Page 188 - 当代艺术

艺术家简历 ARTIST BIOGRAPHIES

崔开玺（b.1935） 1935年生。山东掖县人。解放军艺术学院美术系教授，中国油画学会理事，北京市美协油画艺委会委员，
Cui Kaixi 中国美术家协会会员。1963年进入中央美院，主修油画。自此一直从事创作与教学。代表作有《演习之
后》、《长征路上写生》及《长征途中的贺龙与任弼时》，后者获全国第六届美展银牌奖，被中国美术馆
33
收藏；《虎门沙角之战》、《北京保卫战》分别被广东虎门纪念馆和中国革命军事博物馆收藏。1994年国
务院批准为对国家有突出贡献的专家，并享受特殊津贴。
主要个展：2013闳约深美崔开玺油画作品展，北京艺铭东方艺术空间，北京。
主要群展：2014潘世勋潘吾华水墨—山水花卉联展，宝盈轩，北京；2014万里长风索卡臻藏，索卡艺术
中心，台北；2013多彩中国油画作品展，美丽道国际艺术机构，北京。

Cui was born in 1935. Shandong yexian.He was the director of the Institute of Chinese oil
painting and a member of China Artists Association.Solo Exhibition: 2013 Cui Kaixi Solo
Exhibition, Beijing Yi Ming Oriental Art Space, Beijing.
Group Exhibition: 2014 Pan Shixun Pan Wuhua ink - landscape flower Exhibition, Baoyingxuan,
Beijing; 2014 Soka Art Collection Exhibition, Soka Center, Taipei; 2013 Colorful,Beijing.

大谷工作室（b.1980） 1980年出生于日本滋贺县，2004年毕业于冲绳县立艺术大学美术工艺学部，2005年成立Otani Workshop。
Otani Workshop 2012年开始与村上隆的Kaikai Kiki及Hidari Zinagaro画廊合作，作品被村上隆及贝浩登画廊带到世界各地举
办个展及参加艺博会。大谷的作品是追随创作的原始冲动，经过思考而创作出来的作品。跟着那样的心情
92
去创作，作品自然就会变成现在的形态。个展：2022“手、眼和灵魂”，佩罗汀，首尔，韩国；2021“像
符咒一样”，佩罗汀，上海，中国；2020“Narubekunaranare Narazarumonarubekenya Narareccho”（如
果可以，即使不必，也要让它成为），佩罗汀，纽约，美国；2019“Contes d'Awaji”，佩罗坦，巴黎，法
国；2018“Children Of，大谷工作室”，佩罗坦，首尔，韩国；2016“When I was Seventeen，I learned
about Giacometti from My Art Teacher and Became Drawn to Sculpture and So I Make Sculptures
Now.”，Kaikai Kiki画廊，日本东京等。

Otani Shigeru was born in 1980 in Shiga Prefecture, Japan. He graduated from the Faculty
of Arts and Crafts, Okinawa Prefectural University of Arts in 2004 and established Otani
Workshop in 2005. In 2012, he started to collaborate with Takashi Murakami's Kaikai
Kiki and the Hidari Zinagaro Gallery, and his works have been brought to the world by
Takashi Murakami and the Behind-the-Boards Gallery. He has held solo exhibitions and
participated in art fairs. Otani has helped Yoshitomo Nara with his ceramics, and they do
have something in common. Otani's works are created by following the original impulse
of creation and thinking about it. By following that mood, the works naturally take on
their present form. Solo Exhibition: 2022 “Hand, Eye, and Soul”, Perrotin, Seoul, South
Korea; 2021 “Like a Talisman”, Perrotin, Shanghai, China; 2020 “Narubekunaranare
Narazarumonarubekenya Narareccho” (Be if you can, Even if you don't have to be, Let it
be), Perrotin, New York, USA; 2019 “Contes d'Awaji”, Perrotin Paris, France; 2018 “Children
Of, Otani Workshop”, Perrotin, Seoul, South Korea; 2016 “When I Was Seventeen, I Learned
About Giacometti From My Art Teacher and Became Drawn to Sculpture and So I Make
Sculptures Now.”, Kaikai Kiki Gallery, Tokyo, Japan,etc.