Page 255 - 亚洲二十世纪及当代艺术
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̈͛׵ɽԦٙ Madsakidʬ๋ࣛၾ࢕ɛ୅֢ߕ਷อዣГψd1996 ϋଭุ׵֮ಌ
        ౶ᖵஔኪ৫fମ਷͛ݺהชաٙ˖ʷࢨମdᜫ˼ɓܓ௘ɝ˜ІʉՑֵ݊ߕ਷ɛᒔ
        ݊˚͉ɛ™ٙԒ΅৖ঝʕfϾ͍݊வ΅࿁Ԓ΅ႩΝٙܵᚃܠϽձϵชʹණٙʫː
        ˰ޢdϓఱəՉεʩፄΥٙᖭ೥तЍfߕ਷൑᎘̂͆ٙ෩ኃe80 ϋ˾ጳৎٙ˚
        ߕ̔ஷd௑Мഹ Madsaki ϓڗdϾܝd˼ਗ਼வԬʩ९ፄɝ௴Ъd੭ഹዹϞٙ༎ፓ
        ʿᝈ࿀d͜ᄝဒ՟˾ෂ୕ٙذ೥ՏdІϓɓࣸf˜Ңʔఃᛇɓؐɓ଻৻ଋ஝዆ٙ
        ᇞૢiҢһఃᛇʔ஝዆ٙޟЇ݊œჷᛪٙᇞૢfҢ͉࣬ʔ͂ၑྒྷ༊ၚ୚ᖭ೥f
        ܘεɛኸڗၚʈ୚౜d˼ࡁٙЪۜ˼ࡁІʉӔ֛ఱλf ™Madsaki Ⴉމ˜ᒛ™ɰ
        ݊ɓ၇ߕf୑ᓲeɽᑔٙ൑᎘ࠬࣸၾෂ୕೥̺΍͛d࿴ி̈Ъۜዹतٙंሯձช
        ݑɢf˼࿁௴Ъೌהޡᙰeක׳ɽᑔe߉ॎክޢٙ࿒ܓա஢εɛ৛ડf˚͉ٝΤ
        ᖵஔ࢕Ӏɪඤeᖵɛ௓ڿҎуމՉ௰ϘٙЬᆀdಀϗᔛ˼ε΁ЪۜdԨʮක࢝ͪ
        ʘfϾІ 2016 ϋৎ Madsaki ΋ܝϓމٝΤ೥఼ Kaikai KikieԎख೮€Perrotin
        ٙ˾ଣeΥЪᖵஔ࢕dίᖵஔޢ೯Έ೯ᆠfՉЪۜɰಀ࢝̈׵࣑۾ෳ౶௔ٙ൬ࢸ
        лତ˾ᖵஔ௹ي᎜€Astrup Fearnley Museum of Modern Arteʆ؇˚๫ᖋ຅˾
        ߕஔ᎜ഃf
        ͨқʔಽٙᓃဈ
        Madsaki иܑᎰٙ೥ࠬίᄝဒᕙࣘݴਗɨྮͦϾ̈fՉ௰Ո˾ڌ׌ٙ३ᑕdᇞૢ
        ᔊᆎdЧ࡯Ч३d٤ݸලЍ଻ຒݴഹଅdൖᙂชաٜᝈᔮబdɓ଻̙፫f݊ϣ߇
        שяତˉష҃ɽٙ͗Ϸ‘dԸІᖵஔ࢕͛ૹʕᑘԑჀࠠٙ˜ֈɿ™ӻΐd༈ӻ

        ΐЪۜމՉІ 2011 ϋৎක֐˸˼ٙ˄˄ Lommi މ˴ԉהᖭdϾ͗Ϸ‘݊༈ӻ                         Madsaki Bottle‘Ꮐдɢ੹eं๓ᇭe೥̺d2017 ϋЪd235 Ò 180 cmd
                                                                           שርϓʹᄆ 2,492,600 ʩಥ࿆
        ΐЪۜʕਬɓɓషɛيਉٶʘЪf͍νᖵஔ࢕ІԊj˜೥ Lommi ٙࣛࡉdܘεϣ
        Ңேᆒ್ଅɨ ...... Ңᗴจ̘޴ڦ੶डٙฌձઋชஹટึٜՑ͑Ⴣf ್Ͼdɓʲே                         Born in Osaka, Madsaki moved to New Jersey,
        Ϟး᎘dᐼϞɓ˂ਗ਼ʷމढϞf̙ঐ݊ɓఙखоήቤe̙ঐ݊߉νՉԸٙ኷نe                                USA with his family when he was six years
        ɰ̙ঐ݊နБနჃٙՇᒶːf ™ЪۜʫᘾଉՍٙઋชf                                          old. He graduated from the Parsons School
                                                                           of Design in 1996. The cultural differences
        Ϟй׵ᖵஔ࢕Չ˼˜ဘ۾™e˜௶ɢɻ™ӻΐٙ௽ᙬdߘֈɿ™ӻΐʕdᖵஔ࢕                               he experienced while living abroad led him to
        ஷཀᝈ࿀ၾ༆ᛘ຅ɨٙΛΈ˪ϻdί೥̺ɪяତהฌʘɛٙ͛ݺᓃဈjʷѱeՏ                                be confused about his identity, questioning
        ˫e͜᎛eΦᓃːnn˼͜ዹतٙᖵஔႧԊ֛ࣸݓழઽชٙʫːdўႅήڌ༺࿁                                whether he was American or Japanese. It is this
        ֈɿዢडଉՍٙฌၾޜ઎f                                                       continuous contemplation and mixed emotions
                                                                           about his identity that have shaped his diverse
       ͗Ϸ‘̂͆ഹొจձፓٙ͛ݺंࢹd೥ʕٙ˴ԉԒמε੹eྡόᘰॸٙ˚όձ                                 and integrated artistic style. Growing up with
        ؂e̒Ⴀ࿙ᖀήુٶί࿷࿷Ϸɪd଻ग़׳ᕦdཥ༑ၾ͗Ϸཧ࠮஗᎑ໄɓࣙdᔊߒ                                graffiti from the American streets and the rise
        ٙ˝ژથ׵ՉԒܝf೥ࠦʕ̯׼ᝣཱིձٙᓃᓃຟڀၾଉᔝЍձ؂Җϓ੶डЍ੹࿁                                of Japanese-American cartoons in the 80s,
        ˢdɛي଻ຒݴ̈ٙලЍ଱༦ၾ஫߈֐୞ٙᓃᓃဒኈdί೥̺ɪٙᙑ׳eݴਗe                                Madsaki incorporated these elements into his
        ኑഐd֛ࣸ׵ϤfMadsaki ஷཀ࿁ͭٙʩ९dᙑ׳˼࿁຅˾ٟึ࢕ࢬ͛ݺٙଉՍ                            creations, using spray paint instead of traditional
        ܠϽʿଉᔺٙઋชdЪۜ࢝ତഹίவᐛࢹຬᜊٙ˰ޢʕdᗭ੻ٙᖢ֛ၾ᎑ᑿٙ๝                                paintbrushes to create his unique style. “I don’t
        ઋdν؈Ⴍ˜Wannabe™ӻΐ݊ Madsaki ˸ʃԈɽe࿁ᖵஔ̦ٙˀۏၾߧหi                         like clean and orderly lines; I prefer irregular or
        ԟჿϤЪۆ݊˼˸ɽԈʃeवИߕλᓃဈٙ܁ԊfІٙ͟അᙃeఊॱٙ͜Ѝd˚                                even ‘dirty’ lines. I have no intention of trying to
        ੬͛ݺٙߕλɓᐛd݊࿁׵ᖵஔ࢕Ꮞԑޜ൮ٙ͑ܩfɰఎৎᝈ٫Ϋኳԟ᙮׵ІҢ                                create detailed paintings. Many people excel at
        ɛ͛ʕ௰ซɮᔛٙӊɓࡈޜᘒf                                                     meticulous and detailed work, and their creations
                                                                           are their own decisions,” says Madsaki. He
                                                                           believes that “ugliness” can also be beautiful.
                                                                           The rugged and bold street style coexists with
                                                                           traditional canvases, creating unique qualities
                                                                           and impact in his artworks. His fearless, open-
                                                                           minded, and boundary-breaking approach to art
                                                                           has gained him a lot of recognition. Renowned
                                                                           Japanese artist Takashi Murakami was his
                                                                           earliest supporter, collecting multiple pieces
                                                                           of his work and exhibiting them publicly. Since
                                                                           2016, Madsaki has become the representative
                                                                           and collaborating artist of well-known galleries
                                                                           such as Kaikai Kiki and Perrotin, shining
                                                                           brightly in the art world. His works have also
                                     Ӏɪඤהᔛٙ MadsakiMUSIC 2‘dᏀдɢ੹ eᄝဒ ೥̺d  been showcased in Astrup Fearnley Museum
        ˚͉ᙲᅂࢪႚʇྼڀၾ Madsaki ˃੉׵Ъۜ     107 Ò 168 cmd׵ 2016 ϋዑᏵߕஔ᎜ٙӀɪඤ Superflat

       ͗Ϸ‘ۃΥᅂf© ႚʇྼڀ                Collection ϗᔛ࢝ʕڥ޴
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