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ARTIST BIOGRAPHIES  艺术家简历



                                       Zhao Yang was born in Siping, Jilin, China, in 1970; he currently lives and works in Beijing. He
                                       graduated from the China Academy of Art in Hangzhou, China, in 1995. Zhao Yang's work is
                                       influenced by his academic background in traditional Chinese painting, particularly one of its
                                       central tenets regarding the unpredictable flow of ink in water. He applies these traditional
                                       principles to figurative paintings, eschewing overt narrative, instead enfranchising the
                                       hermeneutical subjectivity of the viewer. Behind Zhao's paintings, however, lies his imagination
                                       regarding the cessation of modern industrial civilization and a return to what he calls paradise
                                       lost.
                                       His recent solo exhibitions include Zhao Yang: Roma is a Lake, ShanghART Beijing (2019);
                                       Leave Far Away, Nova Contemporary, Bangkok, Thailand (2018); ALAYA, chi K11 Art Museum,
                                       Shanghai (2018); Zhao Yang: In Between, Kuandu Museum, of Fine Arts, TNUA, Taipei (2016);
                                       Zao by ZHAO Yang, ShanghART H-Space, Shanghai (2016); and Zao by ZHAO Yang, ShanghART
                                       Main Space, Shanghai (2016).
                                       His recent group exhibitions include A Composite Leviathan, Luhring Augustine Gallery,
                                       New York (2019); Winter Exhibition, ShangART Beijing (2019); Symbols of Eternity, Shanghai
                                       Oil Painting Sculpture Institute, Shanghai (2019); New Art History, 2000-2018, Chinese
                                       Contemporary Art, MOCA Yinchuan, Yinchuan, China (2019); and on paper 2, White Space
                                       Beijing, Beijing (2018).


             郑在东(b.1953)               生于台湾台北,现居上海。主要个展:2015  山、水、月—郑在东个展,德玉堂,上海;2014  绚烂的孤
             ZHENG ZAIDONG             寂郑在东个展,龙美术馆(西岸馆),上海;2011  江山胜景—郑在东个展,艺美基金会,北京;2007
                                       卧游记,红桥画廊,上海;2006  行乐须及春,沪申画廊,上海;2002  举杯邀明月,富邦大楼,台北;
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                                       2001 郑在东,汉雅轩,香港;2000 玩物丧志,大未来画廊,台北。主要群展:2015 冬光园—闲逛的空
                                       间,汉雅轩,香港;2014  破·立—新绘画之转序,龙美术馆,上海;2012  文化上海—朝向未来的回
                                       归,上海;2008 香港大世界艺术展,汉雅轩,香港。

                                       Born in Taipei, Taiwan. Currently lives and works in Taipei, Taiwan Cheng graduated from
                                       Taipei World News Vocational School. Beginning in 1980, he held solo exhibitions and joint
                                       exhibitions both locally and abroad, including at the American Cultural Center, Taipei Museum
                                       of Fine Art, the Museum of History and so on. In 1991, Cheng joined the Individual Movement
                                       group exhibition sponsored by the Hong Kong Arts Centre. In 1992, he was awarded the
                                       Xiongshi Artistic Creation Award. In 2001 Towards a New Image: Twenty Years of Contemporary
                                       Chinese Painting, National Art Museum, Beijing; Shanghai Art Museum, Shanghai; Sichuan
                                       Art Museum; Guangdong Art Museum, Guangzhou, China Passion for the Good Old Days,
                                       Dimension Art Center, Taipei, Taiwan. In 2002, Paris-Pekin, Espace Cardin, Paris, France. In
                                       2005, Four Taiwan Artists, Hanart TZ Gallery, Hong Kong.

             郑子燕(b.1951)
                                       1951年生于杭州,现于北京生活及工作,无名画会成员,1988年毕业于中央艺术学院。1971年从父(版
             ZHENG ZIYAN
                                       画家郑野夫)习画。父亲去世后随李桦习画。1973年后与张伟、李珊、马可鲁、史习习、王爱和、韦
             51                        海、刘是、田淑英等艺术家一同加入到无名画会,形成了人们称之为玉渊潭画派的绘画群体,这个群体
                                       所创作的作品是对当时那个时代北京精神的理解,在那些看似无主题的风景和静物中,他们把对真、
                                       善、美的真诚理解纳入其中。1975年参加北京福绥境大楼三楼五号张伟家的十一人地下画展。1979年参
                                       加北京北海画舫斋无名画会第一届公开画展,此次展览代表着中国艺术家个体意识的觉醒,以及艺术家
                                       对艺术本体的构建意识。1981年参加北京北海画舫斋无名画会第二届公开画展。她的作品被M+纳为馆
                                       藏。群展:2017年,沙龙沙龙:1972-1982年以北京为视角的现代美术实践侧影,中间美术馆,北京;
                                       2006年-2007年,无名画会其他成员作品展,TRA画廊/ Y.Q.K德山文化艺术空间,北京/广东美术馆,广州/
                                       上海证大现代艺术馆,上海。
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