Page 231 - 二十世纪及当代艺术
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ARTIST BIOGRAPHIES  艺术家简历

                                       next year, his works were showed with painters such as Van Gogh, Renoir and Chagall in an
                                       exhibition at the James Vigeveno Gallery. During 1969 to 1973, 50 pieces of his abstract works
                                       were exhibited at the invitation of the Pasadena Fine Arts Museum. Many of his works are
                                       currently in the permanent collections of various museums such as the Shanghai Art Museum
                                       and San Diego Museum of Art."

             陈彧君(b.1976)               生于福建莆田,1999年毕业于中国美术学院综合艺术系,并留校任教。现居上海。
             CHEN YUJUN                主要个展:2015第二道门,JamesCohanGalleryShanghai,上海;与陈彧凡合作艺术项目“消费时代的情
                                       感”,9平方米美术馆,上海;2012临时房间,博而励画廊,北京;2010空房间,博而励画廊,北京。
              Lot 1518
                                       主要群展:2014预言,UP美术馆,上海;里外,凯尚画廊,纽约,美国;锐10-中国新锐绘画奖10周年邀
                                       请展,HI艺术中心,北京;2013香港巴塞尔艺术展,香港会议展览中心,香港;未曾呈现的声音,威尼斯
                                       军械库,威尼斯,意大利;第十三届伦敦艺术节,奥林匹克展览中心,伦敦,英国;ON|OFF中国年轻艺术
                                       家的观念与实践,尤伦斯当代艺术中心,北京。

                                       Born in Putian, Fujian Province in 1976, Chen Yujun graduated from China Academy of Art in
                                       1999 and stayed to teach in school. Currently lives in Shanghai.
                                       Important Exhibition: 2015 Consuming Moods-Chen Yujun/ Chen Yufan Independent Project,
                                       9m²Museum, Shanghai; 2014 China New Painting Award 10th Anniversary Invitation Exhibition,
                                       HI Art Center, Beijing; 2013 ON|OFF China’s Young Artist Concept & Practice, UCCA, Beijing.


             戴泽(b.1922)                1922年出生于日本京都本愿寺。四川云阳人。1942年考入国立中央大学艺术系,师从徐悲鸿、陈之佛等先
             DAI ZE                    生。1946年毕业后任国立北平艺专校长徐悲鸿助教。1949年协助徐悲鸿建立中央美术学院,并执教于该
                                       校,靳尚谊、王沂东等艺术家皆蒙其教。戴泽是新中国美术教育奠基人,中国第二代油画家代表人物,中
              Lot 1617
                                       央美术学院奠基人之一。1950年中央美术学院成立后被聘为首批讲师,创作油画《和平签名》、《农民小
                                       组会》。同年《和平签名》与《马车》入选中国艺术展览会。赴苏联、民主德国、波兰展览。1954年两赴
                                       朝鲜实地写生。
                                       1956至1961年为军博创作油画《南昌起义》、为国博创作油画《胜利的行列》、《廊坊大捷》、《太平军
                                       大败洋枪队》。同时还创作了《淝水之战》、《谅山大捷》等多幅历史题材油画并作为中学历史教学挂图
                                       在全国出版发行。1963年赴西藏进行为期一年的写生并创作《三姐妹》、《春耕》、《林卡》、《莎迦熊
                                       妹村》、《播种》等作品。1969-1970年应中国历史博物馆之邀再创作《义和团》,并再创作《淝水之战》
                                       等历史题材作品。1972年至1973年参加国务院宾馆绘画组,同李苦禅,李可染,吴作人,刘继卣,梁树
                                       年,王淑晖等为政协礼堂及多处国宾馆进行创作。1982年油画作品《巴颜喀拉山下》、《紫荆花》、《纳
                                       米湖畔》、《金银花》等作品被中国美术馆收藏。改革开放至今,始终笔耕不辍,走在现实主义艺术的执
                                       着之路上。

                                       Born in March 1922 in Hongwanji, Kyoto, Japan. In 1942, he entered the art department of the
                                       National Central University, where he studied under Xu Beihong and Chen Zhifo, etc. After
                                       graduating in 1946, he served as an assistant teacher to Xu Beihong, the president of the
                                       National Academy of Fine Arts in Beiping, and in 1949, he assisted Xu Beihong in establishing
                                       the Central Academy of Fine Arts, where he taught Jin Shangyi, Wang Yidong and other artists.
                                       After the establishment of the Central Academy of Fine Arts in 1950, he was hired as one of the
                                       first lecturers and created the oil paintings "Peace Signature" and "Peasant Group Meeting". In
                                       the same year, "Peace Signature" and "Horse-drawn Carriage" were selected for the China Art
                                       Exhibition. He went to the Soviet Union, the Democratic Republic of Germany and Poland for
                                       exhibitions, and went to North Korea twice in 1954 to sketch in the field.
                                       From 1956 to 1961, he created the oil painting "Nanchang Uprising" for the Military Museum,
                                       and the oil painting "Victory Procession", "Langfang Victory" and "Taiping Army Defeats the
                                       Foreign Guns" for the National Museum. At the same time, he also created many oil paintings
                                       on historical subjects such as "The Battle of Interwestern Water" and "The Great Victory at
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