Page 221 - 二十世纪及当代艺术
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ARTIST BIOGRAPHIES  艺术家简历


             埃德加·普连斯(b.1977)           1977年出生,EdgarPlans是西班牙战后及当代艺术家。许多重要的画廊和博物馆,如布鲁塞尔的
             EDGAR PLANS               AlmineRech,都曾展出过埃德加-普朗斯的作品。在他的作品中,埃德加-普兰斯在用涂鸦装饰的背景上上
                                       演了他的卡通人物,有老鼠的耳朵和大眼睛。这些看似自发的书写让人想起让-米歇尔-巴斯基亚或赛-通布
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                                       利的绘画。埃德加-普兰斯明显受到涂鸦、街头艺术、漫画、插图和动画电影的影响。但主要是他的人物,
                                       Plan将其描述为"动物英雄",这使艺术家得以成名并在众多画廊展出。尽管作品的色调相当鲜艳,但却涉及
                                       了严肃的主题,他经常涉及性别歧视、种族主义和嫉妒等问题。部分个展:2021年“埃德加计划:墙”,
                                       AlmineRech,布鲁塞尔,比利时;“EdgarPlans。梦想与渴望的自由”,莫斯科现代艺术博物馆,戈戈列夫
                                       斯基大道,莫斯科,俄罗斯;“EdgarPlans:曾经的法国文学”,AlmineRech,巴黎,巴黎,法国;2019年“艺术
                                       笔记019”,阿尔祖埃塔画廊,巴塞罗那,西班牙


                                       Edgar Plans is a Spanish Postwar & Contemporary artist who was born in 1977. Numerous
                                       key galleries and museums such as Almine Rech, Brussels have featured Edgar Plans's work
                                       in the past.In his works, Edgar Plans stages his cartoon characters with mouse ears and big
                                       eyes on backgrounds decorated with doodles. These writings that seem spontaneous recall the
                                       paintings of Jean-Michel Basquiat or Cy Twombly.Edgar Plans is notably influenced by graffiti,
                                       street art, comics, illustrations and animated films. But it is mainly his characters, which
                                       Plans describes as "animal heroes", that have allowed the artist to make a name for himself
                                       and to exhibit in numerous galleries. Plans' work is highly sought after on the art market and
                                       his paintings have sold for significant prices.Despite their rather vivid color palette, the works
                                       deal exclusively with serious subjects, he often addresses issues such as sexism, racism
                                       and jealousy.Selected Solo Exhibitions:2021 “Edgar Plans: The Wall, Almine Rech, Brussels,
                                       Brussels, Belgium;“Edgar Plans. The Freedom to Dream and Want to Be”,Moscow Museum
                                       of Modern Art, Gogolevsky Boulevard, Moscow, Russia; “Edgar Plans: Once Upon a Time in
                                       the French Literature”,Almine Rech, Paris (rue de Turenne) ,3e, Paris, France; 2019 “Art Notes
                                       019”, Alzueta Gallery, Barcelona, Spain


             艾迪·玛汀尼茲(b.1977)           1977年出生于康涅狄格州的格罗顿,在纽约生活和工作。马丁内斯在青少年时期从事涂鸦创作,他在画
             EDDIE MARTINEZ            布上创作的绘画保留了街头艺术的粗糙、表现主义的线条和大胆的色彩。他的作品介于表现和抽象之间,
                                       用油画、珐琅和喷漆作画,同时经常结合现成的物品,在快节奏的实践中,可以说是自动主义。马丁内斯
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                                       因其灵巧的起草技术而闻名,他创作的大型作品保持了绘画的感觉。他最明显的视觉参考是CoBrA集团和
                                       抽象表现主义;BarryMcGee也是一个对于他重要的人物。除了他的绘画,马丁内斯还创作了现成物雕塑和
                                       纸上作品。个展:2022年“鸽子的汗水”,Blum&Poe,洛杉矶,加利福尼亚,美国;2021年“手指指着月
                                       亮”,佩罗廷,上海;“绿拇指”,百隆和宝,洛杉矶,加利福尼亚,美国;2019年“EMHK19”,佩罗
                                       廷,香港;“快速的埃迪:新绘画”,底特律当代艺术博物馆,密歇根州,美国;“埃迪-马丁内兹开放的
                                       盛宴”,玉兹博物馆,西外滩,上海;2018年“块头堆”,佩罗廷,东京,日本;“白色出口”,布朗克
                                       斯博物馆,纽约,美国;“情书和院子里的工作”,Mitchell-Innes&Nash,纽约,纽约,美国

                                       Eddie Martinez was born in 1977 in Groton, Connecticut, and lives and works in New York.
                                       Having spent his adolescent years making graffiti, Martinez creates paintings on canvas
                                       that retain the rough, expressionistic lines and bold colors of street art.Working between
                                       representation and abstraction, he paints in oil, enamel, and spray paint while often
                                       incorporating found objects, in a fast-paced practice that could be compared to automatism.
                                       Noted for his deft draftsmanship, Martinez creates large-scale works that maintain the
                                       feeling of drawings. His most apparent visual references are the CoBrA group and Abstract
                                       Expressionism; Barry McGee has also been an important figure for him. In addition to his
                                       paintings, Martinez creates found-object sculptures and works on paper.SOLO SHOWS:2022
                                       “Pigeon Sweat”, Blum & Poe, Los Angeles, CA, USA; 2021 “Fingers Pointing at the Moon”,
                                       Perrotin, Shanghai; “Green Thumb”, Blum & Poe, Los Angeles, CA, USA; 2019 “EMHK19”,
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