Page 265 - 二十世纪及当代艺术
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ARTIST BIOGRAPHIES  艺术家简历

                                       Guangzhou in 1938, he took refuge in Macau and taught at Shanghai University of Arts, China
                                       University of Arts, Guangzhou Municipal Fine Arts School and Shanghai Art College. After the
                                       victory of the war, he became a professor in the art department of Guangdong Provincial Art
                                       College. He returned to Guangzhou in 1956 and joined the Guangdong Branch of the Chinese
                                       Artists Association in the same year. His oil painting "Spring Farming" was collected by the
                                       National Art Museum of China, and he died in 1976.
                                       Tan Huamu's paintings are mainly of southern landscapes and rural life, in a style between
                                       Post-Impressionism and Fauvism, and he developed his own unique style of simple and
                                       innocent painting based on continuous sketching. In fact, Tan Huamu can be described as a
                                       painter with a sense of mission for the development of modern Chinese art, and he hopes that
                                       Chinese art can be ranked among the world's art circles. Tan Huamu's watercolor paintings
                                       have not only condensed an era, but also witnessed all aspects of city life and awakened the
                                       historical memory of a city. A rare cultural resource has been preserved for an era."

             谭平(b.1960)                1960年出生于河北省承德市。1984年毕业于中央美术学院版画系。1989年前往柏林艺术大学进修硕士学
             TAN PING                  位。英国金士顿大学荣誉博士。现生活及工作于中国北京。曾参与筹建中央美术学院设计学院,并成为第一
                                       任院长,2003年成为中央美术学院副院长,现任中国艺术研究院副院长。谭平被誉为中国抽象艺术的领军人物,
              Lot 1561
                                       当代中国艺术设计学科的拓荒者、中国实验艺术学科发展的推动者。在长达40年的艺术实践中,谭平始终探
                                       索于绘画、版画、多媒体、设计等多个领域,在其不间断的变化与充满张力的创造中,将当代艺术的诸多节点
                                       贯穿如壹。作品被中国美术馆、上海美术馆、波特兰美术馆、路德维希博物馆、亚利桑那州立大学美术馆
                                       等国内外重要机构收藏。
                                       谭平的作品具有强烈的“无目的的和目的性”特点,强调潜意识行为在创作中的地位。艺术家受到西方极
                                       少主义与中国传统禅宗的双重影响,擅长在绘画当中做减法,直至抛弃物象,走向纯粹抽象。同时,他
                                       关注绘画的材料性与视觉性,使其本身具有观念化的独立价值,令艺术超越哲学、社会学等概念的附庸身
                                       份,从媒介的物性关注提升至现代主义的美学高度。“覆盖”是谭平的抽象作品中的显著标志,成为了他
                                       私人的方法论,使得他的创作具有了表演性的维度。在色彩不断叠加、印制的过程中,绘画的表现力有了
                                       更多不确定性和瞬时性,最终成为对整个时间、空间的整体体验。谭平的作品时刻都处于未完成和重新开
                                       始的状态,即便是看似已经完美完成的一幅画面也存在被颠覆的可能性。这种反复无常的覆盖是一种极端
                                       形势的摧毁,更是一次次对过去的对抗,令麻木的思想与灵魂得到重生。个展:2019年「双重奏:谭平回顾
                                       展」,余德耀美术馆,上海;2018年「谭平 1993:两个模数的开始」,站台中国,北京;2017年「不确定性
                                       中的确定性」谭平抽象绘画展,狮语画廊,香港;「……」,元典美术馆,北京;「谭平」,霍森斯现代
                                       美术馆,丹麦,霍森斯;2015年「彳亍」谭平个展,亚利桑那州立大学美术馆,美国,坦佩;「画画」谭
                                       平作品展”,今格空间,北京;2014年「彳亍」谭平个展,  偏锋新艺术空间,北京;2013年「自言」谭平
                                       绘画作品展,美丽道国际艺术机构,北京;2012年「1  划」谭平个展,中国美术馆,北京;2011年谭平版
                                       画作品展,德国驻华大使馆,北京;谭平版画新作展,韵画廊,北京;2010年「谭平版画  20  年」谭平版
                                       画展,红门画廊,北京;


                                       Born in 1960 in Chengde, Hebei Province, China, he graduated from the Printmaking
                                       Department of the Central Academy of Fine Arts in 1984, and went to the University of Fine Arts
                                       in Berlin for his master's degree in 1989. Honorary doctorate from Kingston University, UK.
                                       Currently lives and works in Beijing, China. He was involved in the establishment of the School
                                       of Design of the Central Academy of Fine Arts (CAFA) and became its first director. Tan Ping is
                                       regarded as a leading figure in Chinese abstract art, a pioneer in the discipline of contemporary
                                       Chinese art and design, and a driving force in the development of the discipline of experimental
                                       art in China. In his 40 years of art practice, Tan Ping has been exploring various fields such as
                                       painting, printmaking, multimedia, and design, etc. In his uninterrupted changes and tension-
                                       filled creations, he has been able to bring many nodes of contemporary art together as one.
                                       His works have been collected by the National Art Museum of China, Shanghai Art Museum,
                                       Portland Art Museum, Ludwig Museum, Arizona State University Art Museum, and other
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