Page 196 - 亚洲二十世纪及当代艺术

46 吳大羽 1903–1988 Wu Dayu

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issued by Lin & Keng Gallery, Taipei
issued b y L in & K eng Gall ery , T aipei
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important window for their communication with the outside world. For Wu Dayu in his
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later years, achievements such as his oil painting Rain being exhibited at the National Art
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E x h i bi t io n i n 1 9 7 8 a n d r e c e i v i n g t h e “ H o n o r a r y A w a r d , ” b e c o m i n g t h e f i r s t a b s t r a c t w o r k
Exhibition in 1978 and receiving the “Honorary Award,” becoming the first abstract work
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China, spoke volumes about the academic community’s revaluation of Wu Dayu’s status. .
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Similarly, his appointment as Vice President of the Shanghai China Art Academy in 1979,
o r t h e c o m p l e t io n o f t h i s a r t w o r k i n 1 9 8 0 wh e n h i s s t u d e n t C h u T e h - C h u n s e n t h i m a b o x
or the completion of this artwork in 1980 when his student Chu Teh-Chun sent him a box
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full of Western-style pigments from France, brought him new hope, imagination, material l
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support, spiritual enrichment, and family harmony. In Untitled 10, the arm reaching into
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paintings, conveying an uplifting message. That arm also symbolizes his ultimate belief in
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art, guiding him steadfastly in the face of adversity. .
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Wu Dayu embraced a freedom like that of Tao Yuanming, not seeking fame or fortune,
W u D a y u e m b r a c e d a f r e e d o m l i k e t h a t o f T a o Y ua n m i n g , n o t s e e k i n g f a m e o r f o r t u n e ,
maintaining a detached approach to life, yet persistently pursuing his artistic path. He
m a i n t a i n i n g a d e t a c h e d a p p r o a c h t o l i f e , y e t p e r si s t e n t l y p u r s u i n g h i s a r t i s t i c p a t h . H e
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19 8 0 ϋ Ъ dש ር ϓ ʹ ᄆ 1 8 , 9 0 0 , 0 00 ʩ ಥ࿆ liberation of “colour and form,” he ultimately found the “repose of the heart and spirit.” ”
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