Page 349 - 亚洲二十世纪及当代艺术
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Ң͛ݺίɛ໊༁d೯ତəε˿ɛːᜳชਗɦೌجԊڌٙ؇Гd
வԬே݊ᗫɛٙઽชeঌࢮeయᘌeཞᇫeೌпeॆ༐ձઋฌ
݂ٙԫnnהϞɛே̴ᚨԴഹd݊͛ݺ೯͛ə၇ᅵٙ
݂ԫf̴ࡁϓəҢЪۜٙ˴ᕚf
{ ఏߎ
̈͛ 1966 ϋٙఏߎdމʕอ͛˾௫̈ᖵஔeʕእ௪
աᝓͦٙᔔูf18 ๋ࣛd֠ఱᛘʕ̯ߕ৫ڝʕٙμdኯᔟɓషɽ ఏߎμ{{80 ܝɾЪd150Ò413.5 cmd2007 ϋЪdʕߕஔᔛ
ሊ྅९ᜓᝣ̬ࢭd1986 ϋdμίɪऎ֣ʕذ࢝೯ڌ
ٙІ྅ЇʦʥᜫεɛૐྡྷʿdՉܝμආɝ̯ߕذӻఱ “I live among crowds and have discovered many
things that are both emotionally moving and
ᛘd1995 ϋ၂ɻଭุܝַᜡवࣧd1997 ϋ˾ڌʕਞ indescribable. These are stories about human
̋۾̵ყᖵஔᕐϋ࢝dڌତՙഹfՉ௴Ъ՟ҿ͛ݺdЕᑌ sensitivity, vulnerability, dignity, barriers,
ৎʃҢٙ͛նၾɽҢٙዝ̦d˸ՉഛชٙːၾഅeүઋٙЍઞ॰ʕ helplessness, sincerity, and love... They drive
ٟึᜊቋʕٙɛd˸௰̻ɭϾᒻݺٙࡈdጰϾଉՍήൡႭ everyone, and as a result, various stories happen in
ɓݬݬ˾ዝ̦dᙘబܓϾ͂ਗɛːfՉЪಀᐏ̏ԯʕߕஔe life. They become the themes of my work.”
࠰ಥ M+ ߕஔeߕʗНߕஔeˈࡐਿږึഃϗᔛf
{ Yu Hong
ͦᏘϓڗdͦᏘዝ̦
Yu Hong, born in 1966, is an outstanding artist of the “New
90 ϋ˾͋dఏߎਗ਼ɽʱࣛග্ᘠഗɾՅձࢬdШʔᓙܠdί Generation” in China and an admired figure in the Chinese
৾അʞϋܝdપ̈ᙲɛٙͦᏘϓڗӻΐf༈ӻΐЪۜ 98 d art world. At the age of 18, while studying at the Central
ഹІԒࢬʕɾՅٙϓڗdʿӊɓϋٙࠠᓃอၲԫd࢝ᚣତ˾ Academy of Fine Arts Affiliated Middle School, her stunning
ʷཀʕࡈɛၾٟึٙ͛πʿ೯࢝ࠦႶdІϤఢ֛əμٙ௴Ъਿሜd sketch of David garnered attention. In 1986, her Self-portrait
ϾІ 2005 ϋৎdఏߎྒྷ༊˸കၦᖭdശᘆeݓழe߈ீШΝࣛՈ exhibited at the first Chinese Oil Painting Exhibition in
௪㺗eຟࢮٙകၦdၾμ࿁ɾe͛նٙଣ༆ʔፑϾΥdμ͜Г Shanghai remains unmatched by many. She then entered
όᕙࣘകၦɪdΎ˸ዓইਗ਼ʘኑոdʷމɓd߰ਗ਼াኳʕᗝڀ the oil painting department of the same academy, and after
˥˜ٙɛeԫeيʷމ͑ܩd௴͛̈ՉዹՈࡈٙᖵஔႧԊf݊ϣ߇ completing her master’s degree in 1995, she was recruited to
שяତٙଡ଼dуމၖʕ˾ڌf stay and teach at her Alma Mater. In 1997, she represented
China at the Venice Biennale, showcasing her remarkable
͛νࢀڀވᙻ talent. Her creations are always drawn from life, connecting
வଡ଼Ъۜʱйᖭ̬Зዹͭٙɛيdᚾܼᖵஔ௰Պɾ܀ձ individuals with the history of the larger society. With her
ٙ˴ᕚdၾ 2006 ϋ௴Ъٙɞᑌ܈̶Ъމ֎֊Ъd sensitive heart and expressive colours, she explores the
ʕɛޫʝ࿁Ꮠfࠦᔊᆎᐝd؟ఖᓛᘚdɛيޫஈࠦʕ̯d “people” in the changing Chinese society, using the most
νשɓᐛf ordinary and vivid individuals to delicately and profoundly
tell the stories of the current changes. Her works have been
ఏߎˇ͜ᇞૢʵਔቃ࿊dˀʘdഅ༦ձᕙ਼ࣘٙጐdʑ݊Չાԫ˙ collected by institutions such as the National Art Museum of
όfίשۜʕٙӽ྅ɾ܀ʕdᖵஔ̷͜ᓅල᎘ቻeኑইʘᇮe China, M+ Museum in Hong Kong, Denver Art Museum in the
➊ߎᑕ᎔eߎࡶͣٙ࿁ˢЍ෯ᐄிΈᅂ؟ఖdɛيग़ॱॆeंሯ United States, and Guy & Myriam Ullens Foundation, etc.
ʫᏡeݓʕ੭fΎᝈߎ܀Յd٫͜ЧЍ෯ႡிΈᅂdʵ Witnessing Growth, Witnessing History
ɛيଉᔺၾዢ᎘ቻeଉЍ৷ჯdˀᛖڥٙᑕd३࢙ˈତd In the late 1990s, Yu Hong devoted most of her time to her
ಃंᇻۉdɚ٫ў३୷ဧe࢝ૐ͊ԸٙҖd͵݊ 21 ˰ߏʕɾ family, but never stopped conceiving ideas. After a five-
ʫːІٙ͟ᐵᅂf year hiatus, she released the captivating Witness to Growth.
ାૐ͊Ըeኹ̙͊ٝٙঐ This series consists of 98 works, focusing on the growth
of her daughter and significant news from each year,
ৰɾ܀Җ̮dૐჃᗝ͵މఏߎЪۜʕʔׁ̙ଫٙࠠࠅʩ९fϤ revealing the development of individuals and society in the
މɷᐤϋܝࠬᗰʕٙኜՈd̴݅݊ࣛ˾ආӉٙᅄd݊࿁Ⴣ˙ٙλ modernization process. This established her artistic style.
փdɰ݊࿁͊ٝٙጕઞf͉ଡ଼ש̤ۜٙՇషʕdՇࡈ܀ഁѩ˓ Since 2005, Yu Hong has been exploring silk painting. The
ܵૐჃᗝdኑग़ءൖfኈලٙ᎘ቻeૐჃᗝeɪВdၾՉዐරͤᇮҖ gorgeous, soft, and penetrative silk, which also possesses
ϓ੶डٙЍ࿁ˢfʕ˴ԉۜഹᗝʕ˰ޢdᒱೌجᙂ࿀Չઋၫ both toughness and fragility, aligns with her understanding
ग़dᝈ٫ʥঐٜᝈชաՑ˼ࡁٙਖ਼ of women and life. She uses Western pigments to paint on
ءeੂഹʿᓋֻfɦ߰ᐄி̈ʕ silk, then solidifies it with resin, creating a unique artistic
ɛᄲൖᝈ٫ٙϞሳʝਗdЕ language that transforms the people, events, and things she
ৎ˴܄eൈྼeତίၾ͊Ըٙࣛග remembers into something eternal. The group of paintings
ൿfఏߎ͜ՉዹतٙᖭႧԊdࣉ presented in this autumn auction is a representative
࣍Ч͛ݺʕʔৎٙᐛගd֛ࣸ example.
̻ɭɛdાࠑ҃ɽዝ̦ɨٙॆྼ Living Like Blooming Summer Flowers
௴Ъʕٙఏߎ ɛ͛f This set of four depicts four independent characters,
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