Page 250 - 亚洲二十世纪及当代艺术
P. 250

60        Ϫɪ൳ b.1994                         Etsu Egami

                  ੹ࠀ                                 Rainbow
                  ذ੹ ೥̺                              Oil on canvas
                                                                   3
                  ɚ㖼ɚɓϋЪ                             117 × 78 cm. 46 × 30  /4 in.
                                                     Painted in 2021
                  ಛᗆ
                  Etsu Egami 2021€ɨ˙                Signed in English and dated on the
                                                     bottom
                  ࢝ᚎ                                 EXHIBITED
                  2022 ϋ 2 ˜ 11 ˚Ї 12 ˚d             11 -12 Feb 2022, Shin Gallery × Sun
                  Shin Gallery Ò Sun Potion Casita ᑌ࢝d      Potion Casita Exhibition, Shin Gallery,
                  Shin Galleryd໋ټټז                  Santa Barbara                Ϫɪ൳ᏜԒϾཀٙѢ౅ 2019-128‘dذ੹೥̺d
                                                                                  80 Ò 100 cmd 2019 ϋЪd2022 ϋྗᅃ࠰ಥ߇֙
                  Ը๕                                 PROVENANCE                   שርϓʹᄆ 192,000 ʩಥ࿆
                  ॲߒ Shin Gallery                    Shin Gallery, New York
                  ତԭݲӷɛᔛ࢕ٜટᒅІɪࠑԸ๕                    Acquired directly by present private Asian collector
                                                     from the above
                  HKD 120,000 – 200,000
                  USD 15,400 – 25,600
        uses her highly individualized brushwork to create semi-abstract   and shoulders, slanted eyebrows, upturned eyes, a tall nasal
        faces and believes that portraits are not objects, but materials to   bridge, closed lips, and a cool temperament, she resembles a
        connect with the viewers.                           runway model while exuding a solemn expression. The simple
                                                            and transparent brushstrokes outline the luxurious fairy-like
        The two pieces presented in the auction are from her famous   clothing, with soft feather-like curves arranged in parallel, with
        Rainbow series. The series was originally created during the   light grey, sea blue, light purple, and rose red orderly arranged to
        pandemic that made the artist think more deeply about human   form delicate block-like colours. The abundant blank space during
        communication. The social distancing and self-isolation increased   this process is like the breathing of the canvas. The background
        miscommunication, inspiring Egami to express her hopes in the   consists of vigorous and powerful lines, forming a sharp contrast
        dreamlike brushstrokes. The faces in this series are all people   with the blank space, emphasizing undeniable strong aura of
        who have crossed paths with the artist. She believes that the   the character. The abstract lines in the painting leave more room
        moment when people meet is like flowering of cherry blossoms   for imagination and contemplation for the viewers, showing the
        - beautiful but fleeting. Therefore, she uses her paintings to   resilience, tenderness, and strength of a modern strong woman,
        capture the beauty of the world and turn it into something eternal   touching their hearts.
        on canvas. Her style oscillates between figurative and abstract,
        with contrasting warm and cool colours in strong rhythmic   Contemplation in Poetic Brushes and Inks
        brushstrokes. When viewed from afar, the images become more   Egami skilfully blends Western-style oil paint with the calligraphy
        vivid, with the characters appearing as reliefs embedded in   techniques she learned from her childhood. In Rainbow (Lot 60),
        parallel lines. When viewed up close, the main characters blend   the artist specifically introduces the colour scheme commonly
        into the background, appearing elusive and full of mystery.  seen in Chinese landscape painting, including shades of bluish
        My Beauty and Resilience                            green, ochre, and sepia, which is rare in the series. With varying
                                                            lengths of horizontal lines, she outlines the short hair and faintly
        “I follow memories to search for places I visited and   visible ear contours of the woman. A few curves, mixed with green
        people I met in my childhood. Through interviewing,   and brown, depict her calm face with hairs behind the ear. Where
        conversing, and other means, I explore the relationships   the green and brown colours end, light blue, bright orange, and
        among people, hometown, and memories.”
                                                            dark red continue in parallel to depict the forehead, bridge of the
                                             — Etsu Egami   nose, vermilion lips, and neck. With slightly parted lips, the figure
                                                            seems to let out a gentle sigh, immersed in contemplation. The
                               If we closely observe the two works,
                               we can see that Egami initially   flowing traces of oil paint resemble water waves, giving the overall
                               drew the base image with a pencil.   picture a warm and serene feeling, exhibiting a poetic rhythm.
                               Through the process of sketching,   “Language can only be sensed, not explained.” The obscure
                               she gradually restores the moment   abstract colours become intuitive feelings, allowing people
                               of meeting with another person,   to unconsciously understand the subtle distances between
                               and cherishing these moments   individuals, as well as the poetic nature of every meeting and
                               of reflection. Rainbow-2022-W-29   parting.
                               (Lot 61) is an extremely rare and   Egami believes that a person’s face is like a book that can never
                               almost monochromatic half-   be finished reading. The two works integrate the seven colours
                               length portrait in Egami’s works so   of the rainbow, representing the artist’s perception of the
                               far. The overall image is a dreamy   people encountered and the present atmosphere in her mind.
                               purple-blue, presenting a woman   Communication is like parallel lines, with the most touching
        2022 ϋ੹ࠀ ‘׵ ໋ ټ ټ ז Shin
        GalleryÒSun Potion Casita ᑌ࢝ତఙ  facing the viewer. With fine hair   individuals always remaining in our memories.

                                                                                                                                                                                                                                 2 11
   245   246   247   248   249   250   251   252   253   254   255