Page 90 - 亚洲二十世纪及当代艺术
P. 90

23        ϡთ 1938 – 2023                        Ju Ming

                  ɤɚ͛ӽ{{ډ                               Twelve Chinese Zodiac – Tiger
                  ზᎉ                                    Bronze sculpture
                  وᅰj19/30                              34 × 22 × 21 cm.
                                                                  1
                                                              5
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                  ɓɘɞɘϋЪ                                13  /8 × 8  /8 × 8  /4 in.
                                                        Edition: 19/30
                  ಛᗆ                                    Executed in 1989
                  ϡთ 19/30€̛ਉֵ௅
                                                        Signed in Chinese and numbered on the
                  ̈و                                    bottom of right side
                  1990 ϋdϡთɤɚ͛ӽ‘d౱๯ᖵஔϞࠢʮ̡d̨̏
                                                        LITERATURE
                  Ը๕                                    1990, The Sculpture of the Twelve Animals
                  ̨̏౱๯೥఼                                by Ju Ming, Caves Art Center, Taipei
                  ତԭݲӷɛᔛ࢕ٜટᒅІɪࠑԸ๕                       PROVENANCE
                                                        Caves Gallery, Taipei
                  ڝj̨̏౱๯೥఼කͭʘЪۜᗇࣣ
                  ڝj̨̏౱๯೥఼කͭʘЪۜᗇࣣ
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                                                        private Asian collector from the above  1989 ϋЪdשርϓʹᄆ 250,000 ʩಥ࿆
                  HKD 60,000 – 100,000
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                  USD 7,700 – 12,800                    This work is accompanied by a certificate of  f
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        ɞࠦ۾ࠬdνډ૴ᑈ                                                                  Chinese artist Ju Ming dedicated
        ኯᔟඊɺӻΐ౮Τᖵእdϡთһί 1989 ϋ˸˜͛ӽӻΐ™Ъַ̈Фdீཀ࿁ɤɚ͛ӽ฽బ                                his life to the practice of art and
        ࡈ׌ٙ͛ਗՍᄳdҖจࡒ௪ή༸̈͛ӽ΢Іהᘾўٙၚग़൥ᅄfЪމɤɚ͛ӽʕۇଛඪѯe                                   sculpted nature with all his heart, an
        ቚʔ̙຅ٙ˾Τ൚dډٙˮ٫ࠬᇍ̙ፗଉɝɛːd͵ίϡთٙՍɠɨdෂग़࢝ତߐɤɚ͛                                   approach that enabled him to attain
        ӽ{{ډ‘ʘʕf̥ԈՉ˸ଛډɨʆʘැdІʆͩɪֆሸϾԸdډɹɽੵd⥬˫ቜлiډൖ                                   the heights of worldly “beauty.”
        ᮗᮗdܟͦ෥ບiډԒᐞ਄dཫЪ৷ᚔiډ˧̮ੵdӪӪҴήiډ҈৷ᔔdቤᙱ̬˙d͍ܙ                                   As such, whether it is the diverse
                                                                                   breadth of his work employing
        ɓᚔՓᅮdᘴ؛౮۾f͟ډډ͛۾ٙၚंग़̈೯dϡთ፯՟ϼډᐽᚔۃ௰Ոᖑ೯ɢٙᐛගd                                   nativism, Taichi, or folk motifs, the
        ˿ډ҈ٙ՜ᔔϓމൖᙂٙ௰৷ᓃdҗֽ݊௰ܝٙᙆͪdϾίɨɓ߆کਗ਼ᅝ׵ԒۃfϾίՍ೥                                   artist’s research into the use of
        ϼډ࢙ٙࠦࣛd˼Սจ౭૝ə࿁ग़࿒ٙ୚ᎉdස͟௕ජΣߠٙڌ༺˙όdਗ਼Չ଻मʫ௘eଉ                                   wood, bronze, stone or stainless
        ʔԈֵdۍတ༱ᚡंٙլࡲ۶࿒ၚѶ࢝ତdՉԒᔶһ˸෯ًٙՍᝤ଱༦d࢝ତՉԒ۶ɠ࿻ʔ                                   steel or his sculpting technique
        ɝছٙ࣎נձ೷ࣦfډʘ࠯eԒe҈ஹϓɓ᜗dɓंգϓή࢝ତ˜ɞࠦ۾ࠬ™ٙߵ۶ۉ೯ձ                                   refinement of “form, momentum
        ɤԑग़ंd̙ፗϡთ˸˄฽ᎉՍٙग़᜖dϾତډʘߵ۶ၾࠬ৶ٙࠠࠅ˾ڌʘ௴d฽މၚ੹l                                   and spirit” to better understand the
        ɛග๋˜d଺͛ϵ࿒                                                                  philosophical depth of “meaning,
        ፄϡთІԒ྅ʘӼԈ˜રඟ™ٙɛ͛ʘΐ                                                         rhyme and reason,” Ju infused his all
                                                                                   encompassing contemporary forms
        ੽˜І್ʘɛ™ԐӘɛගʘɛ™ٙɝ˰౜ᄳdΝӉ׵˄฽ӻΐ˜˂ɛΥɓ™ၚग़ٙ೯                                     with Eastern cultural essence and
        ࢝dϡთί 90 ϋ˾у˸Ѝ੹ཱིတeՍ೥଺͛ϵ࿒ٙ˜ɛගӻΐ™ක઼࿃อٙᖵஔᇐ௝f                                  embraced a plane where nature and
        ɛගӻΐΫᓥəɛʘ͉᜗dீཀϡთ຾ϋଢ଼˜࿁ɛ˰ٙ᜗࿀dਗ਼ତྼ˰ޢٙ೥ࠦd˸బϞ                                    humanity are one.
        ɛઋբٙிҖձ̂တක׳׌༆ᛘٙҖόяତίᝈ଺ࠦۃdෂ჈ഹՈॆྼ׌ٙᖵஔชݑɢf
                                                                                   For the autumn auction we are
        Ъމɛගӻΐʕ௪աᝓͦٙЪۜdɛගӻΐ{{રඟ‘ɓЪཱིᐏʮͭߕஔ᎜ձӷɛᔛ࢕                                    honored to present six classic
        ڡຕfৰ࠰ಥᝈ଺הᆞٝٙ࠰ಥ˖ʷʕːژɹ˸ॆɛഃԒϾЪٙࡡۨᎉ෧dϡთߕஔ᎜e                                    works by Ju Ming from three
        อ̋սߕஔ᎜͵ޫϞϤிҖʘЪ࢝௓eϗᔛfϾ݊ϣɪשٙɛගӻΐ{{રඟ‘ۆމ̹                                    art series, spanning the artist’s
        ఙᗭঐɓԈeසɤو̙͟ӷɛໄ׵ࣲࣩϗᔛٙზᎉʘЪfЪۜၚѶήࣉ࣍əϵ֑ర੬Έ౻                                    creative career from the 1970s to
        ʕરඟࣛٙɓᐛd˸໊྅ٙൖԉ࢝ତ̈଺͛ϵ࿒ٙѶሳdˏɛ୚୚ۜբfɤЗɛيிۨ΢                                    the 21st century. This enables us
        ମe؂ུЍዣᒻᜮε੹dϞઞ᎘ੵૐeग़ઋೊܢٙ෸෸eϞఊٲߠ̍e͂ഹཥ༑ٙϋჀʃ                                    to take a comprehensive view of
        ྫdɰϞᔕකࣣ͉eߗːഃܙeʊ୦˸މ੬ٙʕϋӲɿdϾરίඟ҈ٙГༀӲɿۆᕐ˓ౢ                                    Ju’s artistic oeuvre and showcase
        ஛eं֛ग़ඝή޶ഹ˂٤dҗֽϘʊʔމவڗڗٙඟͼה๨౒dːྤ˂ᄱήᒪfீཀɛي                                    aesthetic achievements in the
        ࣅ௮e͂ཥ༑eߠߠ̍ٙਗЪdϡთீཀאۃහאܝ΃ٙʔΝԒ᜗۶࿒dίவɓΐڗڗٙ                                    different stages of his artistic life.
        ඟͼʕd௴ி̈ۃܝʹ፹eଯ੗ʔɓٙᄴϣชdމՉءɝəॆྼٙፋʲʘբf                                         Nativist Charm, a Return to
                                                                                   Simplicity
        Ͼίඟͼʕගd᎘ᏖᎭЉసٙӲɿא஢͍݊ϡთ͉ɛ̷ٙѶʷԒlίவૢϞνɛ˰ʘࣚٙ                                    Establishing a Name in the Art
        ඟΐʕd˼͍ʔܢʔᙍήᝈ࿀ഹԒᗙٙӊɓЗ༩ɛd୚ᇘࣉ࣍ഹɛࡁٙઋ࿒ձԒ᜗ႧԊd                                    World from the 1970s-1980s
        ˼һਗ਼ІҢፄɝ௴ЪdชΝԒաήਞၾՉʕdਗ਼ІҢٙהԈeהၲeהชd˸ઋ౻ᄌছٙ
        ᅼόdяତɓ̈ၚ੹ٙൖᙂସ࢖fίவʃʃٙඟͼʕdϡთνΝ༸း͛ݺٙა଩߮Ⴢdί                                    “The works of Ju Ming are rooted
        ӊɓ˚ٙഃܙʕdۜբഹɛග௰މॆʲٙ๝ઋfӊɓഅٙᎉՍeӊɓஈٙഹЍޫ૸ဇးߧ                                    in Chinese culture but are also
                                                                                   completely spontaneous. Within
        ήݴᚣഹ˼࿁ϵ࿒ຬ˰ٙఃฌdϾவdک݊ϡთːʕԟᐿശɛ˰ٙຬছࠬઋf
                                                                                   these deeply moving images he
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