Page 77 - 亚洲二十世纪及当代艺术
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˜͍ν஢ε৖ঝٙϋჀɛɓᅵdɛݺഹঐਂԬʡჿkҢɓٜίరҬഈࣩd                                   Although she never attended an art school,
        ක֐೥೥ܝ୞׵Ϟəɓ၇՘ሜІݻٙชᙂfҢҬՑəഈࣩf™                                       Ayako Rokkaku has shown great artistic talent
                                                                          since she was a child. In 2003, she won a prize
                                                           {{ ʬԉ੹ɿ
                                                                          at the GEISAI Art Festival organized by Takashi
        1982 ϋ̈͛d20 ๋ӱ͍όሸɝᖵஔޢٙʬԉ੹ɿᒱ੽͊ආɝᖵஔኪࣧࡌ୦d                            Murakami, and then won prizes at the 2006 and
        ШІʃఱ࢝ତ฽੶ٙᖵஔ˂ረdኯᔟрɢІኪd௴Ъʔ኶d2003 ϋμ׵Ӏɪ                              2007 GEISAI Art Festivals, confirming her talents
        ඤ˴፬ٙ˜GEISAI ᖵஔୄ™ʕɓჼᜓɛd˸ዹतٙ෩ኃ೥ࠬeᙻဘٙЍ੹ί                             in the art world. Her works have been exhibited in
        ͙ใॷɪ౜ᖭəɓЗॱॆٙɽ଻ɾ܀dɓᑘᐏ੻˜ഁɿࠏ൙ᄲྠᆤ™fܝᚃɦ                                Japan, Amsterdam, Hong Kong and Los Angeles.
        ׵ 2006 ʿ 2007 ϋٙ˜GEISAI ᖵஔୄ™ɪʱйྮᆤdᆽͭəμίᖵஔޢ˂ʑ                      The dreamy and childlike girls in her paintings are
                                                                          glittering on the stage of art.
        ˇɾٙήЗfՉЪಀ׵˚͉eڛ֍౶तʗe࠰ಥeݾӄᐢഃεή࢝ᚎfμഅɨ
        ྫྷˌ˲̂တഁːٙˇɾ͍ί˰ޢႀၽɪ৪৪೯Έf                                            Ayako Rokkaku’s innate delicacy, observation,
                                                                          and immersion in Japanese anime culture have
        ʬԉ੹ɿӚϞෂ୕઺ԃٙՓό̍ൔdԒމ९ɛᖵஔ࢕dৰəಀ೵ಂਞၾౢ೥৅                                resulted in her intuitive graffiti paintings, which
        ᇖdμၾ͛ࡆԸٙᜄ୚ઋชeᝈ࿀ɢd˸ʿ࿁˚͉ਗဘ˖ʷٙఃฌdிఱμబ                                are characterized by her distinctive personality.
        Ϟٜᙂ׌ٙ෩ኃᖭ೥dࡈɛतЍՙഹfϞɛਗ਼μၾքԄߕ౽޴ˢd್Ͼʬԉٙ                                Some people compare her to Yoshitomo Nara,
       ˜уጳό˓ᖭ™ၾዹϞٙ˜ɾ܀ंሯ™݊຅˾௴Ъ௰މᗭঐ̙൮ٙतЍfࠠᔧ                                 but Rokaku’s “improvisational hand-painting”
        ׌ٙྡᅵᄴᄴᛌᛌdථϢeሀሁഐeʃڀeਗيeቺᚬഃdᎇዚ౳б׵೥ࠦɪ                                and unique “girlishness” are the most precious
        ᜫᝈ٫୚୚೯ઢf೥ʕɛيೌሞᕐ଻෥ᐙdאᓖ˓༨Ӊٙᅵɿd˿ɛᙂ੻ʔ                                 features of her works. In this auction, we
        ׭ʃືٙɾ͛ᕸᕸٙɰ̙˸ܘ̙ฌf݊ϣяତ࠯ϣତԒ׵שఙe௴Ъ׵ 2012                              present Untitled (Lot 18), created in 2012, which
        ϋٙೌᕚ‘€שۜᇜ໮ 18d˸ʿᖵஔ࢕฽މӼԈٙ˓ᖭዹوᎉ෧ೌᕚ                               is making its debut at auction, as well as Untitled
        ARC21-3‘€שۜᇜ໮ 19dᔮబ࢝ତμ݅ڦ˓עԸdɦ̂တഁॆٙ௴ЪႧคf                          ARC21-3 (Lot 19), a one-of-a-kind hand-painted
                                                                          sculpture by the artist, which is extremely
        ๝า˓ชd˂৵Б٤                                                         rare, showing the artist’s casual and childlike
       ೌᕚ‘˸ሯዎ੭І್Єଣช͙ٙใॷމҿfʬԉ੹ɿίՉɪ͜νՈ᜗ݼ                                   vocabulary, which is infectious and appealing to
       €Gutaiছٙуጳᖭ೥˙όd˸˓ܸމ೥അd೥̈μᅺႦ׌ٙɽ଻ɾ܀fμ˸                              the mind.
        ε੹ٙቻਸ਼ແৎڡ݆ٙ৷৵҈dίᒻߎஹВ໽ٙ঍ɹɪйഹɓϢͣЍٙʃڀd                                The Warm, Infinitive Imagination
        ͍݊Չ˂ॆᙻဘٙʫːᄳ๫fɾ܀ٙ˓໔Ό௅ബ࢝කԸdੵකٙ˓ܸͷ߰ʊਂ                                Untitled is made of the artist’s signature
        λ๟௪ڎΣ͊ٝdኹ׬ϓڗཀ೻ʕٙ၇၇ყ༾fμ̛ٙ˓ᗙʺᙜ̈νΝᔛတጟ                                corrugated paper with a natural texture. Ayako
        ؈ٙ४ЍڀϢd̴νΝɾ܀ٙ˜ςᚐᜳ™dҵא݊μʫːٙईဘҳ࢛dਗ਼வ΅                                Rokkaku draws her most famous wide-eyed
        ᘒᔛɓছٙ˜͊ٝ™वഗᝈ٫ೌᇊٙซ྅٤ගfɨ˙ۆ݊ɓ৳४ЍʃՄdӬࠦ                                girl, using her fingers as brushes in a GUTAI-like
        Σᝈ٫dᚣ̈ሜͤϾޗᕲٙฆ३d͍੭ჯഹɾ܀ԐΣᘰॸᆀ෤fϾၠণၾಔي                                improvisational style.
        ίՉɨd֟߰ɓࡈ଩႓ϾІٙ͟ىఙd͍ഃܙഹၾɾ܀ɓৎʱԮfʬԉ੹ɿ˸                                Her youthful high ponytail is tied with a colourful
        ɓ၇˂৵Б٤ٙІ͟d͜˓ܸ੭ਗЍ੹वɨ଱༦d௴ி̈ɓ၇͊຾ࡌུٙІ್                                ringlet, and a small white flower is pinned to the
        ชdνΝ܀ഁٙྫྷྤɓছॱॆ༐Ꮢdఎৎᝈ٫࿁׵ߕλٙซ྅fϾɾ܀ၾʃਗ                                chest of her bright red dress, which is a reflection
        ي൴൳၇ૄٙᗙޢdίΝɓ˂٤ɨʱԮഹ̻ഃٙҞᆀdɓνʬԉٙྫྷซྼስd                                of her innocence. The girl’s arms and legs are all
        μ˸௰މሯዎٙႧԊ͂ਗഹӊЗᝈ٫ٙːf                                               spread out, her fingers open as if she is ready
                                                                          to face the unknown and embrace the various
        ڀڿٙˀۏ
                                                                          encounters she will have in her life to come. Below
        Ϋ๑ 2021 ϋdϘʊ௪ա̹ఙႩ̙ٙʬԉ੹ɿΎϣܿ኷ІҢd
        ፋ˓ደᛟe˓ᖭə 9 ΁ 20 ʮʱ৷ٙௗନᎉ෧d˸Όอٙ௴Ъ
        ҖόࠑႭ̻ࠦ೥Ъʕೌج̂ʱڌ༺ٙ͛ݺชࢻd݊ϣɪשٙ
       ೌᕚ ARC21-3‘ۆމၖʕ˾ڌfᖵஔ࢕ίϤतจ˸ʔ஝ۆٙ
        Җً෧ிɛ྅d˴ԉ᎘௟ڀڿdᒻᝣڥᘆٙ໽ᓖༀུᓃΤՉڀ
        ֙ˇɾٙԒʱf್ϾdμίϤɓˀෂ୕ᖵஔʕˇɾ଩ߕ๝ੈ
        ٙҖ൥dᕐͦฆᵝd͜ᕿဲٙ଻ग़ૐΣᝈ٫d˸ˀۏٙၚग़౤
        ̈࿁˰ޢٙ၇၇ሯဲ{{Ϥ֟߰ʬԉ੹ɿʫː˰ޢٙҳ࢛d͍
        ί˸Όอٙe᙮׵ІʉٙɢඎၾႧค͂ॎᖵஔ˰ޢٙ˜ෂ୕ς
        ۆ™fᖵஔʔΎ̥݊࢝̈׵௹ي᎜d৷৷ίɪ˲̀඲˜ҁߕೌ
        ๽™ٙ࢝ͪۜdϾఱίЫҢԒᗙdԨ˲̙˸ኹϞၚ๟ߕชʘ
        ̮d଩႓eІ͟eɽᑔeሯဲഃε၇ልᕏٙઋၫfЪۜ˸˓ʈ
        ɪЍٙ௴Ъཀ೻eйՈɓࣸٙɛيҖ൥dխᏐəɓ၇Όอٙe
        ੶ሜІҢϾڢࡌུٙᄲߕdԟ͍݊อ˰˾€Generation Zٙ
        ІҢ܁Ԋl


                                                          ʬ ԉ੹ ɿ 2 0 19 ϋ ׵ ஃ ᚆ ࢝ ̈ ࣛ dՍ จ ˸ ڀ Ϣ eථ Ϣ ி ۨ Ⴁ ϓ ழ ᎉ ෧ dѱ ᓃ ׵ ન တ ೥ Ъ ٙ ᐍ ɪ dʚ ᝈ ٫ ᔮ
                                                          ʬԉ੹ɿ 2019 ϋ׵ஃᚆ࢝̈ࣛdՍจ˸ڀϢeථϢிۨႡϓழᎉ෧dѱᓃ׵નတ೥Ъٙᐍɪdʚᝈ٫ᔮ
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