Page 342 - 亚洲二十世纪及当代艺术

91 ဤρ b.1975 Xiong Yu

ᅨᅙٙϻˣ Stroking Feathers
ذ੹ ೥̺ Oil on canvas
3
ɚ㖼㖼ɧϋЪ 200 × 150 cm. 78 /4 × 59 in.
Painted in 2003
ಛᗆ
ဤρ 2003€̛ɨiᅨᅙٙϻˣ‘ဤρ 2003 ϋ Signed in Chinese and dated on bottom right; signed
in Chinese, titled, and dated on the reverse
€೥ߠ
LITERATURE
̈و 2006, Running on Tranquilly, Chinablue Gallery,
2006 ϋdτ᎑ٙݴ஻gဤρ‘dᐑ၀ੀ೥఼d Beijing, p.48
̏ԯdୋ 48 ࠫ
EXHIBITED
࢝ᚎ 22 Nov – 20 Dec 2006, Running on Tranquilly,
2006 ϋ 11 ˜ 22 ˚Ї 12 ˜ 20 ˚dτ᎑ٙݴ Chinablue Gallery, Beijing
஻‘dᐑ၀ੀ೥఼d̏ԯ PROVENANCE
Chinablue Gallery, Beijing
Ը๕
̏ԯᐑ၀ੀ೥఼ 23 Dec 2007, Hosane Shanghai Autumn Auction, Lot 95
2007 ϋ 12 ˜ 23 ˚dɪऎحସ߇֙שርึdש Acquired directly by present private Asian collector
from the above
ۜᇜ໮ 95
ତԭݲӷɛᔛ࢕ٜટᒅІɪࠑԸ๕
HKD 100,000 – 200,000
USD 12,800 – 25,600

within the artist’s dreamlike realm. It stands as a representative piece from the early
years of the artist’s distinguished oeuvre. The composition predominantly embraces
a translucent, frosted texture in silver-grey hues, exuding an electrifying and
futuristic ambiance. While employing Western oil painting pigments, Xiong Yu skilfully
incorporates Eastern ink wash techniques such as dotting, pressing, and blending,
depicting the protagonist’s metallic “Cyberpunk” aesthetic, as showcased in the
intricate folds of his turtleneck bodysuit. This captivates viewers, drawing them into an
enigmatic, unfamiliar space. Unexpected beams of light, akin to spotlights, converge
upon the boy’s chest, becoming a dazzling and substantial presence, accentuating the
two metaphorical wings that captivate attention behind him. These wings symbolize
his yearning for freedom, creating an aura of mystery and restrained allure. A solitary
feather gracefully descends in the centre, whispering the trace of time. Seven hands
appear from the canvas, intertwining in a way that conveys both longing to touch the
youngster and an allusion to the world of desire and temptation. This scene embodies
the bustling pursuit of ambitions while also hinting at the allure of external enticements
in our restless contemporary society. The protagonist possesses a slender cheek, a
straight nose bridge, a delicate neck, and exaggeratedly wide, slightly narrowed eyes
that exude a hazy gaze. His right hand hangs lightly, while his left hand gently supports
it, with slightly lifted fingers, resembling a noble and dignified gentleman. His eyes
convey tranquillity and speak of an unwavering conviction deep within his heart. The
vibrant and translucent complexion, tinged with a rosy luminescence, stands out
amidst the interplay of layered lights and shadows, steadfastly gazing upon the restless
commotion before him, showcasing the protagonist’s rationality, as if saying, “While
all are intoxicated, I alone remain sober.” With delicate brushstrokes and soft hues, the
artist eloquently narrates the mundane aspects of the world, juxtaposing them against
the noble composure of the protagonist, thus creating a compelling contrast that
portrays the conflict between ideals and reality. Xiong Yu, deriving inspiration from the
Angel in City rooted in reality, encourages individuals to break free from the shackles of
the real world and forge a connection between their imaginative selves and the fervour ဤρˌ൥‘dذ੹೥̺d200 Ò 150 cmd2003 ϋ
of youth, thereby crafting a narrative that intertwines romance and lucidity. Ъdשርϓʹᄆ 279,000 ʩಥ࿆

30 3