Page 203 - 亚洲二十世纪及当代艺术
P. 203

˜ɛʔঐሸආΝɓૢئՇϣf™                                                                  “No man ever steps in the
                                                                                       same river twice.”
                                                                        {{ᘽࣸזֵ
                                                                                                        {{Socrates
        І 2000 ϋଭุ׵ʕ̯ߕஔኪ৫ኣ೥ӻЇʦdරρጳ੽ϘಂٙՈ൥ɛيڌତdᔷЇਗ਼࿁൥يЪ̈఻
        ОʷٙᔷᜊdආϾ೯࢝Ցତචݬٙפ൥Ⴇคd࿴ϓፄΥࡈɛ຾ዝٙዹतઞ॰f࿁׵Չᇞૢeிۨ                                     As one of the nowadays most
        ၾᒻ׼ٙፃΈ͜Ѝd˼ಀႭj˜Ң࿔࿔ήᜫᕙЍ̋ɝՑᖭ೥ٙʈЪʕdኋඎʔ͜ఊॱٙeఊɓٙල                                    highlighted young artists in
        ЍdҢ፯኿əՈϞੵɢٙᕚҿڌ༺ҢٙઋชdԨ˸ዕ෥dఱ྅ဉಶeଢ᜗౜ᖭɛٙݺਗdҪՈ᜗                                     China, Huang Yuxing has made a
        Җ൥мৰદܝdᜫ̴̋ɝՑҢІʉᖭ೥ٙᜊࠧʕf ™ίவএഖɨdՉڐϋЪۜ˴ᕚεஷཀவԬᅺႦ                                   significant transformation since his
                                                                                       graduation from the Department
        ׌ٙʩ९dԸ௴ிՉᝈׂʕٙ˜ࣛග™ၾ˜͛ն™fІ 2007 ϋৎd˼ಀ׵̏ԯeɪऎeਟԋe؇                                 of Mural Painting at the Central
        ԯeࡐ౱ഃήᑘБࡈ࢝dϾІ 2021 Ї 2023 ϋගdՉЪۜίשርɪᄵᄵՏอߏ፽d2021 ϋՉЪ                            Academy of Fine Arts in 2000. After
       ɖᘒؒྡ‘˸གྷʬɷຬಥ࿆ש̈dԴ˼ɓᑘϓމତࣛ௰աᗫءٙʕ਷຅˾ڡϋᖵஔ࢕f                                         the expression of representational
        ˚Έʘɨdฮݴಪਗ                                                                      characters in his early stage, he
                                                                                       then shifted his centre of creation
       ˜ίҢ೥ٙئ༁d੬̈ତ׼త౴ᙴٙဉಶd݅݊˂٤ʿ֦ᗙ౻يٙࡀᅂdɰˀ݈ʫːชઋ
        ٙຬɷᜊʷi޶̴ί೥ࠦɪࣛϾ͂ᔷeࣛϾ৾ထdఱ྅࿁͛նٙɓ၇Աᛸfߠ౻݊ฮӐτ                                        from the geometrical conversion
                                                                                       of objects to current abstract
        ᎑ٙዓ˝d̴຾ཀə೯ٽeකڀeഐ؈ܝ࡙ᑽd൥ᅄ͛նృᐑf™                                                  vocabulary, that achieved a unique
                                                                         {{රρጳ         discovery based on individual
                                                                                       experience thus gave birth to the
        ίҁϓ׵ 2018 ϋٙೌִ݁˴່٫ٙɓϣဎݴ‘ʕdරρጳί࿴ྡɪ˸ɪ̒௅ٜۧdɨ̒௅̻                                  “time” and “life” concept in his
        Бٙ٤ගԸ࢝ක೥ࠦdԨ˸иาՇЍ෯ਜཞdяତߗɛరբٙൖᙂࣖ؈fɪ̒௅ٙ˜ዓᓉ™ίᔝ                                     perspective.
        ၾഓٙЍਹග༷Ԑdᖵஔ࢕˸బீ׼ชٙᏀдɢ੹މᕙࣘdᄴᄴᛌ̋dʵਔ̈νːཥྡɓছٙᇞ                                     Under the Sunlight, Flows
        ૢdәՏ̈Ѝ੹ٙ⬜ᜊfϾ̸ɪ˙ٙɓቃ෥˜Җϓ͛೯ٙΈ๕d࿁׵வΈdᖵஔ࢕ಀІͣj˜Չ                                     Deep Currents
        ྼҢซ೥ٙ݊ɓࡈ˄ජnnא٫Ⴍd˄ජא˜ڥՉྼᗫڷேʔɽdఱ݊ɓࡈ؟ఖ༁ٙΈڥيf ™                                    Completed in 2018, A Drift of
        ׵݊ϞəΈfϤΈ๕ί᜚ϣᏪˢٙᙺ˝ʕઞ̈᎘Ըd͵ίഘᘆٙЍዣʕdᐄி̈൴ତྼٙग़।˴                                     an Anarchist adopts a vertical
        ່؟ఖf                                                                           composition in the upper part and
          ɨ̒௅ٙ˜ئݴ™d͟ᇞૢ෥๞Ͼഐ࿴ช੶डٙ఻Оഐ౺᜗ᖭϓd݅྅஗ᑛᇫ̍ᔧٙࡡ֐ߝߣe                                   parallel space arrangement in the
        ʔ׼͛يdɰ߰ݔ၇৷ܓආʷٙ͊Ըዚኜeලฮρ֞ʕٙኹᏚ݋᜗dҵאဘڗΈ௕ה̳ԃٙᘒ                                      lower part to start the creation.
        ͩfᖵஔ࢕ίϤ፯͜൥ᅄ݆˂ٙၠe४ഃፃΈЍ੹dၾ˜ዓᓉ™ٙᔝഓҖϓਜཞd߅ˌٙ؟ఖᒯ                                     The two parts are separated by
        ߒܸΣ̤ɓࡈࣛ٤ၾݔ၇ମሯٙ͛ն଱༦d౳೯࿁͊ٝٙઞ॰eෳѶٙंࢹfίຟ˪ʷٙЍ੹ഐ                                     warm-toned and cold-toned colour
                                                                                       blocks which give an intriguing
        ౺᜗ʕd̬ࡈɛҖओ׵˥ࠦd޶Чೌͦٙဎݴdྼۆ͟ௐᐑٙंظҖ̍႟eڭᚐfϾፃΈЍ੹ה                                     visual effect. The “bushes” in upper
        ࿴ϓνຬڀഇছٙ৪ᖒྡόdீ̈྅݊຾ཀᄣ੶ஈଣٙᅰЗᅂ྅Ѝዣdዧආήܿ኷దʧٙᔚϞ᜗                                     part wander between the blue
        ӻၾ͉ሯfᖵஔ࢕˸˜Ϟዚ™ٙ฿ׂd੶ሜၚग़׌ٙ͑ܩd͛ն᎑᎑ήίࣛගٙڗئʕݴ૲dʔ                                     and purple region and sketch the
        ຾จගʊϓࣛගٙ༱᜗ၾՍܓf                                                                 contours of an electrocardiogram
        ͛նڗئٙৎᓃ                                                                        with transparent acrylic paint. On
                                                                                       the upper left corner, a light source
        ߘئݴ™ʕݴ૲ഹٙ͛يdίфҖνंظא͎᜗ʕ̳ԃٙ͛նdΝࣛ࢝ତɓᙃуॎٙঌࢮdɰ                                     given by the full moon leans out
        ࢙̍əᄿᒪٙ͛նfί̳͛ٙ˥ʕІ͟խіdϾՉ˼ຟ˪ʷٙ౺᜗ί೓ν͎᜗ʫ௅ٙА၍e৶Ꭵ                                     from rows and lines of bushes,
        ၾ୚ߤʘʕd˸ฆᝈԉܓࠠତəίൖᙂ˸̮ٙ͛ն຾᜕d࢝ତ͛նۉ೯ٙจ൥dරρጳ˸͛ي                                      rendering surreal mysticism aura
        ኪٙԉܓܔ࿴଻ۃٙൖޢdίɓ˪૿ӗʔτ͎ٙ᜗ᐑྤʕdɛٙจᗆʊ຾஼နҖϓ{{ئݴᒱॸ                                     with its’ gorgeous colour.
        ඾eᐿᕏdۍɰᎰᎰಿቮə͛նdٜЇկկᄥήd૿ӗʕ˰ޢ৸ᔷ݋୅dჇჃٙዓᓉ೓νऎ̹໷
        ᅽছൈˌdਬϞԟ˚˜ٙቃᔷೌˢ૶౸dΈڥ݈๫͛նٙڋወf
        ʃҢၾٟึٙላᅜ
          රρጳਗ਼ϤЪնΤމೌִ݁˴່٫ٙɓϣဎݴ‘f˜ೌִ݁˴່™೯๕І̚Ҏᖳ۬Ԟ
        ࣛಂdࡪɛࡾ౶ࢫᖯ౶€Aeschylusଟ΋౤̈Ϥ฿ׂd੶ሜ໊᜗ၾࡈɛлूϤ੶־
        ࢮeʝ޴ଘՓٙฆѶᗫڷfၾරρጳϤஈӮ௉ॸ௓ɦІϞॣҏ̶ٙۨʘЪ޴࿁dא̙
        ൖՉމᗫ׵຅˾͛ݺ̤ٙᗳ̦་d͵̙ൖЪ࿁৷஺༶ᔷٙ߅Ҧeٟึe˸ʿɛၾɛᗫ
        ڷٙ⅘Ⅱၾˀܠfዝ̦ʊစᖫəᅰɷϋdί߅Ҧ೯༺ʘࣛdவೌִ݁˴່ܠซה౤̈
        ٙሯဲԱ್ᓓήϞᑊfරρጳʔ̮˷˸Ո৷ܓੵɢ೥ࠦ౤̈࿁ዝ̦ٙ༌ਪf
       ˜Έԅ™e˜ئݴ™e˜ंظ™e˜ዓᓉ™nnவԬ௴Ъʩ९੽ 2000 ϋ˾ڋৎdίරρጳٙ
        ௴Ъʕˀూ̈ତЇʦdϓމՉڌ༺ІҢٙࠠࠅ༱᜗fϾೌִ݁˴່٫ٙɓϣဎݴ‘
        ۆණ˸ɪ຾Պʩ९׵ɽϓdҁϓܝу೯ڌ׵රρጳΝϋί̨̏ͣͩ೥఼ٙ࠯ϣࡈ࢝d
        ϤЪ஗፯͜މ࢝ᚎᒗሗ̔ᖅΈdʔ௻މՉᛁࢤ˾ڌЪfίࣛගٙڗئɪd̳ԃഹ˼࿁
        ͛ն๕᎘ٙ৛రdίਁɽٙ೥̺ʕစᙇɓϣӚϞး᎘ٙဎݴdίਅ್ၾዚᇝʕҖϓ̀
                                                                                 ᖵஔ࢕රρጳၾ݊ϣשۜೌִ݁˴່٫ٙɓϣဎݴ‘
        ್d߈൳ଉ૵ࠠᛂfϾױ᎘̙Ԉٙd݊ԟ˂ɪʔ๘ٙΈ׼f
                                                                                                          16 3  -  16 4
   198   199   200   201   202   203   204   205   206   207   208