Page 72 - 亚洲二十世纪及当代艺术
P. 72

16        ʃؒߕϻ b.1984                        Miwa Komatsu

                  ମᗳගٙኹ׬                             Embracing between Heterogeneous Species
                  Ꮐдɢ੹ ˥׌അ ೥̺                        Acrylic, pen on canvas
                                                                      7
                                                                 5
                  ɚ㖼ɓɞϋЪ                             72.7 x 60.6 cm. 28  /8 × 23  /8 in.
                                                     Painted in 2018
                  Ը๕
                  ࠰ಥͣͩ೥఼                             PROVENANCE
                                                     Whitestone Gallery, Hong Kong
                  ତԭݲࠠࠅӷɛᔛ࢕ٜટᒅІɪࠑԸ๕
                                                     Acquired directly by present important private Asian
                  ڝj࠰ಥͣͩ೥఼කͭʘЪۜᗇࣣ                    collector from the above
                  ڝj࠰ಥͣͩ೥఼කͭʘЪۜᗇࣣ
                                                     This work is accompanied by a letter of guarantee
                                                     This w ork is accompanied b y a l e tt er o f g uar ant ee
                  HKD 250,000 - 350,000              issued by Whitestone Gallery, Hong Kong
                                                           y Whit
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                                                     issued b
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                  USD 32,100 – 44,900





















        The Colour of Affection
        In At Owl’s Forest (Lot 17), Komatsu used bright peach
        as the background colour, presenting a magnificent owl
        that takes up all the space horizontally. Its silhouette is
        traced in black and then filled with gold to create a glossy
        texture. The sun on top of its head is a symbol of strength
        and hope. The artist’s unconventional brushwork reveals
        the beauty of the delicate and vivid interplay of colours. A
        small owl is resting soundly under the big owl’s wing, its
        round eyes are looking at the viewer with curiosity for the
        outside world and its readiness to explore the world with
        its mother. It is touching to see how naturally the two of
        them show a tacit understanding of each other. The artist
        even uses white lines to draw several symbols, as if telling
        secrets between nature and living souls. The colours and
        lines intertwine freely, showing humanity inside animals.

        Miwa Komatsu insists on integrating her personal
        experiences into her creations, connecting human beings
        with nature, divine beasts, spirits, and other non-physical
        worlds, which gives us abundant inner strength whenever
        we stop to look. The colours hover and dance, striking
        every viewer’s heart, blossoming into a silent flower of   ʃ ؒ ߕ ϻ  ື ˚ ٙ ʹ ᚤ ‘d Ꮐ д ɢ ੹ ॷ ͉ ⟱
                                                          ʃؒߕϻື˚ٙʹᚤ‘dᏀдɢ੹ॷ͉⟱
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