Page 224 - 亚洲二十世纪及当代艺术
P. 224

53        劉煒 b. 1965                         Liu Wei

                  ຫ˟і๧ӻΐjҢฌі๧                        No Smoking Series: I like Smoking
                  ልΥదҿ ॷ͉                            Mixed media on paper
                                                                 3
                                                                      3
                  ɓɘɘʞϋЪ                             134 × 65.5 cm. 52  /4 × 25  /4 in.
                                                     Painted in 1995
                  ಛᗆ
                  ᄎ⑸ Liu Wei 1995.12€ɪʕ             Signed in Chinese, pinyin and dated on upper middle
                                                     LITERATURE
                  ̈و                                 1999, China 46 – China Contemporary Art, Hoke Art,
                  1999 ϋdʕ਷຅˾ᖵஔ‘dᎍдᖵஔึ᎜d̨           Taipei, p. 163
                  ̏dୋ 163 ࠫ
                                                     PROVENANCE
                  Ը๕                                 1 Dec 2008, Christie’s Hong Kong Autumn Auction,
                  2008 ϋ 12 ˜ 1 ˚dԳɻ੻࠰ಥ߇֙שርึdש       Lot 845
                  ۜᇜ໮ 845                            Acquired directly by present private Asian collector
                  ତԭݲӷɛᔛ࢕ٜટᒅІɪࠑԸ๕                    from the above
                  HKD 600,000 – 800,000
                  USD 76,900 – 102,600
























        Postman Joseph Roulin at the Kröller-Müller Museum, while
        fundamentally breaking away from this spiritual expression.
        In Van Gogh’s works, the white floral decorations in the
        background and the fresh and beautiful green tones aim to
        enhance the radiance of the figures, thus displaying their
        joyful and cheerful psychological state. Liu Wei daringly uses
        white hues for rendering, while to some extent preserving the
        original wood colour and ink tones. This makes the contours of
        the figures stand out more in the strokes of woodcut and ink,
        thereby making a powerful statement of artistic creation from
        the artist’s creative force. With the texture of the materials
        itself, it becomes a guide for the audience to interpret the art.
        In response to the title “Van Gogh’s Painting” written below,
        the artwork is like a “new style contemporary portrait that
        breaks to establishes” under Liu Wei’s declaration of “I
        will never tolerate repetition”. It breaks Van Gogh’s original
        narrative space and establishes a colourful and unrestricted
        “emptiness is also form”. The intertwined and colourless
        flowers and leaves await people outside the painting to
        add colours and unleash their creativity. The brushstrokes
        flow with the state of mind, just like the extending feet and
        branches, gracefully dancing within the frame, telling the
        story of “blue-sky thinking” that write about the past and   ᄎ⑸ຫ˟і๧ӻΐ{{ڀ‘dልΥదҿ
        recreate the universe.                                ॷ͉d64 Ò 34 cmd1999 ϋЪdשርϓʹ
                                                              ᄆ 1,040,000 ʩಥ࿆
                                                                                                                                                                                                                                 18 5
   219   220   221   222   223   224   225   226   227   228   229