Page 349 - 亚洲二十世纪及当代艺术
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˜Ң͛ݺίɛ໊༁d೯ତə஢ε˿ɛːᜳชਗɦೌجԊڌٙ؇Гd
        வԬே݊ᗫ׵ɛ׌ٙઽชeঌࢮeయᘌeཞᇫeೌпeॆ༐ձઋฌ
        ݂ٙԫnnהϞɛே஗̴ᚨԴഹd׵݊͛ݺ೯͛ə΢၇΢ᅵٙ
        ݂ԫf̴ࡁϓəҢЪۜٙ˴ᕚf™

                                                       { ఏߎ
        ̈͛׵ 1966 ϋٙఏߎdމʕ਷˜อ͛˾™௫̈ᖵஔ࢕eʕ਷೥እ௪
        աᝓͦٙᔔูf18 ๋ࣛd֠ఱᛘʕ̯ߕ৫ڝʕٙμdኯᔟɓషɽ                           ఏߎμ{{80 ܝɾЪ࢕‘d150Ò413.5 cmd2007 ϋЪdʕ਷ߕஔ᎜ᔛ
        ሊ྅‘९౜ᜓᝣ̬ࢭd1986 ϋdμίɪऎ࠯֣˜ʕ਷ذ೥࢝™೯ڌ
        ٙІ೥྅‘Їʦʥᜫ஢εɛૐྡྷ୽ʿdՉܝμආɝ̯ߕذ೥ӻఱ                             “I live among crowds and have discovered many
                                                                  things that are both emotionally moving and
        ᛘd1995 ϋ၂ɻଭุܝ஗ַᜡवࣧ΂઺d1997 ϋ˾ڌʕ਷਷࢕᎜ਞ                       indescribable. These are stories about human
        ̋۾̵౶਷ყᖵஔᕐϋ࢝dڌତՙഹfՉ௴Ъ֐୞՟ҿ׵͛ݺdЕᑌ                            sensitivity, vulnerability, dignity, barriers,
        ৎʃҢٙ͛նၾɽҢٙዝ̦d˸ՉഛชٙːၾഅeүઋٙЍ੹ઞ॰ʕ                            helplessness, sincerity, and love... They drive
        ਷ٟึᜊቋʕٙ˜ɛ™d˸௰̻ɭϾᒻݺٙࡈ᜗d୚ጰϾଉՍήൡႭ                            everyone, and as a result, various stories happen in
        ɓݬݬ຅˾ዝ̦dᙘబ๝ܓϾ͂ਗɛːfՉЪಀᐏ̏ԯʕ਷ߕஔ᎜e                            life. They become the themes of my work.”
        ࠰ಥ M+ ߕஔ᎜eߕ਷ʗНߕஔ᎜eˈࡐ౶ਿږึഃϗᔛf
                                                                                                        { Yu Hong
        ͦᏘϓڗdͦᏘዝ̦
                                                                  Yu Hong, born in 1966, is an outstanding artist of the “New
        90 ϋ˾͋dఏߎਗ਼ɽ௅ʱࣛග্ᘠഗɾՅձ࢕ࢬdШʔᓙ࿴ܠdί                           Generation” in China and an admired figure in the Chinese
        ৾അʞϋܝdપ̈ᙲɛٙͦᏘϓڗ‘ӻΐf༈ӻΐЪۜ΍ 98 ΁d                          art world. At the age of 18, while studying at the Central
        ഹ଻׵ІԒ࢕ࢬʕɾՅٙϓڗdʿӊɓϋٙࠠᓃอၲԫ΁d࢝ᚣତ˾                            Academy of Fine Arts Affiliated Middle School, her stunning
        ʷཀ೻ʕࡈɛၾٟึٙ͛πʿ೯࢝ࠦႶdІϤఢ֛əμٙ௴Ъਿሜd                            sketch of David garnered attention. In 1986, her Self-portrait
        ϾІ 2005 ϋৎdఏߎྒྷ༊˸കၦᖭ೥dശᘆeݓழe߈ீШΝࣛՈ                         exhibited at the first Chinese Oil Painting Exhibition in
        ௪㺗׌eຟࢮ׌ٙകၦdၾμ࿁ɾ׌e͛նٙଣ༆ʔፑϾΥdμ͜Г                            Shanghai remains unmatched by many. She then entered
        όᕙࣘ׵കၦɪ੹dΎ˸ዓইਗ਼ʘኑոdʷމɓ᜗d߰ਗ਼াኳʕᗝڀ                            the oil painting department of the same academy, and after
        ˥˜ٙɛeԫeيʷމ͑ܩd௴͛̈ՉዹՈࡈ׌ٙᖵஔႧԊf݊ϣ߇                            completing her master’s degree in 1995, she was recruited to
        שяତٙଡ଼೥dуމၖʕ˾ڌf                                            stay and teach at her Alma Mater. In 1997, she represented
                                                                  China at the Venice Biennale, showcasing her remarkable
        ͛νࢀڀވᙻ                                                    talent. Her creations are always drawn from life, connecting
        வଡ଼Ъۜʱй౜ᖭ̬Зዹͭٙɛيdᚾܼᖵஔ࢕௰຾Պ˜ɾ܀™ձ                             individuals with the history of the larger society. With her
       ˜޶™ٙ˴ᕚdၾ 2006 ϋ௴Ъٙɞᑌ܈̶Ъ޶‘މ˜֎֊Ъ™d೥                         sensitive heart and expressive colours, she explores the
        ʕɛޫ޴ʝ࿁Ꮠf೥ࠦᔊᆎ׼ᐝd؟ఖᓛᘚdɛيޫஈ೥ࠦʕ̯d೓                            “people” in the changing Chinese society, using the most
        νש๫ɓᐛf                                                    ordinary and vivid individuals to delicately and profoundly
                                                                  tell the stories of the current changes. Her works have been
        ఏߎ฽ˇ͜ᇞૢʵਔቃ࿊dˀʘdഅ༦ձᕙ਼ࣘٙጐdʑ݊Չાԫ˙                            collected by institutions such as the National Art Museum of
        όfίשۜʕٙӽ྅ɾ܀‘ʕdᖵஔ࢕̷͜ᓅල᎘ቻeኑইʘᇮe                            China, M+ Museum in Hong Kong, Denver Art Museum in the
        ➊ߎᑕ᎔eߎࡶͣ኉ٙ࿁ˢЍ෯ᐄிΈᅂ؟ఖdɛي଻ग़ॱॆeंሯ                            United States, and Guy & Myriam Ullens Foundation, etc.
        ʫᏡeݓʕ੭࡝fΎᝈߎ܀Յ‘d೥٫͜޴ЧЍ෯ႡிΈᅂdʵ೥                            Witnessing Growth, Witnessing History
        ɛيଉᔺ޵଻ၾዢ੗᎘ቻeଉЍ৷ჯdˀᛖ׼ڥٙᑕ௅d३࢙ˈତd                            In the late 1990s, Yu Hong devoted most of her time to her
        ಃंᇻۉdɚ٫ў३୷ဧe࢝ૐ͊ԸٙҖ൥d͵݊ 21 ˰ߏʕ਷ɾ׌                          family, but never stopped conceiving ideas. After a five-
        ʫːІٙ͟ᐵᅂf                                                  year hiatus, she released the captivating Witness to Growth.
        ାૐ͊Ըeኹ׬̙͊ٝٙঐ                                              This series consists of 98 works, focusing on the growth
                                                                  of her daughter and significant news from each year,
        ৰɾ܀Җ൥̮d˜ૐჃᗝ™͵މఏߎЪۜʕʔׁ̙ଫٙࠠࠅʩ९fϤ                            revealing the development of individuals and society in the
        މɷᐤϋܝࠬᗰʕ਷ٙኜՈd̴݅݊ࣛ˾ආӉٙ൥ᅄd݊࿁Ⴣ˙ٙλ                            modernization process. This established her artistic style.
        փdɰ݊࿁͊ٝٙጕઞf͉ଡ଼ש̤ۜٙՇష޶‘ʕdՇࡈ܀ഁѩ˓                            Since 2005, Yu Hong has been exploring silk painting. The
        ܵૐჃᗝdኑग़ءൖfኈලٙ᎘ቻeૐჃᗝeɪВdၾՉዐරͤᇮҖ                            gorgeous, soft, and penetrative silk, which also possesses
        ϓ੶डٙЍ੹࿁ˢf೥ʕ˴ԉ୚ۜഹᗝʕ˰ޢdᒱೌجᙂ࿀Չઋၫ଻                            both toughness and fragility, aligns with her understanding
                                  ग़dᝈ٫ʥঐٜᝈชաՑ˼ࡁٙਖ਼                 of women and life. She uses Western pigments to paint on
                                  ءeੂഹʿᓋֻfɦ߰ᐄி̈೥ʕ                 silk, then solidifies it with resin, creating a unique artistic
                                  ɛ˜ᄲൖ™ᝈ೥٫ٙϞሳʝਗdЕ                 language that transforms the people, events, and things she
                                  ৎ˴܄eൈྼeତίၾ͊Ըٙࣛග                 remembers into something eternal. The group of paintings
                                  ൿfఏߎ͜Չዹतٙᖭ೥ႧԊdࣉ                 presented in this autumn auction is a representative
                                  ࣍޶Ч͛ݺʕʔৎ଻ٙᐛගd֛ࣸ                 example.
                                  ̻ɭɛdાࠑ҃ɽዝ̦ɨٙॆྼ                  Living Like Blooming Summer Flowers
        ௴Ъʕٙఏߎ                    ɛ͛f                             This set of four depicts four independent characters,

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