Page 249 - 亚洲二十世纪及当代艺术
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˜੹ࠀঐ੄൥ᅄྫྷซձҎૐiΝࣛd̴ٙӊ၇                                                               “Rainbows symbolize
        ᕙЍ޴ʝʔፄΥd྅݊ɓૢૢ̻Бᇞdޢࠢʱ                                                              dreams and hopes; at the
        ׼dШଡ଼ΥՑɓৎɦܘߕᘆ৪ڥdவၾҢ৛Ӌ                                                              same time, The colours
        ٙʹݴٙ൥ᅄձ͉ሯϞɓ၇ܘ੶डٙ΍ჼf™                                                              parallel each other with
                                                                                          distinct boundaries,but
                                     { Ϫɪ൳
                                                                                          when combined, they are
        Ъމ˚͉኷ܝୋɧ˾ᖵஔ࢕dϪɪ൳ٙᖵஔྫྷ֐                                                             beautiful and shining.
        ׵ഁϋfՅࣛա˨ፋ઼ႆኪ୦ࣣجdϾܝᎇ˨͎                                                             This strongly resonates
        ༷ዝ˰ޢdਞᝈ΢ɽߕஔ᎜dίᆑ୅Ꮀʷٙᖵஔ                  ௴ЪʕٙϪɪ൳                                    with the essence of
                                                                                          communication that I
        ᔠௗɨdμᎸқϓމɓǘঐ˾ڌ؇˙™ٙᖵஔ                                                             pursue.”
        ࢕f̈͛׵ 1994 ϋٙμdί˚͉ϓڗd֢ࣚᆄ                ൳Ъۜʕ฽ՉӼԈ˲ڐ˷ఊЍٙ̒Ԓӽ྅Ъۜd
        ߕdܝໝ໔̏ԯdίʕ̯ߕஔኪ৫՟੻ذ೥ӻ၂                   ೥ࠦ዆᜗މྫྷˌٙഓᔝЍdяତɓࡈΣᝈ٫ڎࠦ                                — Etsu Egami
        ɻኪЗdաՉኬࢪᄎʃ؇ሧᗆԨપᑥഗᖵஔޢf                   ϾԸٙ୭ڳɾɿd୚ቻʿٲeΞ૓޵eʗჾ଻d                     As a third-generation post-
        ՉЪಀ೯ڌ׵ॲߒ࣬̚ဏߕஔ᎜eˋኇɽެࢗe                   ᄀᆃ৷࣎dᕐࡶௐΥdंሯ૶иdνΝӸఙᅼ                      war Japanese artist, Etsu
        ̏ԯˈࡐ౶຅˾ᖵஔʕːഃήdˀᚤᆠडd2020                 तdɦЧग़ઋጽഠٙڌစ٫fՉВഹശᘆdνϻ                     Egami’s ar tistic dream
        ϋ࿲೮၅̺౶ 30 ๋˸ɨၚߵ࿮dЪۜᐏ୽౶߅                 ˣছݓழٙϜᇞνၦᇟ̻Б቗રd૵ϲeऎᔝe                     began in childhood. She was
        ԓࢫߕஔ᎜e˚͉Ӏʇߕஔ᎜ϗᔛf                        ૱ഓeٓߎॣҏરΐdҖϓ୚ጰٙૢًЍ෯dՉ                     introduced to calligraphy by
                                                ගٙɽඎवͣνΝ೥̺ٙխіdϪɪ൳˸ᔊఊஷ                     her father, and later travelled
        ᇝ΅߰݊ɓ༸዗                                 ீٙഅᙃʵ೥̈ඤࠠ̀ंٙശ؂fϾߠ౻ۆ˸Ν                     the world with her parents,
        ڗϋ֢ࣚऎ̮͛ݺʕהชաٙ΢၇˖ʷላᏘၾ๖                   ЍӻeႏۊϞɢٙ୑ᇞૢ̻቗ٜાdၾɛيٙव                     visiting major art museums.
        ஷღᖟdႬᛘeႬᛓeႬ༆ٙ຾ዝd˿Ϫɪ൳ක                   ͣҖϓᒻ׼ˀࢨd੶ሜɛيʔᚣ͛Ѝٙᑕၾʔ࢙                     Under the influence of art, she
        ֐ீཀ௴Ъઞীɛᗳʹݴ͉ٙሯfՉЪۜ଄ႊᑊ                   ׁൖٙ੶ɽंఙfפ൥ᇞૢɨ̮࡝ʫݓٙ೥ʕ                      aspired to become an artist
        ࠪeൖ᎖eᖭ೥dяତՉהൖeהᛓeהܠdί                   ɛdɰމᝈ٫व̈һεซ൥ၾܠϽ٤ගd࢝ତɓ                     who could represent the East.
        ᖭ೥ʕdμ˸฽ՈࡈɛतЍٙഅجʿҖό௴͛ɓ                   ٰତ˾ɽɾɿٙ࡝ᆇe๝ݓʿ਺੶dϔਗɛːf                     Born in 1994, she grew up in
        ࡈࡈ̒פ൥ٙɛيࠦˆfμႩމᖭ೥݊ༀໄٙɓ                   ་จʗڡʕٙӐܠ                                  Japan, lived in Europe and
        ௅ʱdӽ྅ʔ݊ي᜗dϾ݊९ҿd͟Ϥ࿴ܔЪۜ                                                             America, and later settled in
        ၾᝈ٫ٙ዗ᆃf͉ϣяତٙՇ΁שۜуԸІՉႺ                   ͭԑ׵௴ЪՈ؇˙͏ૄ׌ذ೥ٙϪɪ൳dϓᆞ༶                     Beijing, where she earned a
                                                                                          master’s degree in oil painting
        ႺϞΤٙ˜੹ࠀ™ӻΐf                             ͜Гόٙذ೥ᕙࣘdਗ਼ʘፄΥ੽ʃ୦੻ࣣٙج
                                                Ҧᖵd؈ᓙ༶അdνࡌБছί೥̺ɪՏ̻̈Бᇞ                     from the Central Academy of
        Ϥӻΐ௰ڋ௴Ъ׵ޥઋࣛಂfவఙ̦ೌۃԷٙݴ                   ૢfߐ੹ࠀ‘€שۜᇜ໮ 60ɓЪʕdᖵஔ࢕                   Fine Arts under the guidance
        БषԴᖵஔ࢕һଉɝܠϽɛၾɛٙʹݴdٟʹ                    तйˏɝʕ਷ʆ˥೥ʕ੬Ԉٙڡၠeሱͩeሱኈ                     of Liu Xiaodong. Her works
        ൷ᕎձІҢཞᕎٙᏀҵdᄣ̋əʹݴʕٙϲЍή                   ٙৣЍd͜ڗ೵ʔɓٙ˥̻ᇞૢʵਔ̈ɾɿ฀ᇖ                     have been exhibited at the
        ੭dɰዧ೯əϪɪ൳͜੹ࠀٙྫྷˌڌ༺࿁͊Ըٙ                   ٙ೵ቻၾԱ೽̙ԈٙЀ࿊d˸఻അၠЍၾሌЍ૿                     Guggenheim Museum in New
        ಂ޸d௴Ъ̈ϲЍ˰ޢ༁ٙ˜ҎૐʘΈ™fவࡈ                   ΥٙϜᇞᖭ̈ЀܝٙຟቻdՉи᎑ٙਉᑕீഹฆ                     York, the Grand Palais in Paris,
                                                                                          and the UCCA Contemporary
        ӻΐʕٙࠦˆdޫމಀၾᖵஔ࢕ᏜԒϾཀٙɛd                   ४dग़ઋІ߰eІቇfίၠၾሌЍ੹ٙʕ˟ʘ                      Art in Beijing, receiving
        μႩމɛၾɛ޴༾ٙᐛගdఱνΝՉఃฌٙᙶ                    ஈd૵ᔝeڥዐeฮߎ̻Бַᚃdᖭ̈ۃᕘeᄀ                     enthusiastic responses. In
        ڀdߕᘆۍ೹ᐽу஻dΪϤμ͜೥ʕɓ༸༸ᘰॸ                   ᆃeϡࡶʿ᎕௅dࡶᖙฆੵdɛي྅ίჀჀྖ                      2020, she was listed on the
        ٙ˜੹ࠀ™֛ࣸ˰ගߕλdਗ਼ʘʷމ͑ܩfՉ೥                   ࢹd௘ɝӐܠf˥تছΣɨݴਗٙذ੹଱༦ᜳਗ                     Forbes Under 30 Elite list, and
        ༷ࠬԐίՈ൥ၾפ൥ʘගd͜Ѝиาʹ፹dഅᙃ                   ̙Ԉd೥ࠦ዆᜗๝ᆗӐ᎑d࢝ତ་จছٙᗲܛf                     her works have been collected
        ື۱ช੶f߰Ⴣൖʘd೥ࠦһॆʲdɛيνओᎉ                  ੹ࠀ‘ӻΐЪۜʕޟˇ̈ତʆ˥ʘЍd˜ႧԊ̥                     by the Moscow Garage
        ల׵ᇞૢ̻Бʘɪiڐ޶d˴ԉνΝၾߠ౻ፄމ                  ঐ஗ชٝdʔঐ஗༆ᙑ™dഹ৖׵Ѝ੹ග൷ᕎٙ                      Museum of Contemporary Art
        ɓ᜗d߰ᒯ߰ତdᙘబग़।ชf                          Ϫɪ൳d͜ᕙЍชٝ͛նʕٙӊɓݬ޴༾dૌᏼ                     and the Kawamura Memorial
        Ңٙߕᘆၾ਺ද                                 ٙפ൥ᕙЍᜊϓٜᝈٙชաd˿ɛʔٝʔᙂᛘᏑ                     DIC Museum in Japan.
       ˜ҢضഹাኳరҬՅ̘ࣛཀٙή˙ձ༾Ԉཀ                      ೥ʕٙࠤ͛ɛd˿ɛˀܠɛၾɛʘගฆѶٙ൷                      Fate is Like a Bridge
        ٙɛdஷཀમஞe࿁༑ഃ˙όίࠠܽাኳٙΝ                    ᕎdʿӊɓఙറ˥޴ுගdၳ౳ᕎΥٙ་จf                      T h e  e x p e r ie n c e s  of
        ࣛdᙃઞɛၾɛeɛၾ݂ඊ˖ʷeɛၾাኳʘ                    Ϫɪ൳ᙂ੻ɛᑕఱ྅ɓ͉͑Ⴣᛘʔҁࣣٙd࠽੻                     misinterpretation, mishearing,
        ගٙ၇၇ᗫڷf™                                ୩ᛓʔΝɛ݂ٙԫd೯ᙂೌ̙ࠢঐfՇషЪۜි                     and misunderstanding during
                                                                                          her long-term overseas life
                                                ၳə੹ࠀɖЍdЍ੹݊ᖵஔ࢕໘ऎʕ࿁༾Ԉٙɛ
                                     { Ϫɪ൳                                                have led Egami to explore
                                                ʿ຅ɨ؟ఖٙชٝfʹݴఱ݊ɓ၇̻Бᇞdাኳ                     the essence of human
        ߰୚ᝈ͉ϣяତٙՇ΁Ъۜdѩ̙ԈϪɪ൳˸ད                   ༁ٙɛᐼ݊௰ਗɛdᏜٲϾཀٙɛձ೥ʕٙᇞૢ                     communication through
        അ౜೥ֵٙྡfᖵஔ࢕ί௴Ъࣛʔ׭إ׵΋ɝމ                   ɓᅵdၾ೥٫ٙ೵ᅲ޴ʹɦ־Ϥ̻БfΝɓࡈ˰                     her creations. Her works
        ˴ٙᝈׂdμ͜ᖭႡণྡٙཀ೻နӉᒔࡡၾɛ޴                   ޢٙҢࡁd࿁ɛٙႩٝၾʹݴdஷཀᖵஔ࢕੹ࠀ                     encompass sound, video, and
        ༾ٙᐛගdɰೌˢޜ઎வᅵٙΫᚥᐛගfՉʕ                    ছٙাኳஹഐdவ݊ᖵஔ࢕ၾ˰ޢٙʝਗdɰ݊                     painting, presenting what she
       ੹ࠀ -2022-W-29‘€שۜᇜ໮ 61݊ԙʦϪɪ            ᝈ٫ආɝ੹ࠀٙ˰ޢdၾ೥ʕɛٙʝਗf                        saw, heard, and thought. She


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