Page 90 - 亚洲二十世纪及当代艺术
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23 ϡთ 1938 – 2023 Ju Ming
ɤɚ͛ӽ{{ډ Twelve Chinese Zodiac – Tiger
ზᎉ Bronze sculpture
وᅰj19/30 34 × 22 × 21 cm.
1
5
3
ɓɘɞɘϋЪ 13 /8 × 8 /8 × 8 /4 in.
Edition: 19/30
ಛᗆ Executed in 1989
ϡთ 19/30̛ਉֵ
Signed in Chinese and numbered on the
̈و bottom of right side
1990 ϋdϡთɤɚ͛ӽdᖵஔϞࠢʮ̡d̨̏
LITERATURE
Ը๕ 1990, The Sculpture of the Twelve Animals
఼̨̏ by Ju Ming, Caves Art Center, Taipei
ତԭݲӷɛᔛٜટᒅІɪࠑԸ๕ PROVENANCE
Caves Gallery, Taipei
ڝj఼̨̏කͭʘЪۜᗇࣣ
ڝj఼̨̏කͭʘЪۜᗇࣣ
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ɞࠦ۾ࠬdνډᑈ Chinese artist Ju Ming dedicated
ኯᔟඊɺӻΐ౮Τᖵእdϡთһί 1989 ϋ˸͛ӽӻΐЪַ̈Фdீཀ࿁ɤɚ͛ӽబ his life to the practice of art and
ࡈٙ͛ਗՍᄳdҖจࡒ௪ή༸̈͛ӽІהᘾўٙၚग़ᅄfЪމɤɚ͛ӽʕۇଛඪѯe sculpted nature with all his heart, an
ቚʔ̙ٙ˾Τ൚dډٙˮ٫ࠬᇍ̙ፗଉɝɛːd͵ίϡთٙՍɠɨdෂग़࢝ତίɤɚ͛ approach that enabled him to attain
ӽ{{ډʘʕf̥ԈՉ˸ଛډɨʆʘැdІʆͩɪֆሸϾԸdډɹɽੵd⥬˫ቜлiډൖ the heights of worldly “beauty.”
ᮗᮗdܟͦບiډԒᐞdཫЪ৷ᚔiډ˧̮ੵdӪӪҴήiډ҈৷ᔔdቤᙱ̬˙d͍ܙ As such, whether it is the diverse
breadth of his work employing
ɓᚔՓᅮdᘴ؛౮۾f͟ډډ͛۾ٙၚंग़̈೯dϡთ፯՟ϼډᐽᚔۃ௰Ոᖑ೯ɢٙᐛගd nativism, Taichi, or folk motifs, the
˿ډ҈ٙ՜ᔔϓމൖᙂٙ௰৷ᓃdҗֽ݊௰ܝٙᙆͪdϾίɨɓ߆کਗ਼ᅝԒۃfϾίՍ artist’s research into the use of
ϼډ࢙ٙࠦࣛd˼Սจ౭ə࿁ग़࿒ٙᎉdස͟ජΣߠٙڌ༺˙όdਗ਼Չमʫeଉ wood, bronze, stone or stainless
ʔԈֵdۍတ༱ᚡंٙլࡲ۶࿒ၚѶ࢝ତdՉԒᔶһ˸෯ًٙՍᝤ༦d࢝ତՉԒ۶ɠʔ steel or his sculpting technique
ɝছٙ࣎נձࣦfډʘeԒe҈ஹϓɓdɓंգϓή࢝ତɞࠦ۾ࠬٙߵ۶ۉ೯ձ refinement of “form, momentum
ɤԑग़ंd̙ፗϡთ˸˄ᎉՍٙग़dϾତډʘߵ۶ၾࠬ৶ٙࠠࠅ˾ڌʘ௴dމၚl and spirit” to better understand the
ɛග๋˜d͛ϵ࿒ philosophical depth of “meaning,
ፄϡთІԒ྅ʘӼԈરඟٙɛ͛ʘΐ rhyme and reason,” Ju infused his all
encompassing contemporary forms
І್ʘɛԐΣɛගʘɛٙɝ˰ᄳdΝӉ˄ӻΐ˂ɛΥɓၚग़ٙ೯ with Eastern cultural essence and
࢝dϡთί 90 ϋ˾у˸ЍཱིတeՍ͛ϵ࿒ٙɛගӻΐක઼࿃อٙᖵஔᇐf embraced a plane where nature and
ɛගӻΐΫᓥəɛʘ͉dீཀϡთϋଢ଼˜࿁ɛ˰ٙ࿀dਗ਼ତྼ˰ޢٙࠦd˸బϞ humanity are one.
ɛઋբٙிҖձ̂တක׳༆ᛘٙҖόяତίᝈࠦۃdෂഹՈॆྼٙᖵஔชݑɢf
For the autumn auction we are
Ъމɛගӻΐʕ௪աᝓͦٙЪۜdɛගӻΐ{{રඟɓЪཱིᐏʮͭߕஔձӷɛᔛ honored to present six classic
ڡຕfৰ࠰ಥᝈהᆞٝٙ࠰ಥ˖ʷʕːژɹ˸ॆɛഃԒϾЪٙࡡۨᎉ෧dϡთߕஔe works by Ju Ming from three
อ̋սߕஔ͵ޫϞϤிҖʘЪ࢝eϗᔛfϾ݊ϣɪשٙɛගӻΐ{{રඟۆމ̹ art series, spanning the artist’s
ఙᗭঐɓԈeසɤو̙͟ӷɛໄࣲࣩϗᔛٙზᎉʘЪfЪۜၚѶήࣉ࣍əϵ֑ర੬Έ౻ creative career from the 1970s to
ʕરඟࣛٙɓᐛd˸໊྅ٙൖԉ࢝ତ̈͛ϵ࿒ٙѶሳdˏɛۜբfɤЗɛيிۨ the 21st century. This enables us
ମeུЍዣᒻᜮεdϞઞ᎘ੵૐeग़ઋೊܢٙeϞఊٲߠ̍e͂ഹཥ༑ٙϋჀʃ to take a comprehensive view of
ྫdɰϞᔕකࣣ͉eߗːഃܙeʊ୦˸މ੬ٙʕϋӲɿdϾરίඟ҈ٙГༀӲɿۆᕐ˓ౢ Ju’s artistic oeuvre and showcase
eं֛ग़ඝήഹ˂٤dҗֽϘʊʔމவڗڗٙඟͼהdːྤ˂ᄱήᒪfீཀɛي aesthetic achievements in the
ࣅ௮e͂ཥ༑eߠߠ̍ٙਗЪdϡთீཀאۃහאܝٙʔΝԒ۶࿒dίவɓΐڗڗٙ different stages of his artistic life.
ඟͼʕd௴ி̈ۃܝʹ፹eଯʔɓٙᄴϣชdމՉءɝəॆྼٙፋʲʘբf Nativist Charm, a Return to
Simplicity
Ͼίඟͼʕගd᎘ᏖᎭЉసٙӲɿא͍݊ϡთ͉ɛ̷ٙѶʷԒlίவૢϞνɛ˰ʘࣚٙ Establishing a Name in the Art
ඟΐʕd˼͍ʔܢʔᙍήᝈ࿀ഹԒᗙٙӊɓЗ༩ɛdᇘࣉ࣍ഹɛࡁٙઋ࿒ձԒႧԊd World from the 1970s-1980s
˼һਗ਼ІҢፄɝ௴ЪdชΝԒաήਞၾՉʕdਗ਼ІҢٙהԈeהၲeהชd˸ઋ౻ᄌছٙ
ᅼόdяତɓ̈ၚٙൖᙂସfίவʃʃٙඟͼʕdϡთνΝ༸း͛ݺٙა߮Ⴢdί “The works of Ju Ming are rooted
ӊɓ˚ٙഃܙʕdۜբഹɛග௰މॆʲٙઋfӊɓഅٙᎉՍeӊɓஈٙഹЍޫဇးߧ in Chinese culture but are also
completely spontaneous. Within
ήݴᚣഹ˼࿁ϵ࿒ຬ˰ٙఃฌdϾவdک݊ϡთːʕԟᐿശɛ˰ٙຬছࠬઋf
these deeply moving images he
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