Page 259 - 二十世纪及当代艺术

ARTIST BIOGRAPHIES 艺术家简历

of Arts. Selected exhibitions: 2017”The Art of Pang Jun”; 2017 ” Salon Salon Fine Art Practices
from 1972 to 1982 in Profile- A Beijing Perspective”; 2016 Fine Art Asia Pang Jun human sketch
art exhibition; 2015 Oriental Performance Pang Jun. Selected group exhibition:2016 Pang Jun's
"Nostalgic" Masterpiece Exhibition and Exhibition of "Black and White and Gray Outside" Pang
Yu Works."

桥爪悠也（b.1983） 1983生于日本冈山县，现生活与工作于东京。个人展览：2021年eyewaterShanghai，言午画廊，
HASHIZUME YUYA 上海；eyewaterSeoul，LKIF画廊，首尔，韩国；GRAVITYPOINT–multiverse-，YEANSTORE，冈
山，日本；GRAVITYPOINT，YutakaKikutake画廊，东京，日本；2020年，FRECKLESGIRLsobakasu-
Lot 1631
chanYUYAHASHIZUMEArtExhibition，24B1，台北；eyewaterLondon–monochrome-，TheWalusoGallery，
伦敦，英国；eyewaterMusic，GalleryHZ，香港；eyewaterOKAYAMA，YEANSTORE，冈山，日本；
eyewaterSeoul02，GalleryYoung，首尔，韩国；eyewaterSeoul01，LKIF画廊，首尔，韩国。

Born in Okayama, Japan in 1983, now lives and works in Tokyo. Solo Exhibitions: 2022 eye-
water–Yuya Hashizume Solo Exhibition”, Soka Art, Taipei &Tainan; 2021 eyewater Shanghai, Xu
Gallery, Shanghai; eyewater Seoul, LKIF Gallery, Seoul, Korea; GRAVITY POINT-multiverse-,
YEANSTORE, Okayama, Japan;GRAVITY POINT, Yutaka Kikutake Gallery, Tokyo, Japan; 2020
FRECKLES GIRL sobakasu-chan YUYA HASHIZUME Art Exhibition, 24B1, Taipei; eyewater
London -monochrome, The Waluso Gallery, London, UK; eyewater Music, Gallery HZ, Hong
Kong; eyewater OKAYAMA, YEANSTORE, Okayama, Japan; eyewater Seoul 02, Gallery Young,
Seoul, Korea; eyewater Seoul 01, LKIF Gallery, Seoul, Korea."

秦琦（b.1975） 1975年出生于陕西。1999年考入鲁迅美院油画系，2001年考入鲁迅美院油画系研究生，2002年毕业留校任
QIN QI 教。现生活工作于北京和沈阳。以大尺幅、超写实的语言方式，将社会历史的叙事和多种图像碎片化地设
置在不同的场景之下，呈现出混杂、曲折的语境。而在碎片化之间有着纪实与虚构、移植与混合的视觉修
Lot 1512
辞，构成了作品中荒诞不经的意味-以及各种可能发生什么的貌似真实，甚至逼真，其实虚构。由此产生了
一种不可理喻迷局和悬疑，也使在这种间隔当中相对充分地寻求到现实与历史的象征与寓意，想像空间。
作为70 年代出生的艺术家，秦琦的画具有同时代艺术家的一些典型特征：以自我表达为核心，以自我经
验为出发点，建立起一种融合现实性、想像性及虚构性的视觉表现体系。秦琦的独特不仅在于他多变的风
格，更在于他在其中一直坚持并逐渐成熟的寓言性探索 - 逐渐放弃对现实事物的直接使用，而转入对事物
中具有自我特征和典型性的一面进行捕捉。主要个展：2022年 “‘人物’系列”，当代唐人艺术中心，北
京；2020年“日月星辰在南”，何香凝美术馆，深圳；2019年 “夜来香”，当代唐人艺术中心，香港；
2017年 “秦琦个展”，当代唐人艺术中心，北京

Born in 1975 in Shaanxi Province, China, he was admitted to the Oil Painting Department of
Luxun Academy of Fine Arts in 1999, and then to the Oil Painting Department of Luxun Academy
of Fine Arts in 2001, where he graduated and taught in 2002. He now lives and works in Beijing
and Shenyang.In his large scale, hyper-realistic style of language, he sets socio-historical
narratives and multiple images under different scenes in a fragmented manner, presenting
a mixed and twisted context. The visual rhetoric of documentary and fiction, transplantation
and hybridization in between the fragmentation constitutes the absurdity of the work - and the
seemingly real, or even realistic, fiction of what could have happened. This creates a kind of
incomprehensible mystery and suspense, and allows for a relatively full search for symbolic
and allegorical imagination of reality and history in this interval.As an artist who emerged in
the 1970s, Qin Qi's paintings have some of the typical characteristics of his contemporaries:
centered on self-expression and using his own experience as a starting point, he has developed
a visual expression system that combines reality, imagination and fiction. Qin Qi's uniqueness
lies not only in his versatile style, but also in the allegorical exploration that he has persistently
and gradually matured - gradually abandoning the direct use of real things in favor of capturing