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In order to manifest the rhythmic sensibility of form, Wu Dayu adeptly extracted
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t the quintessence of Western Cubism and organically fused it with the profound central figures, indigo, grey-blue, and pale blue
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essence of the East. By harnessing the dynamic interplay of form and energy,
e s s e n c e o f t h e E a s t . B y h a r n e s s i n g t h e d y n a m ic i n t e r p l a y o f f o r m a n d e n e r g y , gradually introduce variations in the details, ,
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he achieved a convergence towards a sense of momentum, thereby giving birth
h e a c h i e v e d a c o n v e r g e n c e t o w a r d s a s e n s e o f m o m e n t u m , t h e r e b y g i v i n g b i r t h thus endowing the artwork with a profound
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t to his unparalleled aesthetic of “Dynamic Expressionism” in the 1940s. Within expressiveness achieved through Wu Dayu’s
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advocacy of “cautiously progressing with colour
his work titled Untitled 10, he ingeniously reconfigured the facial features of
h i s w o r k t i t l e d U n t i tl e d 1 0 , h e i n g e n io us l y r e c o n f i g u r e d t h e f a c i a l f e a t u r e s o f a d v o c a c y o f “ c a u t i o u s l y pr o g r e s s i ng w i t h c o l o u r
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t the depicted figures, elucidating the discourse of “form” and “image” through t to gradually develop brilliance.” The sky blue
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t the trajectory of their contours and the interrelationships of their structures. . and golden yellow outside the window stand
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E a c h f i g u r e , g u i d e d b y t h e i r d i s t i n c t c o u n t e n a n c e a n d p e r s o n a l i t y t r a i t s , w a s out in the composition, bringing a refreshing
Each figure, guided by their distinct countenance and personality traits, was
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m e t ic u l o us l y p o r t r a y e d : T h e c e n t r a l fi g u r e , e m b o d y i n g t h e r o l e o f t h e f a t h e r , w a s brightness and symbolizing “hope.” Viewers
meticulously portrayed: The central figure, embodying the role of the father, was
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etched with a prominent nose bridge and profound eyes, capturing his disposition
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with a few deft strokes—an exquisite reflection of Wu Dayu’s own resolute and
w i t h a f e w d e f t s t r o k e s — a n e x q u i si t e r e fl e c t io n o f W u D a y u ’ s o wn r e s o l u t e a n d static representation of reality but a powerful l

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profound image. Positioned below, the wife stood alongside her children, her lips
p r o f o u n d i m a g e . P o s i t io n e d b e l o w , t h e w i f e s t o o d a l o n g s i d e h e r c h i l d r e n , h e r l i p s interplay of time and space, bursting forth
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d e l ic a t e l y t o u c h e d w i t h a h i n t o f r e d , h e r e y e s s p a r k l i n g w i t h s u b t l e i n g e n u i t y , between colour blocks and lines, imagination
delicately touched with a hint of red, her eyes sparkling with subtle ingenuity,
and memories. The connection between Wu
wh i l e t h e g r a c e f u l c u r v e s o f h e r v i s a g e a d d e d a u n i q u e l y f e m i n i n e a n d g e n t l e a n d m e m o r i e s . T h e c o n n e c t i o n b e t we e n W u
while the graceful curves of her visage added a uniquely feminine and gentle
Dayu’s nostalgic Hangzhou residence and the
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t temperament. The son, a conscientious and eager learner, appeared as if cradling D a y u ’ s n o s t a l g ic H a n g z h o u r e s i d e n c e a n d t h e
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a b o o k , c a s t i n g a b a c k w a r d g l a n c e a t h i s p a r e n t s , wh i l e t h e l i v e l y a n d e n d e a r i n g present-day loft is intertwined in the painting’s
a book, casting a backward glance at his parents, while the lively and endearing
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da u g h t e r f o u n d jo y b e n e a t h t h e i r e m b r a c e . H e r s p a r s e p o r t r a y a l c a p t u r e d h e r time and space, creating a magnificent
daughter found joy beneath their embrace. Her sparse portrayal captured her
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l lively personality and active attitude without overemphasising it. . panorama of life in the clash between light and
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D r a w i n g i n s pi r a t io n f r o m t h e b o l d n e s s o f B e i j i n g o p e r a f a c i a l m a s k s a n d t h e p o r t r a y a l With the Might of a Single Arm, Exchanging
Drawing inspiration from the boldness of Beijing opera facial masks and the portrayal
o f f a c i a l f e a t u r e s i n A f r ic a n t r i b a l m a s k s , W u D a y u e m p l o y s v i g o r o us a n d d y n a m ic a Lifetime of Purity and Passion
of facial features in African tribal masks, Wu Dayu employs vigorous and dynamic
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brushwork in his paintings. Layer upon layer, he shapes and forms, infusing the The Eternal Essence of a Life’s Character
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artwork with a dense and powerful rhythm, capturing the essence of “dynamic
a r t w o r k w i t h a d e n s e a n d p o we r f u l r h y t h m , c a p t u r i n g t h e e s s e n c e o f “ d y n a m ic W u D a y u r e g a r d e d t h e W e i a n d J i n d y n a s t y
Wu Dayu regarded the Wei and Jin dynasty
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expressionism” to its fullest. The simplified human faces, reminiscent of abstract l literatus Tao Yuanming as a role model for his
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expressions in Cubism, shed the starkness of geometric elements and instead, , li life. “Not hiding by hiding but hiding and achieving”
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t through the rhythmic movement of form, exhibit a vivid and lifelike quality, imbuing i is both his praise for Tao Yuanming and his own
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the artwork with a gentle human touch. The colours he employs further enhance artistic philosophy. Throughout his life, he faced
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the richness of the composition, evoking an air of rustic elegance. Male figures are a s o c i e t y t h a t d i d n o t a c c e p t h i m , h i s a r t i s t ic
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a society that did not accept him, his artistic
predominantly depicted with a base of brown and black, supplemented by indigo
p r e d o m i n a n t l y d e pic t e d w i t h a b a s e o f b r o wn a n d b l a c k , s u p p l e m e n t e d b y i n d i g o ideals were questioned, and he lived in seclusion
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blue, while female figures incorporate lighter shades of azure. The eyes are delineated
b l u e , wh i l e f e m a l e fi g u r e s i n c o r p o r a t e l i g h t e r s h a d e s o f a z u r e . T h e e y e s a r e d e l i n e a t e d f for an extended period. He couldn’t shine like Xu
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with white lines, accentuating the vividness and contrast of the colours, thus echoing B e i h o n g i n t h e a r t a c a d e my . I n s t e a d , h e c h o s e t o
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Beihong in the art academy. Instead, he chose to
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the unique imagery of the characters. .
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Embedded within Wu Dayu’s artistic expression is a potent fusion of Western abstract e a g l e i n t h e r e a l m o f a e s t h e t ic s . I n t h i s s e n s e , i n
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eagle in the realm of aesthetics. In this sense, in
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vocabulary and distinct Eastern characteristics. Through the exploration of the W u D a y u ’ s p a i n t i n g s , t h e e x p r e s s io n o f s p a t i a l
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“ “authenticity of meaning and form,” he breathes life into the “human essence and i imagination is never a conceptually mundane
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emotions,” thereby encapsulating Wu Dayu’s profound artistic individuality and his o n e , b u t a h e a r t f e l t c o m m u n ic a t io n f i ll e d w i t h
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vivid Eastern sensibilities. This culminates in a visual representation of his artistic spirituality and emotions. It is the language
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musings and lifelong journey, granting him the ultimate freedom to express his of dynamic, poetry, and emotions. Untitled 10
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encapsulates his family, his life, and his sincere
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Wu Dayu’s abstract paintings may initially appear obscure, but upon closer
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inspection, their forms gradually emerge, revealing their profound and lingering I delight in zither and literature to dispel my
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charm. He once said, “Painting is the art of space,” and to depict the relationship
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between figures and space in his works, he meticulously harmonizes light and colour, , the harmonious companionship with family
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transforming them into the threads that connect time and space, constructing a members. However, upon closer observation of
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realm within the painting. For example, in the background of his paintings, we can the spatial arrangement, it is filled with deeper
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s e e v e r t i c a l s t r a i g h t l i n e s t h a t c r e a t e a d i v i si o n b e t we e n w i n d o w s , w a l l s , a n d d o o r s , metaphorical implications. On the left side of the
see vertical straight lines that create a division between windows, walls, and doors,
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directing the focus of the figures towards the core and presenting a sense of depth p a i n t i n g , a r e a c h i n g a r m s e e m s t o s y m b o l i z e t h e
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painting, a reaching arm seems to symbolize the
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in the composition. Wu Dayu also places great importance on the diversity and unity o u t s i d e w o r l d ’ s i n f l u e n c e , b r i n g i n g i n s pi r a t io n
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outside world’s influence, bringing inspiration
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of colours. Black and blue dominate the palette, establishing the tonal foundation of and blessings into this family and opening an
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15 5