Page 215 - 亚洲二十世纪及当代艺术

˜ၠَ݊ɓࡈୌ໮dɓ၇൥ᅄdᅼᇔeᏤ ɓ၇˜ୌ໮™f݊ϣ࠯ܓତԒשఙٙၠ When Zhou Chunya returned to China
݉ٙఙ౻݊வ၇൥ᅄʔᆽַ֛ٙФd َӻΐ{{ʃَ‘у݊༈ӻΐሖ͛ 10 ϋ from Germany in 1994, a friend gave him
ฮͪəତ˾ɛٙ֘ዹdձɛၾɛʘග ʘყٙɓ΁߉ॎʘЪfЪۜӱਪ˰у࢝̈ a black German shepherd dog, which he
ٙΚᎈfՉྼdၠَίݔ၇೻ܓɪ͍ ׵̺ኁ෦ဧʦ˚ʕ਷೥఼dܝމᆄݲࠠࠅ named “Heigen” (German for “friend”) to
൥ᅄഹҢІʉ ,d̴ٙҖ൥˸ʿהஈٙ ᔛ࢕ޜᔛεϋdʦ࠯ϣᙑ̈dᗭঐ̙൮f commemorate his days studying art in
ఙ౻ྼყɪே݊Ң˖ʷ׌ࣸʿତྼ͛ ͊Ը̙ಂٙˋࡩʃ˭ Kassel. Since then, Zhou Chunya’s life and
πྤ༾ٙҳ࢛f™ creations have been inseparably linked
ίϤЪʕd˜ၠَ™ӼԈή˸ˋࡩ˭މ˴ with dogs. Soon, Heigen became Zhou’s
{{մ݆ٽ ԉdϞй׵˸ֻ೥ʕ຾੬̈ତٙᅃ਷ىϺ favourite subject. A turning point in his
˭ᛩۇeλ৸ٙҖ൥dϾ˸ˋࡩ๝ཷeॱ paintings came in 1997 when he depicted
1994 ϋʘყdմ݆ٽІᅃ਷ڏΫʕ਷d Heigen completely in green for the first
؃ʾ৔ə˼ɓ৳ᅃ਷ලىϺ˭d˼ਗ਼Չ ԄٙतሯͪɛfӬ̬ٮഹήdᒔ͊ҁΌ time. From then on, dogs represent
՟Ԙල࣬™€ᅃ˖ Heigendจމ˜؃ ೯ԃٙԒ᜗Ѭͭഹ޶Σᝈ٫d෥෥ٙ଻ eternal and sincere emotional memories
ʾ™dԸߏׂ˼ί̔෦ဧ޼ᛘᖵஔٙ˚ ຒձᄀɿeੵකٙᄘᚣ̈ᒻݺٙ४ߎЉ in his paintings, providing people with
ɿfІϤdմ݆ٽٙ͛ݺe௴Ъఱ༧َഐ ᎘fᖵஔ࢕Սจ͊ਗ਼˴ԉ׳ໄί೥͍ࠦʕ another spiritual perspective on this
ɨʔ༆ʘᇝfܘҞdල࣬ఱϓމ˼௰ᒤฌ ̯dϾ݊ଫฆቦ̛ɨ˙d˿೥ࠦପ͛ɽඎ species, and taking his works in the
ٙᖭ೥˴ᕚʘɓf˼ಀ຾Ⴍཀj˜Ӭʃٙ ٙवͣfխᏐ̚ɛ˜ࠇͣ຅ල™ٙߕኪଣ evolution of Chinese contemporary art.
ࣛࡉఱၾҢွίΝɓੵґɪdҢࡁɓৎΦ ׂdɓ˙ࠦ˿ʃَٙڌઋһ̋߉̈d̤ɓ The First Appearance of the Green Dog
ඵdɓৎ౳ӉfҢ೥೥ٙࣛࡉӬᐼ݊ɓٜ ˙ࠦۆฮͪəՉ֠͊ڗɽϓᆞe͊Ը̙ಂ Series
ءൖഹҢfҢซdၾՉ೥ԟԬ൷ᕎܘჃٙ ٙ͛նචݬd͵౧ͪഹᖵஔ࢕࿁׵͊Ըٙ In both East and West, green is a very
؇Гdᒔʔν೥Ԓᗙٙԫيf׵݊dœල ಂ஢f distinctive colour, symbolizing peace
࣬ϓމҢ೥̺ʕٙ˴ԉf ™ϾՉᖭ೥ί ؇Г⸭യjʕ਷ᄳจʿГ˙ᎉ෧ชၡ and nature, but also subtle luck: Chinese
1997 ϋڎԸəᔷұᓃd˼࠯ϣਗ਼ල࣬ҁ ੗޴ஹٙ΍͛ mahjong tables and Western billiard
Ό౜ᖭϓ˜ၠЍ™fᖵ൙࢕ࣱኮࢬਗ਼Ϥᓥ ࠽੻ءจٙ݊d΂ኯذ੹ໍจݴ૲Ͼɨٙ tables are all based on green. In such
Ϊ׵˼ԟݬࣛගֱ၅ٙฌઋ͛ݺfϾ˼അ ਂجdʔᗭ޶̈մ݆ٽί௴ЪɪաՑɓ֛ a context, “Green Dogs” manifests a
ɨَٙ੽Ϥࣛৎdʷϓ͑ܩॆᅚٙઋชΫ ೻ܓٙГ˙ڌତ˴່ᅂᚤdɰ̋ɝə๕І richness that is both full of vitality and

ኳdɓ༩೯࢝Ցܝ஗ᖵஔ࢕ੵወ࡝ᚑމ Չ˖ʷА૰຅ʕࣣٙᄳ׌അᙃd͟Ϥ܁ͪ surreal. When Heigen died in 1999, he
stopped painting and went on a trip
˜ܘϞɓ၇ᝈׂ׌™ٙ˜ၠَӻΐ™d ౤Զ ə˼ʔසϞจᗆή୭ᕎ˜Ύତ™ෂ୕ߕኪ because he was so saddened that he was
ɛࡁ࿁׵Ϥي၇̤ɓࡈၚग़ᄴࠦٙᝈ޶ၾ ৛ӋdһፄΥə˜ᎉ෧™ٙ٤ග฿ׂf˼ unable to paint. A year and a half later, he
ܠ॰dϾίʕ਷຅˾ᖵஔආ೻ʕЦϞɓࢩ ಀ຾ІԊj˜ œၠَٙҖ࿒݊ᎉ෧ʷٙΝ picked up his brushes and continued with
ʘήf ࣛdίഅᙃഐ࿴ɪɦіˏə˖ɛڀ௢೥ٙ his series of “Green Dogs,” but by this time,
ၠَӻΐၚ੹ʘЪ࠯ϣତԒ Җ࿒तᅄd݊ᎉ෧ၾ˖ɛڀ௢೥ٙஷߒf his depictions were no longer of his old
Ң޶ɞɽٙڀ௢ܘ࢙׸ᑌซՑᎉ෧ٙ᜗ඎ friend, Heigen, any dog he encountered in
ೌሞί؇Г˙dၠЍே݊ɓ၇ɤʱᒻ׼ٙ his life could become the protagonist. The
ᕙЍd݅൥ᅄഹ̻ձၾІ್dɰ˾ڌഹ ձ٤ගชdΝࣛᒔঐ੽ԟɽࠦጐٙࠋ٤ග “Green Dog” has become a kind of symbol.
˜͖Ѷٙ༶ं™jʕ਷ٙ௦ਗ਼ࣲeГ˙ࣲٙ ʕჯଫՑᎉ෧ٙᐽଉdҢڽᎈή׳ɽəவ The Green Dog Series - Little Green Dog,
ଢ̨ே˸ၠЍމֵdՉԸϞІfϾ˜ၠ ၇ᒯᇱί̚ɛߠܝٙൖᙂ᙮׌dࣖ؈ܘփ which makes its debut at auction this
َ™ίவᅵٙ؟ఖɨ᜗ତ̈݅̂တ͛ն ମf ™୚ᝈ೥ʕ˴ԉ˸ಅሌeาරeڡၠ time, is a breakthrough work 10 years
ɢdɦ൴ତྼٙ ɧЍ޴ʹٙˣቻd˸νʕ਷ɛ˖ᖭ೥ʕࣣ after the birth of the series. The work
ᔮబࠦ޴f1999 ᄳ׌ٙഅැ࿴ϓd৻᐀ዢ૱ٙЄଣ֟߰ɞ was exhibited at the ChinaToday Gallery,
ϋල࣬஻˰dմ ɽʆɛഅɨДࠤᐽዑٙʆ˥eڀ௢dӎீ in Brussels, Belgium, when it was first
݆ٽే೨Ցೌج ̈؇˙ᖵஔʕ˜ࣿҖೌԱeൈྼ޴͛™ٙ introduced, and has been in the collection
Ъ೥d݂׳ɨ೥ ߕኪᝈfϾίଉ૵୑୚ʔɓٙ༶അeֆᙜ of important European collectors for
അ̮̈ࣚБdɓ ٙЍ੹਼ᛌʕdᎉ෧ٙ᜗ඎชᏐ༶Ͼ͛d many years. Now making its debut at
ϋ̒ܝd˼ࠠܽ ЪۜૐʘಾێϾʔ̰ᜳਗdഅจ૸ဇඌ auction, which is a rare opportunity.
೥അdᘱᚃ˜ၠ ࿫dһ˿ϤЪϓމᖵஔ࢕ઋชၾҦ̷ٙ৷
َ™ӻΐ௴Ъd ܓഐΥf
್ϾϤࣛՉ౜ᖭ ࿁׵մ݆ٽ͉ɛϾԊdَʊ຾ϓމə͛
ٙ࿁൥ʊʔΎ݊ ݺІԒٙ൥ᅄd˾ڌɓ၇˜ࡡ֐™e˜ڭܵ
ϼ؃ʾල࣬d΂ ࡡႶ™ٙ͛ݺfߐၠَӻΐ{{ʃَ‘
จɓ৳ί༩ɪਅ ʕdԟ֠͊ڗɽٙʃ˭җ߰ᕿౣڋːٙᖵ
༾َٙdே̙˸ ஔ࢕d˿Չί࿲ᚑတ༱ٙٝնʘϋΫૐІ
ϡᯋᘻඨྡൿ‘dኈॷ͉d
221.5 x 114.2 cmd݂ ࢗ ௹ ي ϓމՉ೥ʕٙ˴ Ңdၾॆ༐ٙˇϋ࿁༑dɓഅɓྌdே݊
৫ᔛfմ݆ٽႩމၠَٙҖ ɛʮdၠَʊ຾ ࣛ˾ݳݴʕݓழϾጙ֛ٙᇎԊdМՉԐཀ
࿒݊ίഅᙃഐ࿴ɪіϗəɞ
ɽʆɛڀ௢೥ٙतᅄdΝࣛ੽ ౷ʿʷdϓމə ͛ն̬ٙ֙d޶݆ࢀ߇̆ɦɓ݆f
ɽࠦጐٙࠋ٤ගʕ᜗ତᐽଉ ˸๝නॱԄၲΤٙˋࡩ˭dϓމɛᗳ௰׀ྼٙྫМ

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