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92        張業興 b.1981                         Zhang Yexing

                  ೌᕚ { ଣቻֳ                           Untitled-Barber Shop
                  ذ੹ ೥̺                              Oil on canvas
                                                                   1
                  ɚ㖼ɓɚϋЪ                             150 x 110 cm. 59 × 43  /4 in.
                                                     Painted in 2012
                  ಛᗆ
                  Yexing 2012.11€̛ɨੵุጳೌᕚ { ଣቻ      Signed in pinyin and dated on bottom right;
                                                     signed and titled in Chinese and dated on the
                  ֳ‘2012€೥ߠ
                                                     reverse
                  ࢝ᚎ                                 EXHIBITED
                  2013 ϋ 4 ˜ 30 ˚Ї 12 ˜ 31 ˚d˜ᙒᓃ { ੵ  30 Apr – 31 Dec 2013, Time – Zhang Yexing
                  ุጳධͦ™d१̨ʕ਷຅˾ᖵஔዚ࿴d̏ԯ                Project, Platform China Contemporary Art
                  Ը๕                                 Institute, Beijing
                  ̏ԯ१̨ʕ਷຅˾ᖵஔዚ࿴                       PROVENANCE
                  ତԭݲࠠࠅӷɛᔛ࢕ٜટᒅІɪࠑԸ๕                  Platform China Contemporary Art Institute,
                                                     Beijing
                  HKD 80,000 – 150,000               Acquired directly by present important   ੵุጳӷɛࠈႡ‘dذ੹೥̺d220 x 150 cmd
                  USD 10,300 – 19,200                private Asian collector from the above  2014 ϋЪd2023 ϋʕ਷ྗᅃ݆֙שርϓʹ
                                                                                     ᄆ 528,000 ʩಥ࿆



        াኳႆ˄փ                                               Montage of Memory
                                                            Zhang Yexing’s Theatre of Life
        ੵุጳٙ͛ݺᄌఙ
                                                            Born in 1981 in Shenyang, Zhang Yexing received his Bachelor’s
       ˜Ңᙂ੻ᖭ೥˰ޢٙႀ̨ԑ੄ɽd̙˸͜ɓ̘͛௴Ъ̴f™                           degree from the Central Academy of Fine Arts in 2008. Upon
                                                  { ੵุጳ     graduation, he started to work as a stage setter at school and began
        ੵุጳ 1981 ϋ̈͛׵ᓨජd2008 ϋ׵ʕ̯ߕஔኪ৫՟੻ኪɻኪЗfί               to use the stage as his inspiration for creating dramatic interior
        ଭุʘყdఱᛘ׵ᅂ྅ਖ਼ุٙ˼ಀίࣧʫࠋபႀ̨б౻dӊ˂̈ɝᄌఙd                    paintings. Being a native of Northeast China, Zhang Yexing also
        ක֐˸ႀ̨މᜳชd௴Ъ̈ՈᏕᄌࣖ؈ٙ܃ʫఙ౻fԒމ؇̏ɛٙੵุ                     incorporates the calm of northern Chinese artists into his works,
                                                            resulting in tightly structured narrative paintings. Untitled-Barber
        ጳdί௴Ъࣛ͵ፄɝʕ਷̏˙ᖵஔ࢕ٙኑࠠeи᎑ၾଉӐतሯd೥ࠦഐ                     Shop presented at this auction was created in 2012. The artist’s solid
        ࿴ၡಫ̂တાԫ׌d࢝ତɓࡈڐЧ܄ᝈ˰ޢɦხՈग़।ंࢹٙːᜳତྼf                    technique and the dramatic, suspenseful effects present a thought-
        І 2008 ϋ˸Ըd˼ಀաᒗί̏ԯe࠰ಥeݾӄᐢഃή೯ڌЪۜdዹत                  provoking picture that originates from life but transcends reality.
        ٙࠬࣸ௪աᔛ࢕ఃฌf2023 ϋdՉЪӷɛࠈႡ‘ίʕ਷ྗᅃ຅˾ᖵஔ
        ցఙɪ˸གྷ 50 ຬಥ࿆ٙϓʹᄆdՏอࡈɛשርা፽f݊ϣяତٙೌ                   In this barbershop, two chairs are lined up in front of a mirror,
                                                            while the glass cabinet between the two mirrors is neatly arranged
        ᕚ { ଣቻֳ‘௴Ъ׵ 2012 ϋdᖵஔ࢕˸ୖྼٙҦجêတႀ̨ʿᘔ                 with bottles and jars of hair colouring and shampooing products,
        ဲ׌ٙ೥ࠦࣖ؈dяତ̈ɓహ๕׵͛ݺeۍ൴൳ତྼٙ೥ྤdˏɛଉܠf                    demonstrating a space of order. The artist’s repeated overlapping,
        ೥ࠦ˸ɓ܆ௐٙ܃ʫ٤ග { ଣቻֳމʫ࢙dՇҪಉɿίᗝۃ዆ᄁΐd                    rich brushstrokes along with the cool tone of the painting create an
        Ԩ΢ІৣϞɓࡈʃۨٙໄيᓞdிҖҁΌ޴ΝdϾՇੵᗝɿʕගٙޚᆨ                     atmosphere of suspense. Although there is no human character,
        ᓞۆ዆ᄁήᓖ׳ഹଧଧᜦᜦഃݑቻeݹቻପۜd࢝ତ̈ɓ၇Ϟૢʔ८ٙ                     the traces of human presence are created through the bright lamps
        ॣҏfޚᆨᓞٙ௟၌ˀ࢛̈ଣቻֳଵͣٙዱΈdฮ͍ͪ݊ᐄุࣛගfੵ                     and the toiletries on the table, giving the painting a sense of Edward
                                                            Hopper’s works, presenting a dramatic moment with a restrained yet
        ุጳί೥ࠦɪˀూ෩כeᛌ̋ᔮတٙഅᙃd˸ଫ੭иЍሜٙ೥ࠦञϖ̈                     powerful expression.
        ̂တᘔဲชٙ؟ఖfϾ೥ࠦᒱ್Ԩೌɛٙᅂɿdۍஷཀڥዱeࣲɪٙݹ
        ᚐପۜd෧ி̈ɛπίٙ଱༦d˸и᎑ٙાԫ༸̈̏˙̹۬ցૉଣቻֳ                     It is worth paying attention to the fact that most of the shapes in
        ٙర੬ɓ࿇d˿೥ࠦяତ̈ᎍ౷€Edward HopperʘЪԟ݅˚੬eۍ               the paintings are structured with rectangles and circles, forming a
                                                            precise and geometrical space. Then the visual effect of the painting
        ̂တᘔဲЍ੹ٙ͛ݺ౻൥d˸дՓϾ̂တɢඎٙڌତ˓جd࢝ତᏕᄌ׌                     is enriched and full of tension in the changing shapes. With the help of
        ٙࣛՍf                                                thick paint, the artist presents the depth of the space intuitively. The
        ࠽੻ᗫءٙ݊d೥ࠦʕٙிۨε˸̂တ↉ԉٙڗ˙ၾ෥Җމഐ࿴d࿴ϓ                     details of lights and shadows on surfaces create a visual movement.
        əɓࡈၚ੗Ͼ̂တ఻Оชٙ٤ගfνήؐ˸෥Җༀུలɝ˙Җନጌd࿴                     The light conveys comfort and hope, while the shadows are a kind of
        ϓʹᔌٙڀ७fಉɿe˓ݛdΎՑޚᆨeໄيᓞdޫ˸ڗ˙Җٙᇞૢ࿴                     sadness and mystery of the old time that has passed away.
        ϓdϾ܊௟ٙዱeಉݒޟЇ݊ಉɿɪٙږ᙮˓ݛۆίൖᙂɪяତ̈෥Җ                     Zhang Yexing says, “There is so much to explore and discover on
        אዕ෥Җdίᜊˌٙிۨʕਗ਼೥ࠦٙൖᙂࣖ؈ᛖϖٙһމᔮబϾ̂တੵ                     canvas, so I choose to stay
        ɢfᖵஔ࢕ᔟпᕙࣘٙێ෩dίೌஈʔྼٙᘌࣸிۨձڌତʕdਗ਼٤ග                     in one medium to explore
        ٙଉܓձ؟ఖٜᝈٙяତʚᝈ٫fϾᐍኣeޚᆨɪٙΈ๕ʿฮᅂഃ୚ືd                    the rules of painting ”.
        ۆίൖᙂ෧ி̈Έᅂٙ୅ਗd̉ᜑə؟ఖձઋชfΈ๕ஈෂ჈τඅձҎ                     This was how his work
                                                            finally took shape. As he
        ૐdϾଉӐٙ௕ᅂ߰ڌ༺əɓ၇࿁ʊ஻̘ʔూڏٙᔚࣛΈٙۑฎၾग़।d                    says, “Painting is the art of
        ೌᑊήऍᆗᝈ٫ٙː͞f                                         time, it freezes time on the
        ੵุጳІࠑj˜೥̺ɪϞܘεცࠅઞ॰ձ೯ତٙ؇Гdה˸Ң፯኿৾वί                    canvas, and I want my work
        ɓ၇దʧʕd̘ઞ॰ᖭ೥ٙ஝ܛf™˼ί೥̺ɪආБ௴ிdˀూࡌҷሜ                     to be frozen in time.” These
        ዆dೌᕚ { ଣቻֳ‘௰୞ϓۨfࣛග͉Ԓ஗თাՉගf͍νՉהԊ :                  paintings are like the
       ˜ᖭ೥݊ࣛගٙᖵஔd̴Դ೥̺ɪٙࣛගኑոdҢҎૐҢٙЪۜɰ஗ࣛග                     places where life passes
                                                            through, which forms a
        ኑոf™வԬఙ౻ͷ߰͛նה຾ཀʘஈdኑոࣛගٙจ൥dҖϓəাኳʕ                    montage of memories.  ᎍ౷ଣቻֳ‘ذ੹೥̺d152.7 x 199.4 cmd1931
        ٙႆ˄փf                                                                     ϋЪdॲߒॲЬࣸߕஔ᎜ᔛ
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