Page 230 - 二十世纪及当代艺术
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艺术家简历  ARTIST BIOGRAPHIES

                                 his brushstrokes. As early as 1985, the New York Times described Chen Yifei's "painting style
                                 as a blend of realism and romanticism, reminiscent of the masterpieces of European masters."
                                 In 1983, Dr. Hamer, owner of the Hamer Gallery, in introducing Chen Yifei to the world, wrote
                                 that "his paintings are close to poetry because he is merely indicating rather than affirming." In
                                 1984, Art News magazine in the United States characterized Chen Yifei as "a romantic realist
                                 whose work exudes a strong sense of nostalgia, and the atmosphere of silence and stillness
                                 that pervades it is particularly moving."As a businessman, he set up the "Chen Yifei Studio" in
                                 1992 with the filming of "Old Dreams at Sea", which was the prototype of the Yifei Group. The
                                 group is a multi-functional group of companies in the visual industry, including apparel, film,
                                 media, internet, home furnishing, environmental art, modeling and cultural agency, "VISION"
                                 and "Tatler" magazines, etc. These entities revolve around Mr. Chen Yifei's These entities are
                                 centered around Mr. Chen Yifei's view of "big art" and "big vision", injecting cultural and aesthetic
                                 concepts into the operation of each company.The most distinctive feature of Chen Yifei's oil
                                 paintings is the serenity and peace that pervades the images, and the traditional Chinese
                                 aesthetic that permeates the realism. Whether depicting the scenery of the Jiangnan waterfront
                                 or the vivid and evocative portraits of women, Chen Yifei stands out among the many painters
                                 who represent women, sorrowful, mournful, elegant and poignant, a classical beauty comes from
                                 his paintings.He passed away in 2005.Major Exhibitions: 2016 "The Starting Line of the Master"
                                 Chen Yifei Sketches Exhibition, Chen Yifei Studio, Shanghai; 2015 "Gathering" Chinese Modern
                                 and Contemporary Art since 1930s, Wanlin Art Museum, Wuhan; 2014 "Visual Repertoire" Chen
                                 Yifei Case Study Series Exhibition, Long Museum of Fine Arts, Shanghai; Century of Dreams:
                                 One Hundred Years of Chinese Era, China Art Palace, Shanghai; 2013 "Taste of Elephants",
                                 Long Museum Realistic Oil Painting Collection, "Passing on the Fire - Chen Yifei Documentary
                                 Exhibition (1960-1980)"; Revolutionary Era, Thematic Creation since Yan'an, Long Museum of Fine
                                 Arts, Shanghai; 2002 New Works Exhibition, Galerie Patric Trigano, Paris 1999 Chen Yifei Solo
                                 Exhibition, Marlborough Gallery, New York, USA; 1996-1997 Chen Yifei Retrospective, Shanghai
                                 Museum, China Art Museum, Beijing; 1992 Chen Yifei Retrospective, Hong Kong International Art
                                 Fair, Hong Kong; 1985 Chen Yifei Solo Exhibition, Cochrane Art Museum, Washington, D.C., USA;
                                 1983 Chen Yifei Solo Exhibition, Hammer Gallery, New York, USA.

       陈荫罴(1913-1995)            1913年生于广东中山县,12岁于中国完成中学后随父亲赴美。于1934年进入美国洛杉矶奥蒂斯艺术学院
       GEORGE CHANN              就读,于1940年取得美术硕士学位,次年于洛杉矶加州艺术俱乐部举行首次个展。陈荫罴的艺术生涯始于
                                 1940年代初期,他于此时期的作品多以社会写实风格为主,作品中充满了悲天悯人的人道主义及对家国的
       Lot 1610
                                 关怀。随后陈荫罴于1947年返回中国,曾与中国画画家黄君壁与赵少昂一起研习画法,中国的传统背景及
                                 优良的书画传统促使他朝创新现代中国画的方向走。1950年代初,陈荫罴在画面上运用了不同媒材特性,
                                 将画面塑造出立体且具有具实的质感,并透过中传统书法与文字的力量,树立了独特的现代中国抽象表现
                                 风格。之后在陈荫罴更为象征抽象的变体抽象作品中,表现出绝妙的色感与纯熟的绘画功力。陈荫罴作为
                                 最重要的华裔艺术家,其作品被中国上海美术馆、广东美术馆、圣地亚哥博物馆及美国数个市立美术馆永
                                 久收藏。

                                 Born in Guangdong’s Chungshan county, George Chann left for the US at the age of 12 with
                                 his father after finishing middle school in China. In 1934, he attended the Aldiss Institute
                                 of Art in Los Angeles; he earned his master’s degree in fine arts in 1940. Chann had his
                                 first solo exhibition the following year at the California Art Club in Los Angeles. In 1942, at
                                 the recommendation of Roland Mckinney, the curator of the Los Angeles County Museum,
                                 Chann held an exhibition at the Palace of the Legion of Honor in San Francisco. From 1947
                                 to 1949, he lived in mainland China, exhibiting at the Public Archives Museum in Guangzhou
                                 and in Shanghai. In 1950, he returned to the US and began to study abstract painting, and the
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