Page 193 - 亚洲二十世纪及当代艺术

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Չ௴Ъʕdਬɓٙɓ΁੭ϞІෂ׌ٙΌ࢕၅ذ೥
Չ ௴ Ъ ʕ d ਬ ɓٙ ɓ ΁ ੭ Ϟ І ෂ ׌ ٙ Ό ࢕၅ذ ೥
a
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t the hardships of life, the family never parted and always supported each
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other. The figures in Untitled 10 form a sturdy triangle structure, supporting
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each other, serving as a true portrayal of Wu Dayu’s family life. This artwork
e
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eloquently showcases the intimate bond of the four individuals in a fusion of
e l o q u e n t l y s h o w c a s e s t h e i n t i m a t e b o n d o f t h e f o u r i n d i v i d ua l s i n a f us io n o f
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dynamic forces and Cubist form. .
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Among Wu Dayu’s oil paintings, he is renowned for his themes of Floral
A
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al
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Symphony, Rhymes of Beijing Opera, and Colourful Rhyme. Rhymes of Beijing
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Opera refers to his focus on depicting “figures,” which accounts for 27%
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(43 pieces) of his total creations. Among them, only four examples are of
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large size, larger than size 20 (76x53cm), and Untitled 10 is one of these rare
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and exceptional works. When examining his works with a focus on human
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subjects, they often feature a “single” individual or, at most, a “double” figure
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composition. Untitled 10, on the other hand, remarkably gathers a group of
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f four figures. Each figure in the painting corresponds to a family member, ,
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and the composition incorporates a railing in the upper left background that
n
t
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n
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n H
r resembles the window of his former residence in Hangzhou. This element
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imbues the artwork with the genuine and precious memories of Wu Dayu’s
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old home in Hangzhou and makes it a unique and autobiographical family
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portrait among his enduring creations. .
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Dancing Shadows, Expressive Linguistics
The Ultimate Symphony of Creative Freedom: United in Harmony
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“The strong aura of Wu Dayu, the
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aura of China, engulfs the form
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and colour of the West, forging
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a new path for Chinese abstract
ex p r e s s io n i s m . ”
expressionism.”
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