Page 199 - 亚洲二十世纪及当代艺术
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˜ᖵஔ༶ਗᏐϞν୭ΈəᇱഹԒٙВႜٙ *** ɓᅵٙːdҪɓʲே࿛කԸd
        ༐จήΣᖵஔٙ༩௄ɪۃБnn™

                                                               {{Ⴛᖕ
        1985 ϋdʕ਷ߕஔజ‘జኬəɓࡈ஗፲ҙڗ༺̒˰ߏʘɮٙΤο{{Ⴛᖕd
        ਗ਼˼ 30 ϋ˾౟ᕏ௉ᖕݼձ൴ତྼ˴່ࠬࣸʘЪ༪ᚔы‘࠯ϣʮʘ׵଺dҖ
        ࢙މ˜Ϟνœ̈ɺ˖يছdᜫɛᜓఃeᜓփl™Ϥܝٙ 90 ϋ˾dႻᖕટஹᐏ
        ᒗίᄿψߕஔ᎜eʕ਷ߕஔ᎜eᄿ؇ߕஔ᎜࢝̈dˏ೯ᖵஔޢ੶ड΍ჼfϾί
        1998 ϋdՉЪᕙ‘e༪ᚔы‘һᐏᒗ࢝௓׵ॲߒ࣬̚ဏߕஔ᎜ٙ˜ʕശʞɷ
        ϋ™ɽ࢝d˿ऎ̮ᖵእ͵ႩᗆՑவЗʕ਷ڐତ˾ᖵஔ̦ɪ๡ऎ፲मٙࠠࠅᄆ࠽f
        ༨൳ 30 Ї 50 ϋ˾ፄΥ؇ГᖵஔٙႧྤeԐཀ 60 ϋ˾஗͂ᏀٙѪպ๋˜e߈
        ૞ί 70 ϋ˾จᗆҖ࿒ٙᖴᝅʕd஗ᚑމ˜؇˙ଭ̋॰™e˜൴ତྼ˴່ᖭ೥౤ࡇ
                                                                           ੰɕ౶ਿՇಋͣเ˝ٙࠬ౻‘dذ੹೥̺d78.8Ò100cmd1912 ϋЪd
        ٫™ٙ˼d୞׵ίՉઞ॰ତ˾˴່ɓ͠ɿٙᖵஔּ௄ɪd׵ʦ˚Ύܓ⥙⥙৪ᘴ                                 ٺ̋ࡩᖵஔ௹ي᎜ᔛ
        ׵˰ɛ଻ۃf݊ϣשርҢࡁ࿲ֱяତႻᖕ˸௉ᖕݼʘЍeפ൥ڌତʘҖe؇˙
        ߕኪʘᗲהፄිϾ̈ٙذ੹ೌᕚ‘dމՉତʦ̙Ͻසʔԑ 120 ΁ٙޜ೽ذ੹                              “The art movement should have a heart like
        ЪۜʘɓdЇጲ̙൮l                                                         a nude body stripping off all the clothes,
                                                                           leaving everything behind and moving
        Ъމʕ਷ତ˾ᖵஔ൴ତྼ˴່ٙჯࠏɛdႻᖕϘί 30 ϋ˾ک࢝ତɽᑔӋอٙ                               forward steadily and faithfully onto the
        ۃᓼ׌f1912 ϋ͛׵ᄿ؇ٙ˼d׵ 1928 ϋϽɝᄿψ̹ͭߕஔኪࣧdଭุܝɝ                           path of art.”
        ɪऎᖵஔਖ਼߅ኪࣧኪ୦f1933 ϋ˼؇ನ˚͉d΋ܝආɝ˚͉ɽኪᖵஔ߅eʇ၌                                                         {{Zhao Shou
        ೥ኪࣧeۃሊݱ೥޼Ӻהኪ୦fί༧ᎇ˚͉ۃሊᖵஔ࢕ڛ௅ږ࡝ኪ୦Гݱ೥ٙ
        ཀ೻ʕd˼ટᙃՑə௉ᖕݼe൴ତྼ˴່ഃᔮబٙГ˙ᖭ೥ࠬᆓd˿Չɽաቤ                                 In 1985, Art News of China reported on a name that
                                                                           had been forgotten for half a century, Zhao Shou,
        ኼdԨІԊ੽Ϥආɝ˜Ѝ੹౴ᙴٙذ೥˰ޢ™f˼ක֐˸ᔕᙇe་ဂഃҖό။ɢ                                and firstly published his work Jump in the 1930s,
        પਗ൴ତྼ˴່ᖵஔܠᆓί؇ԭٙן࢝dԨί 1935 ϋڋdၾΝྃ௴፬əίӔ                              which combines the brutalist and surrealist styles.
        ᘜٟܝ௰ᄿމɛٝٙۃሊߕஔྠ᜗{{˜ʕശዹͭߕஔ՘ึ™dɢӋၝΥࢀ̋ဧ                                In the following 1990s, Zhao has been successively
       €Marc Chagallٙତྼ˴່eอ௉ᖕe൴ତྼഃݴݼdމʕ਷ᖵእ੭Ըอࠬf                           invited to the Guangzhou Art Museum, the National
        қί৷Ⴣdڎࠬጬജ                                                          Art Museum of China, the Guangdong Art Museum,
                                                                           and the exhibition Five thousand years of China
        Ͼவɓᖵஔଣׂ͍᜗ତߐೌᕚ‘ɓЪʕfίϤd˼ᅺอͭମήၝΥפ൥ڌତ
        ٙІ͟അැձ௉ᖕݼ̂တชݑɢٙЍҖd˸୑ྼϾ̂တɢඎชٙᇞૢd؈ᓙɨ                                 at the New York Guggenheim Museum, so that
                                                                           the whole overseas art circle also recognized
        അd෧ி̈̂တ఻ОชٙҖ൥fᎇഹኈၠeთරٙഅՏІɪϾɨᄴᄴ቗࢝dɓ                                 the value of this unnoticed pearl in the history
        ஈ̂တ൴ତྼ˴່ซ൥ٙ೥ࠦ࢝ତίᝈ଺ࠦۃjၯၠٙ໢এ͍ᇻۉബ࢝dֵɨ                                 of modern Chinese art. In this auction, we are
        ٙϼ܊σژੵ൨ഹఃᅅٙߎЍژᑌf৫ʫڀྠᎀᐬeၠจॄ್dɓ৳νዲٙॷ                                 honoured to present Zhao Shou’s Untitled, an oil
        ჽІʕ̯࠭ཀdɦλЧɓϢփڀ͍ᖒ್ସ׳dᗅᄳ̈Ѝ੹ٙʹᚤfЪۜݱ๐ഹ                                 painting featuring the colour of brutalism, the form
        ੰɕ౶ਿ€Wassily Kandinskyছε۶ഘᘆٙࠬڕdɦίפ൥ٙ་จʕ̳ԃə                        of abstract expression, and the rhyme of Oriental
        εᄴ൴ତྼ༆ᛘ̙ٙঐfϾഅැගԟ΅І͟ᛈ୭ٙᄳจᗲբdॆॆ࢝ତՉપਫ਼                                 aesthetics. It is one of the rare—less than 120
        ٙ൴ତྼ˴່ࠬ৶j˜ग़।ٙӮं™fίவഐΥə˜Ѝ™ձ˜ᗲ™ٙ೥അʕdႻ                                pieces—oil paintings that can be examined.
        ᖕ˸ٜଟeዢडeඪಾٙذ੹d࿎ᜑഹ͛նʘᆠडeᐆᙻd͍νՉΤছ̂တഹ                                 As the leader of surrealist art in the Chinese
        ௉ᖕݼٙࢳจfϾ˼һਗ਼ɓٰ᙮׵ɚɤ˰ߏڋٝᗆʱɿٙӮंᙺء׵Ъۜʘʕd                                modern art history, Zhao showed his bold and
                                       ίԟ˜ɷωཀးdҢːԱ್™ٙᖵஔ                    perceptive vision as early as in the 1930s. Born in
                                       ๋˜༁dίவࠬၔ৷࠭ٙ೥ྤʕd੔                    1912 in Guangdong, Zhao moved east to Japan in
                                       భഹ˼˜қί৷Ⴣdڎࠬጬജ™ٙʔ                    1933, where he studied art at the Art Department
                                       ᜊᆠҝfɓνʕ਷ᖵஔ޼Ӻ৫޼Ӻࡰ                    of Nihon University, Kawabata Painting School
                                       ௗ൘ͣהԊj˜Ⴛᖕᒱ್஗˰ɛ፲ҙə                   and Avant-Garde Foreign Painting Institute.
                                       ̒ࡈ˰ߏdШ˼ۍ੽͊ҙۍٟึd˼                    When studying abroad, he was exposed to the
                                       Ъމᖵஔ࢕ٙː֐୞ၾࣛ˾ٙএร΍                    rich Western painting trends such as Fauvism
                                       ࣈਗdԨ֐୞ڭܵഹᖵஔ࢕࿁͛ݺٙ                    and surrealism, and since then he considered
                                       ઽช׌d˸ІʉٙБމ˙όdၪᚐഹ                    himself entering the “colourful oil painting world”.
                                                                           He began to promote the expansion of surrealist
                                       வᄆ࠽՟Σdʔ૝ʔવd୞Չɓ͛d                    art in East Asia by translation and poetry. In early
                                       ڭܵഹɓࡈٝᗆʱɿٙԄٝf੽Ϥจ                    1935, Zhao and his colleagues founded the Chinese
                                       ່ɪdႻᖕ݊௰ܝٙٝᗆʱɿf ™                    Independent Fine Arts Association, striving to
                                                                           integrate Marc Chagall’s realism, new Fauvism,
                                                                           surrealism and other styles to bring new blood to
        1935 ϋ 10 ˜dʕശዹͭߕஔ՘ึୋɚΫ࢝Υᅂd̸                                       the Chinese art world.
        ৎjಀჼeႻᖕeҽ؇̻e૑፼ᒿ

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