Page 333 - 亚洲二十世纪及当代艺术
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ࠨྗٙ௴Ъஷཀ࿁ෂ୕˓جٙʫʷd˸Ԗੈᔷٙ˙ό࿁ତྼ͛ݺʕІ
Ңٙ֘ዹeྸeઐeתҤeಸૐഃၚग़ઋًආБᇘٙ࿀dீཀ௴Ъઞ॰
əІҢ೯ତٙɓૢ༸༩{{ஷཀѓйڡ݆ٙ˙όԸߏׂڡ݆dԨܠϽڡ݆͛ն
ٙจ່n˼˸ɛٙ༆࡚ቤኼᝈ٫fՉʕd൳Ը൳ቑٙ௴Ъً࿒ၾ൳Ը൳
лٙɛீൖ˿ɛᜓྖf
{{ʕٝΤᖵ൙ඹ௹ɓ
1975 ϋ̈͛ϓேٙࠨྗdІɧ๋ৎک࢝ᚣ࿁ᖭٙጳሳdІʃՉ͎ፋکᒅ൯əܘε
Г˙І˖ᖵూጳЇ˾ٙᖵஔᓉࣣഗʚ˼ቡᛘd˼ɰ༧ഹίʇᄌ৫ʈЪٙ˨ፋd̈ɝᄌ
ఙdชաႀ̨ɪᏕྫྷɛ͛ٙᐿശၾၚڕdϤѩಿቮə˼Չܝٙᖵஔ௴Ъf܀ࣛආɝ
ϓேˇϋኪeՑ˸ୋɓΤϽɝ̬ʇߕ৫ڝʕe1999 ϋʕ̯ߕ৫وӻଭุdίࣧ ࠨྗʈЪ܃
ಂගᐏəεධɽᆤdࠨྗɓٜʔᗴإeတԑତًdІ 2003 ϋৎ˼කҳԒذ
ٙ༊dوٙᄴᄴଣʱؓdՑذٙʔᜧᖭᄳdί௴Ъʕࠨྗʔᜊٙ݊ଉՍ ¨Through internalizing traditional
Ͼվ༐ήࠦ࿁ІҢd၇ልᕏٙːଣՑ͛πً࿒dࠨྗԊႭə˼ٙڡ݆e࿁˰ techniques, Wei Jia's creations deli-
ޢٙᝈ࿀˸ʿԟ౷˰ٙɛf2006 ϋ˼ί٤ග೯ڌϣࡈ࢝ᝇ݆˂dЪۜ cately observe the spiritual states of
ί࢝ಂΌᅰቖਯɓ٤dΝϋՉЪ೮ɪHi ᖵஔ௴̊܆ࠦeܝϋ˼ᐏAAC ᖵஔʕ 'self' in real life, such as loneliness,
{{ϋܓڡϋᖵஔᆤdІϤ͂ᚤəˇϋࠨྗٙΤᑊdԴ˼ϓމɖཧܝࠠࠅᖵஔ˾ solitude, confusion, resistance,
ڌf݊ϣ߇שяତٙೌஈ̙ɧdуމՉו઼ܝٙ௴Ъᔷࠠࠅ˾ڌf and longing, using a circuitous and
ඌၾІٙ͟߉ॎʘྤdٜࠦɛٙዹͣ graceful manner. His creations
explore a path of self-discovery
ᖭ݊ɓ၇ତྼ͛ݺٙҳ࢛fҢᆠฌٙཀd͛ݺ͉Ԓఱ݊೨ԨҞᆀഹf – commemorating youth through bid-
Ңࡁவ˾ɛே݊ዹ͛ɿɾdʃఱतй֘ఊdٜՑϓϋdҢ৶ɿ༁ٙࣸ݊Ⴣᕎ ding farewell to it and contemplating
ɛ໊ٙdɓࡈɛܙί܃༁ࣛ௰Іίf
the meaning of youth... He shocks the
{{ࠨྗ viewers with his dissection of human
nature. Among them, the increasingly
ၝᝈࠨྗٙ௴Ъd̙೯ତ˼ϞεӻΐٙЪۜd྅݊ɓࡈࡈᏕϜືdᙕࠑ˼࿁ࡈ
й˴ᕚٙܠϽfνІ 2007 ϋৎٙႭΎԈeڥցЍೌ۩eೌஈ̙ഃӻΐd immersive state of creation and the
࢝ͪəࠨྗ࿁ɽˉషᖭٙቷයঐɢd҃ɽٙᖵஔࠋd˸ʿՉΌઋҳɝ˸ʔΝԉܓ sharper insight into human nature are
Ը࡚ؓࡈɛːଣၾၚग़ٙঐɢfϾίவʘʕd৷༺ɞٙೌஈ̙ӻΐЪۜdఘ၈ truly astonishing.©
މՉϘϋඎ௰މᕼɽٙ௴ЪfίՉʕ౸̙Ԉᖵஔٙ൴൳ၾစᜊdνίೌஈ̙ { Feng Bo Yi, Prominent Chinese Art Critic
ɓdࠦяତəɓԒ߈ᆑ˥ٙӲɿ१ίᘔᗙdϾ˂̮Ϟɓ္̨છኜ͍ءൖɓʲd Born in 1975 in Chengdu, Wei Jia displayed
ᅄ̮ޢeࢬၾٟึ൙ᄆ྅݊ᬞᕁছᜫɛೌהངҖdϤࣛٙᖭႧԊʥ݊Җ̻ࠦe an interest in painting from the age of three.
и᎑e੭Ϟɓ၇νΝՉϘϋίوᇖɪٙଣணࠇၾτરd್Ͼί݊ϣɪשٙೌஈ His mother provided him with numerous
̙ɧʕdࠨྗίϞй˸ֻήdίᕙࣘʘʕԴ͜əɽඎٙ˥ձؒືذdν࠾ᛠəʕ books on Western art from the Renaissance
˥ኈʕࣣٙᄳdאГ˙تݾдJackson PollockٙІਗࣣᄳdீཀبݑഹၠၾߎ to contemporary, and his father, who worked
ٙഅՏᄴᄴ౨ᛈdՍจڭवəɓ၇ਅ೯ٙဈݴชfᝈ٫߈൳ྤԟɓࠠࠠଉᓅٙ in the Sichuan Opera Theatre, took him to
ዓ؍ၾڀ˝dʕːஈ̙ԈɓዹѬίಌ؍ʕdЭ᎘ኑܠٙ˴ԉf˼༪୭əۃ٫Ӕഒٙഒ theatres, exposing him to the vibrancy and
ૐd͍ʫήІҢٙʫːfЪܸۜऒəࠨྗ༈ࣛಂٙːଣً࿒dɰሔሞəʕίዹ excitement of stage performances. These
͛˰˾dאίልᕏٙɛყᗫڷeၾϓڗཀʕdӊࡈ experiences nurtured his artistic endeavours.
ɛ͛նʕאேಀዝٙɓ၇͛πٙ֘ชdၾცࠅ After gaining admission as the top student
ڭᚐًٙ࿒fࠨྗͪତəவᅵٙːଣdШɦࡽɨҎૐ to the Middle School of Sichuan Fine Arts
ٙͿഅdνІ್ίϤ྅݊ɽή͎ٙፋdഗʚՉҐᚐd Institute and then graduating from the
Ͼۃ౻ସකٙߎڀd༪୭ᄳྼ˸ڐ˷פٙഅᙃ߰ϓ Printmaking Department of the Central
Academy of Fine Arts in 1999, Wei Jia has
މ˦ೋdމʕɛ੭Ըɓക̮ίٙาfϾνΝࡐۉ consistently refused to be confined, always
ࣦRembrandtʕٙණʕරၠΈ๕dዷڥə seeking to transcend the present. In 2003,
ːdᘴഹ˴ɛʮd࢝ତɓ၇Ꮥᄌٙੵɢdίഒૐ he began experimenting with oil painting. In
ٙ˰ޢʕd˿ɛՑəҎૐٙΈf his creations, Wei Jia candidly confronts the
"self", expressing his youth, observations of
νᖵஔІԊdೌஈ̙ɧމՉ௴Ъʕࠠࠅٙ
ᗫᒟᔷұʘЪdவЪۜ˼ҬՑəอٙᖭ the world, and universal "human nature". In
2006, he held his debut solo exhibition An
˙جdකᜫһε˥ձᕙࣘຠᅜdʕϞܘε Uncivilized Spring, where his works were sold
จ̮೯͛ٙʔ̙છd྅Ԑ፻॰ɓছdᜫҢጳኧd out. That same year, his work was featured
ᜫҢрɢ̴ּ̘ٙdԨ˲ீཀ̴ˏჯҢՑɓ
2006 ϋɘ˜ࠨྗ˸ՉΝϋʘЪژ˒࿁ on the cover of the inaugural issue of Hi Art,
೮ɪHi ᖵஔ௴̊܆ࠦfԨίɖཧܝ ࡈ͊ٝٙකᒪ٤ග d͟ϤdࠨྗҬՑəɓ၇ᖭ and in subsequent years, he was honoured
̈Ըٙਖ਼ᕚʕdձ̙eᆄජ݆ഃɛɓΝ ɪdɰΝࣛ݊ːଣɪٙІ͟l
Τމɖཧܝอቚᖵஔ˾ڌ with the Award of Art China - Young Artist
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