Page 71 - 亚洲二十世纪及当代艺术
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˜ҢЪۜʕٙςᚐᖕdᐼ݊Ϟɓ࿁ܘɽٙ଻ຒfΪމҢ޴ڦd଻ຒ݊                                  Born in 1984 in Sakagi Town, Nagano, Miwa Komatsu
        ၾਗيeςᚐᖕ͜Ըෂ༺ঐඎٙஷ༸fςᚐᖕɰ݊ீཀ଻ग़ٙءൖ                                  has been close to all kinds of wild animals in nature
        ςᚐҢࡁdᜑᚣ̈ᜳ჻ၾɢඎf™                                                since she was a child, and her connection with natural
                                                                       beings has created a unique worldview and enriched
                                                        {{ʃؒߕϻ
                                                                       her imagination, which has led her to paint a colourful
        1984 ϋ̈͛׵˚͉ڗ௉ጤԦ۬ᣒٙʃؒߕϻdІ̼ίɽІ್ʕፋڐ΢၇                             world in which divine creatures are intertwined with
        ௉͛ਗيdၾІ್͛ᜳٙᑌᖩᛟிəμዹतٙ˰ޢᝈʿᔮబəμٙซ൥d                               the souls of human beings. Despite the artist’s young
        ආϾ˿μί˚ܝ౜ᖭ̈ग़ᖕၾɛᗳᜳ჻޴ʹᔌٙᘰॸ˰ޢfኋ၍ᖵஔ࢕ٙ                               and fragile appearance, the beasts under her brush
        ̮ڌ޶ɪ̘ϋჀϾݓࢮdՉഅɨٙग़ᖕۍІ͟ϾӮ௉dίɓహహਁɽٙ೥                               are free and wild, with dazzling colours in the large
        షʕ৪ᘴഹވͦٙЍ੹{{ԟ͍݊μ͜೥അஹટତྼൖ൥ၾʔ̙Ԉٙၚग़                               frames. She uses her brush to connect the real world
        ٙՇࡈ˰ޢfʃؒί௴Ъۃึ᎑ѬࡔซdరӋʫː̻ٙձfԨίບ଻ࣛᖭ                               and the spiritual world. Komatsu meditates before
        ೥̈ʫː͍ၾμ࿁༑ٙग़ᖕdμಀԊj˜ᖭ೥வࡈБމഃ׵݊ࡔซdਖ਼ء                               creating, seeking inner peace. When she opens her
                                                                       eyes, she draws the beasts that are in dialogue with
        ίᖭ೥ɪࣛdҢک̙˸ܘІ್ٙၾग़ᖕ๖ஷf ™຅ग़ᖕආɝԒ᜗Υɚމɓ                              her, and sometimes she even uses her body as a
        ʘࣛdμක֐͜ᕙࣘආБ௴ЪdϞࣛޟЇ዆ࡈԒ᜗ேঐϓމ೥അd༊ྡ˸                               paintbrush to express the power and beauty of the
        ΌԒː࢝ତग़ᖕٙɢၾߕfՉዹϞٙ௴Ъ˙όd͍݊μഐΥІԒ຾ዝၾᖭ                               beasts. Her unique way of creation is a new language,
        ೥ࠬࣸdה௴͛̈ٙΌอႧԊd˿Չ೥Ъ௪ա৛ડdɓ೥ᗭӋf                                   combining her own experience and painting style,
                                                                       which is exactly why her works go viral.
        Ϙί 2013 ϋdࣛϋ 29 ๋ٙʃؒఱϓ̌ɝ፯ج਷˜PRIX CANSON 2013™
        ᖵஔᆤdཞϋdЪۜอ・ࠬɺা‘ί˚͉ήЗਫ਼৷ٙग़ٟ̈ථɽٟᐏ੻                               In 2013, at the age of 29, Komatsu was selected as
        ᘠॶٙࣿ࿲iΝϋՉᎉ෧ςᚐ๸˭j˂ή‘ίࡐ౱ʲဧГڀ࢝ɪ࢝̈d                               a candidate for the PRIX CANSON 2013 art prize in
        ᎇܝ஗ɽߵ௹ي᎜ϗᔛdϓމ༈᎜־ࣛהϗᔛʘ௰ϋჀᖵஔ࢕ٙᔛۜnn                               France. Her sculpture Guardian Lion Dog was exhibited
        ᇕி̈νϤϓఱٙʃؒԱ್ਖ਼ءၾ൴୭dίᐿᕏٙ˰ޢʕ਺ς࿁ग़ᜳٙห                               at the RHS Chelsea Flower Show in London and
        ޡၾॱၘf݊ϣשርяତμٙՇ΁˜ग़ᖕ™˴ᕚذ೥d˸εʩٙൖԉމᝈ                               was subsequently collected by the British Museum,
        ٫ءɝΌอٙᝈ޶᜗᜕dԐආʃؒԟѶʔ̙Ԋٙग़ᒯ˰ޢf                                     making it the youngest artist in the museum’s
                                                                       collection at that time. With such an achievement,
        εʩ΍͛ٙߕλʘྤ                                                      Komatsu is still focused and transcendent, upholding
        ίҁϓ׵ 2018 ϋٙମᗳගٙኹ׬‘€שۜᇜ໮ 16ʕdɓ৳࠭௢ிۨ                          her reverence for the divine spirits and purity amid a
        ٙग़ᖕᚔ್ϾତdӬɓԒʞ੹౴ᙴٙϻˣνᎇࠬᙗႀdഘᘆ࢝ତ͛նٙε                               complicated world. This auction presents two of her
        ۶fʃؒίՉ၂ɽٙᕐᐘ෬တߎ੹d࢝ᚣ̈لᆠٙͦΈf࠭௢ᕘගٙ௢                                oil paintings on the theme of “Divine Beasts”, injecting
        ڿۆग़؛Ⴚ್d֟νӬٙୋɧ৳଻ຒdஷΣʃؒהႭٙ˜޶ʔՑٙ˰ޢ™f                              a brand new viewing experience for the viewers from a
        ί୚ືٙ௴Ъɪdμ΋˸᎐ᔝഅᙃֵ͂d̋˸ߎeරeၠe४ഃาЍʵ                                diversified perspective.
        ਔdᐄி̈ग़ᖕ৪ڥٙϻᑈdረʚ˴ԉԒ᜗ᜳ׌ၾҖ჻fϾኋ၍࠭௢Цኽ                               A Beautiful Realm of Symbiosis
        ə೥ࠦٙ˴ࠅ٤ගdᖵஔ࢕ۍίɪ˙˸ලͣᇞૢʵਔ̈ɓ͍ίمБٙ൉                                In Embracing between Heterogeneous Species (Lot 16),
        Ꮂiɨ˙ۆ˸ߎ੹෩ᖭɓ͍༊ྡਗ਼ʘኹ׬ɝᕿٙମ၇͛يdɧ၇ʔΝٙ͛                               which was completed in 2018, a flying bird-shaped
        ᜳ־Ϥ޴ʹ޴ஹd˜ձϾʔΝ™Ͼ΍͛΍ஈdίᕙࣘٙʹᚤʕ࢝ତɽІ್                               beast leaps out, her colourful feathers fluttering in
       ˜ຬيޫϞᜳ™eձፓ΍͛ٙߕλᗴ౻f                                              the wind, displaying a diversity of life. Komatsu’s filled
                                                                       her huge pupils with red colour, showing a passionate
        ፋઋٙЍ੹                                                          gaze. Although the bird-shaped beast occupies
        Ͼί 2021 ϋהЪٙ፟᎘᜻ٙಌ؍‘€שۜᇜ໮ 17ʕdʃؒ˸׼ᝣٙ                          the main space of the painting, the artist outlines
        ࣹߎމֵЍdਗ਼ɓ৳ѯ၂ٙ፟᎘᜻˸˜௟˂ͭή™ٙҖόяତՉʕfՉቃ                                                        a crawling dragon
        ࿊˸ᒻ׼ٙල੹౜ᗙdΎ̋˸ږЍ෬̂dࡌུ̈੭Έዣٙˣ᜝fϾ᎘௟ɓ                                                        in black and white
        ቃ˄ජϓəɢඎၾҎૐٙ൥ᅄfί௴Ъʕdᖵஔ࢕Ⴞ˸ၠeරeഓഃʔΝ                                                        lines on the top, and
        Ѝ੹࢝ତՉϻᑈd೥അί௴Ъཀ೻ʕٙჀࠠᇠܢڮϓə୑୚ʔΝٙቃ࿊d                                                        a heterogeneous
        ίʔ׭ɓࣸٙഅᙃʘගd੻Ԉ୚ጰ͛ਗٙЍ੹ʹᔌd࢝ତ̈ՉވߕfϾɓ                                                        c r e a t u r e o n t h e
        ৳ʃ̷ٙ፟᎘᜻ԱڝίՉᕿʕ͍ඌ್;ኰdӬ෥෥ٙ଻ຒ˸λփٙ۶࿒ૐ                                                        bottom. The three
                                                                                                di f f e r e n t   k in d s
        Σᝈ٫d࢝ତ࿁̮ޢٙλփd͍๟௪ၾ͎ፋɓৎઞ॰ɽɷ˰ޢfɚ٫І್                                                        of creatures are
        ٙ࢝ତ̈ፋઋٙᎰ۰d˿ɛਗ࢙fᖵஔ࢕ίϤһ˸ͣЍᇞૢᖭ̈ᅰࡈମҖ                                                        inter twined with
        ୌ໮ѱᓃՉගdҗֽίൡႭഹІ್ၾ͛ᜳٙ΍ჼၾ।੗fЍ੹ၾᇞૢίՉ                                                        each other, living in
        അɨ྅݊ભ୭əيሯً࿒ٙ୐ɿd࿫Ҟٙʹᔌίɓࡈ̙˸࿁༑ٙ˰ޢ༁d                                                        harmony despite
        ࢝ତਗي͛ᜳዹՈɛ׌̤ٙɓࠦf                                                                         all the differences,
                                                                                                which  shows the
        ʃؒߕϻ਺ܵਗ਼ՉፋԒ຾ዝፄɝ௴ЪdஹഐɛᗳၾІ್eग़ᖕe͛ᜳഃɓ                                                        beautiful vision that
        ʲڢيሯ˰ޢٙชٝdӊӊታԑᝈ޶dޫʚɛᔮӒٙʫίɢඎf͍νՉ                                                         “everything has  a
        הԊj˜ӊࡈɛேϞɓ၇ᕙЍd߁ᖠϞ˂ήdɰึϞ͛ϥdІ್ɰϞग़ड़d                                                       soul”, and that we co-
        Ͼग़ᖕఱ݊ɓ၇ஹટ͛ϥٙπί™f଻ۃᘰॸٙЍ੹ί˂ήʘගᆵૅe࠭                                                        exist harmoniously.
        ႀdᏘʕӊɓࡈᝈ٫ٙːᜳdၛ׳̈ഘᙻೌᑊٙ͛ʘڀf                                   ʃ ؒ ߕ ϻ  ፟ ᎘ ᜻ ٙ ಌ ؍ ‘ €ש ۜ ᇜ ໮ 17 
                                                                    ʃؒߕϻ፟᎘᜻ٙಌ؍‘€שۜᇜ໮ 17
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