Page 55 - 亚洲二十世纪及当代艺术
P. 55

ۜᛡᖵஔʘጲdِբᅂɿᏕج                                       Since 2008, a rabbit named “Nini” has leaped into the public eye
          ˜ᅂɿίҢd݊ɓࡈ૱૱ٙዹͭࡈ᜗dίϞᅂɿ̈ତٙ                             like an elf. Nini’s creator is Taiwanese artist Huang Benrei. Nini,
           ೥ʕd̴ே͍݊੬̵̵ٙʘ̮̤ٙɓࡈ̙ঐ׌dΪމ݊                            depicted by Huang’s brush, combines humour and delicacy,
          œ̙ঐ׌dה˸̙˸ʔΥଣdʔաତྼ၍Ҽn೥ᅂɿd˾                           optimism and melancholy, making people unable to resist
                                                               gazing into its soulful black eyes and expressing their innermost
           ڌจᗆٙІ͟f™                                            thoughts. Over the past decade, Huang Benrei has exhibited
                                                  {{ර͉ጶ        Nini in places such as New York, Taipei, and Suzhou. The works
                                                               Drawing Lesson 101- This Part Is Too Dark, or It’s Just a White
           ߘྫྷซɽשር™ࡈ࢝ʕd௰ˏɛءͦٙ݊ɓӻΐ˸Մɿ                           Bunny with a Black Butt (Lot 9) and When the Season Changes,
          ˜ࡀᅂ™މ˴ᕚʘЪdίவԬ೥Ъʕdᅂɿϓމ˴ԉ࿁Ꮠٙ                           I Will Do (Lot 10) that are being auctioned were both published
           πίdձ̵̵ٙԒ᜗࢝ක࿁༑dᔮబəତྼ̙ٙঐ׌d݊ϣ                          in her important solo exhibition Dreams for Sale in Taipei in
           ɪשٙਿ͉९౜ሙ೻ɓவ༁೥˄ලəlࠅʔdӬఱ݊৳ڗ                          2013, garnering enthusiastic response. In each artwork world,
           əࡈල҈ˋٙʃͣՄᇦl‘уމᅺႦ˾ڌfϤމ༈˴ᕚʕɓ                          viewers can follow Nini’s footsteps and appreciate the various
           ΁तйᗭ੻eᔮబٙ˜೥ʕ೥™fϞй׵εᅰߠ౻޴Җ฽ᔊ                          possibilities of life with a fascinating touch, finding wisdom in its
           ٙЪۜdර͉ጶίϤܔ࿴əልᕏϾϞҏٙ٤ගఙ౻ʿ೥ࠦ୚                          gentle and adorable gestures.
           ືfԒஈ೥ࠦʕː̵̵͍ٙ๱Ϟʧԫήߠഹ˓dᝈ޶ᐍࠦɪ                          Appreciating the Pinnacle of Art, Playing with Shadow
           ᘔનٙ΢ЍΤ೥d̸ਉ̙Ԉ૕৷€Vincent van GoghɽΤ                  Tricks
           ཻཻٙ݋ց‘dර͉ጶᒔࡡəԟνᑮૅছٙᘴ଻݋݋˸ʿ                          In the piece Drawing Lesson 101- This Part Is Too Dark, or It’s Just
           ૕৷຾ՊϞɢٙ೵അՏdසᚣ̈ɓԉуˏɛɝ௷f̛ᐍۆԈ                          a White Bunny with a Black Butt the rabbit’s shadow becomes
           ࡐۉࣦ€RembrandtٙІ೥྅‘dර͉ጶਗ਼˴ɛʮٙ᎘                      the corresponding existence of the protagonist, engaging in
           ྅तᄳ࿚՟dᖭ̈ஃᚆΈᅂɽࢪ೥ʕԟྫྷˌٙଉ૵ᜊʷd࿎                          a dialogue with Nini’s body and enriching the possibilities of
           ᜑᖵஔ̶Θٙቾɢfߠ౻ʕݓձۍ̂တݺɢٙߎරᔝɧࡡЍ                          reality. This is a rare and rich “picture in picture” in this theme.
           ᐍࠦʝ޴݈๫d੶ʷəЍ੹ٙᏕᄌ׌ຠᅜfϾϞሳٙ݊dಾ                          Different from most minimalist background works, Huang
           Ԓ௛̵̵ͣٙۍਬዹڗ̈əලЍٙ҈ˋfՉԒܝٙᅂɿҗֽ                          Benrei constructs a complex and orderly spatial scene. Nini,
                                                               standing in the centre of the picture, looks attentively at the
           Ո͛նٙୋɧ٫dܸഹۃ٫ٙ҈ˋd༸̈əνЪۜᕚΤሯ                           various paintings hanging on the wall. On the left, you can see
           ဲj˜வ༁೥˄ලəlࠅʔdӬఱ݊৳ڗəࡈල҈ˋٙʃͣ                          Vincent van Gogh’s The Starry Night, recreating the dazzling
           Մыl™f˜ᅂɿ™ίϤνɓႀ̨ᄌစࡰdܑᎰή౧ᚣəϤష                         spiral of stars. On the right wall, there is a self-portrait by
          ˜೥ʕ೥™ʕʔሞ݊ᐍɪΤ೥d͵א̵̵ІԒdேމᖵஔ࢕                           Rembrandt, depicting the dreamlike depth changes of the Dutch
           ה௴ЪdᔟϤ೥ྤ੭ჯᝈ٫߈૞̚ʦeᚔਗ׵ତྼʿซ྅ʘ                          master, highlighting the charm of the art giant. Interestingly,
           ගdԨ༎ፓήܸ̈dҢࡁӊࡈ޶೥ٙᝈ٫dேν̵̵ছdԒ                          Nini, who is all white, has only grown a black tail. Its shadow behind
           ஈɽɷ˰ޢd݊ɪ˂Җ෧ٙԉЍdЪۜ྅ོ݊Ꮈɛࡁਅဧפ                          it seems like a living third party, pointing at its tail, questioning
           ᕎ˴ᝈٙԒ΅d̤͜ɓࡈԉܓᄲൖІʉdԨίவ˴܄ʹಁ                           the title of the work: “This part is too dark! Or it’s just a white bunny
           ʕd౨ᄳeҖ෧eϓމνࡐۉࣦe૕৷ٙ˜຾Պ™f                             with a black butt!” The “shadow” here acts like a theatrical actor,
                                                               humourously revealing that both the paintings on the wall and
           ̬ࣛᜊ౬ʕٙϓڗఃࣀ
                                                               Nini itself are worlds created by the artist. Through this portrayal,
          ˜ࡈɛί˰ޢٙ͛πdԨڢ။ɢ࿁Ҥٙཀ೻dϾ݊නᏐІ                            the artwork leads viewers to traverse the past and present, dance
           ್ᜊʷٙ၇၇࿁ᏐБਗfර͉ጶٙЪۜ˸Ⴠޮٙ۶࿒                             between reality and imagination, and humourously points out that
           ༸̈ࡈɛٙ͛ݺࡪኪd৿࠾Մɿ̵̵ાࠑᓋֻρ֞ʘ༸                            each viewer, like Nini, is a character shaped by the universe.
           ٙːઋdІί˲਺֛d˸̻ձٙ଻Έ३޶˰ԫf ™                             The Joy of Growth in the Changing Seasons
                                     {{਷ͭ૶ശɽኪ઺બੵ౹˖             In another piece, When the Season Changes, I Will Do, Nini
                                                               enters the vibrant nature, embraced by lush green leaves from
           Ͼί̤ɓష֙ືһࠖdஹҢɰn‘ʕd̵̵Ԑɝə͛ዚۉ                          all directions. The artist meticulously depicts the appearance
           ۉٙІ್d஗̬ࠦɞ˙ႏၯٙၠ໢הኹ׬fᖵஔ࢕୚ᇘήՍ                          of different plants, some with oval-shaped long leaves, some
           ೥əʔΝಔيٙᅵႶdϞԬዓ،Ոዕ෥Җٙڗ໢eϞԬ෥Җ                          with round fleshy leaves like fruits, or curled tentacles like an
           ٙ໢ЂνΝɓᒶᒶ؈ྼdאνɞ˧௡ٙજϜᙃ˓fϾ̵̵१                          octopus. Nini stands in the centre, looking to the right side of the
           ίʕ̯dΣ೥̛ࠦਉ˙ૐ̘d྅݊ίഃܙɦ྅݊ᅱ್Ϋ࠯d                          picture, as if waiting or looking back in reminiscence, filled with
           ੭Ϟᕿซʿ࿁͊ԸٙಂܙfνЪۜᕚΤdᎇഹၠ،˚ूᇶַ                          nostalgia and anticipation for the future. As the title suggests, as
           ᄣڗd̵̵ɰίͣቸཀქʕ࠭஺ϓڗfӬҗֽίѓൡҢࡁj                          the green branches spread and grow day by day, Nini also rapidly
           ᐼϞɓ˂dɛࡁ୞ਗ਼ࠅѓйഁϋdνΝڀণዓ˝ɓছפ،೯                          grows in the blink of an eye. It seems to tell us that one day,
           ٽdഐϓ၂؈ଢ଼ଢ଼dԮաІ್Ͼ್ٙ͛նృᐑiཀֻٙଢ଼ጐ                          people will bid farewell to their childhood, like plants branching
           ϓఱəνʦٙІҢdɦމ࠽੻ಂܙٙ͊Ըᛟఱᄴᄴච૒f͍                          out and bearing abundant fruits, enjoying the natural cycle of
                                                               life. The accumulation of the past has shaped the present self
           νߵ਷˖ኪ࢕୶ɻˢԭהԊ˜ɭԫཀֻdޫމҏ௝™dර͉                          and paved the way for an anticipated future. Huang Benrei uses
           ጶஷཀ̵̵ʔࢱʔᇠή༕ᙑ̈නᏐІ್e਺֛̻ձٙ͛ݺ܁                          Nini to slowly interpret the declaration of adapting to nature
           Ԋd͛նٙఃࣀί֙ືһࠖʘʕිၳdΎฆʃٙၠจே݊Ҏ                          and steadfast tranquillity, with the joy of life converging in the
           ૐٙ᜗ତd˿ɛࡁٙːʕ̂တาจf                                    changes of the seasons.

                                                                                                          0 15  -  0 16
   50   51   52   53   54   55   56   57   58   59   60