Page 331 - 亚洲二十世纪及当代艺术
P. 331
mighty stone lions in the foreground, to the red lanterns hanging high above;
from the lively children on the Yong’an Bridge holding Tanghulu and dress in
bright and colourful clothes, to the solemn Pai Fang in the distance, and the
solemn White Pagoda. The stone lions, lanterns and pagoda are all linked
together in a strong Chinese flavour. The white pagoda, with its round upper
and square lower, forms a bowl structure. It is a manifestation of the divinity
who is illuminating the four directions, bringing blessings and peace to those
celebrating the Lantern Festival after the Beginning of Spring.
Continuing the artist’s classic expression of combining acrylic and oil on canvas,
the pure colour blocks in the midst of multiple brushstrokes present an aura full
of relaxation and movement, just like the grounded, emotional, and historical ̏ऎʮጐၯѥژɹٙͩɿ
atmosphere of Beijing. Though the work is an instantaneous sketch, it creates a
monumentality that is like a stoppage in time. In the highly saturated and pure
colours, the reality meets with childhood memories, and slowly reveals the
infinite scenery that is only commonplace in the memories of generations.
ˮ̻͗ɿ္ᕐᑌЪdᏀдɢ ذಏ ॷ͉d57.5 x 72 cm.
x 2d2014 ϋЪdשርϓʹᄆ 330,400 ʩಥ࿆
2 91 - 2 9 2
