Page 333 - 亚洲二十世纪及当代艺术
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˜ࠨྗٙ௴Ъஷཀ࿁׵ෂ୕˓جٙʫʷd˸Ԗ৙ੈᔷٙ˙ό࿁ତྼ͛ݺʕœІ
        Ңٙ֘ዹe੕ྸe৖ઐeתҤeಸૐഃၚग़ઋًආБ୚ᇘٙ᜗࿀dீཀ௴Ъઞ॰
        əІҢ೯ତٙɓૢ༸༩{{ஷཀѓйڡ݆ٙ˙όԸߏׂڡ݆dԨܠϽڡ݆͛ն
        ٙจ່n˼˸ɛ׌ٙ༆࡚ቤኼᝈ٫fՉʕd൳Ը൳৖ቑٙ௴Ъً࿒ၾ൳Ը൳೒
        лٙɛ׌ீൖ˿ɛᜓྖf™
                                                        {{ʕ਷ٝΤᖵ൙࢕ඹ௹ɓ

        1975 ϋ̈͛׵ϓேٙࠨྗdІɧ๋ৎک࢝ᚣ࿁ᖭ೥ٙጳሳdІʃՉ͎ፋکᒅ൯əܘε
        Г˙І˖ᖵూጳЇ຅˾ٙᖵஔᓉࣣഗʚ˼ቡᛘd˼ɰ༧ഹίʇᄌ৫ʈЪٙ˨ፋd̈ɝᄌ
        ఙdชաႀ̨ɪᏕྫྷɛ͛ٙᐿശၾၚڕdϤѩಿቮə˼Չܝٙᖵஔ௴Ъf੽܀౤ࣛආɝ
        ϓேˇϋࢗኪ೥eՑ˸ୋɓΤϽɝ̬ʇߕ৫ڝʕe1999 ϋʕ̯ߕ৫و೥ӻଭุdίࣧ                               ࠨྗ׵ʈЪ܃
        ಂගᐏ੻əεධɽᆤdࠨྗɓٜʔᗴ׭إeတԑ׵ତًdІ 2003 ϋৎ˼ක֐ҳԒذ೥
        ٙ༊๪d੽و೥ٙᄴᄴଣ׌ʱؓdՑذ೥ٙʔᜧᖭᄳdί௴Ъʕࠨྗ֐୞ʔᜊٙ݊ଉՍ                                ¨Through internalizing traditional
        Ͼվ༐ήࠦ࿁˜ІҢ™d੽΢၇ልᕏٙːଣՑ͛πً࿒dࠨྗԊႭə˼ٙڡ݆e࿁׵˰                                 techniques, Wei Jia's creations deli-
        ޢٙᝈ࿀˸ʿԟ౷˰ٙ˜ɛ׌™f2006 ϋ˼ί݋٤ග೯ڌ࠯ϣࡈ࢝˜௉ᝇ݆˂™dЪۜ                              cately observe the spiritual states of
        ί࢝ಂΌᅰቖਯɓ٤dΝϋՉЪ೮ɪHi ᖵஔ‘௴̊໮܆ࠦeܝϋ˼࿲ᐏ˜AAC ᖵஔʕ                             'self' in real life, such as loneliness,
        ਷{{ϋܓڡϋᖵஔ࢕ᆤ™dІϤ͂ᚤəˇϋࠨྗٙΤᑊdԴ˼ϓމɖཧܝࠠࠅᖵஔ࢕˾                                solitude, confusion, resistance,
        ڌf݊ϣ߇שяତٙೌஈ̙৚ɧ‘dуމՉו΋઼ܝٙ௴Ъᔷ઴ࠠࠅ˾ڌf                                     and longing, using a circuitous and
        ඌ࿫ၾІٙ͟߉ॎʘྤdٜࠦɛ׌ٙዹͣ                                                     graceful manner. His creations
                                                                               explore a path of self-discovery
       ˜ᖭ೥݊ɓ၇ତྼ͛ݺٙҳ࢛fҢᆠฌ೥೥ٙཀ೻d͛ݺ͉Ԓఱ݊೨ԨҞᆀഹf                                     – commemorating youth through bid-
        Ңࡁவ˾ɛே݊ዹ͛ɿɾd੽ʃఱतй֘ఊdٜՑϓϋdҢ৶ɿ༁ٙ׌ࣸ݊Ⴣᕎ                                    ding farewell to it and contemplating
        ɛ໊ٙdɓࡈɛܙί೥܃༁ࣛ௰Іίf™
                                                                               the meaning of youth... He shocks the
                                                                    {{ࠨྗ       viewers with his dissection of human
                                                                               nature. Among them, the increasingly
        ၝᝈࠨྗٙ௴Ъd̙೯ତ˼Ϟ஢εӻΐ׌ٙЪۜd྅݊ɓࡈࡈᏕϜ௝ືdᙕࠑ˼࿁׵ࡈ
        й˴ᕚٙܠϽfνІ 2007 ϋৎٙ˜ႭΎԈ™e˜๫ڥցЍೌ۩™e˜ೌஈ̙৚™ഃӻΐd                            immersive state of creation and the
        ࢝ͪəࠨྗ࿁׵ɽˉషᖭ೥ٙቷයঐɢd҃ɽٙᖵஔ׬ࠋd˸ʿՉΌઋҳɝ˸ʔΝԉܓ                                 sharper insight into human nature are
        Ը࡚ؓࡈɛːଣၾၚग़ٙঐɢfϾίவʘʕd৷༺ɞ΁ٙ˜ೌஈ̙৚™ӻΐЪۜdఘ၈                                 truly astonishing.©
        މՉϘϋ᜗ඎ௰މᕼɽٙ௴ЪfίՉʕ૶౸̙Ԉᖵஔ࢕ٙ൴൳ၾစᜊdνߐೌஈ̙                                      { Feng Bo Yi, Prominent Chinese Art Critic
        ৚ɓ‘d೥ࠦяତəɓԒ߈ᆑ˥؂ٙӲɿ१ίᘔ੢ᗙdϾ˂̮Ϟɓ္̨છኜ͍ءൖɓʲd                                Born in 1975 in Chengdu, Wei Jia displayed
        ൥ᅄ̮ޢe࢕ࢬၾٟึ൙ᄆ྅݊ᬞᕁছᜫɛೌהངҖdϤࣛٙᖭ೥ႧԊʥ݊޴Җ̻ࠦe                                 an interest in painting from the age of three.
        и᎑e੭Ϟɓ၇νΝՉϘϋίو೥৅ᇖɪٙଣ׌ணࠇၾτરd್Ͼί݊ϣɪשٙೌஈ                                 His mother provided him with numerous
        ̙৚ɧ‘ʕdࠨྗίϞй˸ֻήdίᕙࣘʘʕԴ͜əɽඎٙ˥ձؒືذdν࠾ᛠəʕ਷                                 books on Western art from the Renaissance
        ˥ኈʕࣣٙᄳ׌dאГ˙تݾд€Jackson PollockٙІਗ׌ࣣᄳdீཀبݑഹၠၾߎ                         to contemporary, and his father, who worked
        ੹ٙഅՏᄴᄴ౨ᛈdՍจڭवəɓ၇ਅ೯׌ٙဈݴชf຅ᝈ٫߈൳೥ྤԟɓࠠࠠଉᓅٙ                                 in the Sichuan Opera Theatre, took him to
        ዓ؍ၾڀ˝dʕːஈ̙ԈɓዹѬίಌ؍ʕdЭ᎘ኑܠٙ˴ԉf˼༪୭əۃ٫Ӕഒٙഒ                                  theatres, exposing him to the vibrancy and
        ૐd͍ʫ޲ή޶๫ІҢٙʫːfЪܸۜऒəࠨྗ༈ࣛಂٙːଣً࿒dɰሔሞəʕ਷ίዹ                                 excitement of stage performances. These
                                   ͛˰˾dאίልᕏٙɛყᗫڷeၾϓڗཀ೻ʕdӊࡈ                     experiences nurtured his artistic endeavours.
                                   ɛ͛նʕאேಀ຾ዝٙɓ၇͛πٙ֘੕ชdၾცࠅ஗                     After gaining admission as the top student
                                   ڭᚐًٙ࿒fࠨྗͪତəவᅵٙːଣdШɦࡽɨҎૐ                     to the Middle School of Sichuan Fine Arts
                                   ٙͿഅdνІ್ίϤ྅݊ɽή͎ٙፋdഗʚՉҐᚐd                     Institute and then graduating from the
                                   Ͼۃ౻ସකٙߎڀd༪୭ᄳྼ˸ڐ˷פ൥ٙഅᙃ߰ϓ                     Printmaking Department of the Central
                                                                               Academy of Fine Arts in 1999, Wei Jia has
                                   މ˦ೋdމ೥ʕɛ੭Ըɓക̮ίٙ๝าfϾνΝࡐۉ                     consistently refused to be confined, always
                                   ࣦ€Rembrandt೥ʕٙණʕ׌රၠΈ๕dዷڥə೥                 seeking to transcend the present. In 2003,
                                   ːd๫ᘴഹ˴ɛʮd࢝ତɓ၇Ꮥᄌ׌ٙੵɢdίഒૐ                     he began experimenting with oil painting. In
                                   ٙ˰ޢʕd˿ɛ޶ՑəҎૐٙΈ੹f                            his creations, Wei Jia candidly confronts the
                                                                               "self", expressing his youth, observations of
                                   νᖵஔ࢕ІԊdೌஈ̙৚ɧ‘މՉ௴Ъʕࠠࠅٙ
                                   ᗫᒟᔷұʘЪd੽வ΁Ъۜ˼˜ҬՑəอٙᖭ೥                       the world, and universal "human nature". In
                                                                               2006, he held his debut solo exhibition An
                                  ˙جdක֐ᜫһε˥ձᕙࣘຠᅜd຅ʕϞܘε                         Uncivilized Spring, where his works were sold
                                  จ̮೯͛ٙʔ̙છd྅Ԑ፻॰ɓছdᜫҢጳኧd                        out. That same year, his work was featured
                                  ᜫҢрɢּ̘ٙ؂̴dԨ˲ீཀ̴ˏჯҢՑɓ
        2006 ϋɘ˜ࠨྗ˸ՉΝϋʘЪژ຅˒࿁‘                                                 on the cover of the inaugural issue of Hi Art,
        ೮ɪHi ᖵஔ‘௴̊໮܆ࠦfԨߘɖཧܝ     ࡈ͊ٝٙකᒪ٤ග™ d͟ϤdࠨྗҬՑəɓ၇ᖭ೥                      and in subsequent years, he was honoured
        ኷̈Ը™ٙਖ਼ᕚʕdձ௓̙eᆄජ݆ഃɛɓΝ       ɪdɰΝࣛ݊ːଣɪٙІ͟l
        ஗౤Τމɖཧܝอቚᖵஔ࢕˾ڌ                                                         with the Award of Art China - Young Artist
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