Page 196 - 中国嘉德2022年秋拍 二十世纪及当代艺术夜场
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艺术家简历  ARTIST BIOGRAPHIES

                                 加“99青岛国际美术作品邀请展”。2003  《坠落的精灵》“首届中国北京美术双年展作品集”。2006  上
                                 海视平线画廊“记忆的碎片—王巖油画作品展”。

                                 Wang Yan (b.1956-) entered the Oil Painting Department of Luxun Academy of Fine Arts in 1977,
                                 graduated with a bachelor's degree in 1982, and has been teaching there since then. Now he is an
                                 associate professor of the Second Studio of the Oil Painting Department of Luxun Academy of Fine
                                 Arts, and a member of China Artists Association and China Oil Painting Society. Main Exhibitions: 1984
                                 "When the Spring Wind Blows" participated in "The Sixth National Art Exhibition of China" and won the
                                 Excellent Work Award. 1985 "Embroidered Girl" participated in "China Youth Art Exhibition". 1988 "Spring
                                 Calling" participated in "China Red Cross Art Exhibition" and won the Excellent Work Award. 1989 "Boy
                                 Seeking Balance at Dusk" participated in 1992 "After the Rain" participated in the "92 China Guangzhou
                                 Biennale"; "The Endless Dusk" and "The Day with Sunshine" went to Singapore to participate in a four-
                                 person group exhibition. 1993 "A Place Far from the City" was exhibited in the "93rd China Oil Painting
                                 Exhibition" in Beijing and went to Hong Kong. 1994 "Hot Summer" was exhibited in the "2nd China Oil
                                 Painting Exhibition"; "First Volt" was exhibited in the "8th China National Art Exhibition". 1995 "Woman
                                 in a Red Dress" and "Winter without Snow" were exhibited in the "Group Exhibition of 15 Chinese Young
                                 Oil Painters" in Nanjing. 1996 "Lonely Journey" was exhibited in the "First China Oil Painting Society
                                 Exhibition". 1997 "The Old Man" participated in the "Chinese Oil Painting Portrait Centennial Exhibition".
                                 1999 "Dust" participated in the "Shenyang Dongyu Art Collection Exhibition". 1999 "Dead Bird" and
                                 "Waiting" participated in the "99 Qingdao International Art Exhibition". 2003 "Falling Genie" in "The
                                 First China Beijing Art Biennale". 2006 "Fragments of Memory - Wang Yan's Oil Painting Exhibition" in
                                 Shanghai Horizon Gallery.

       吴冠中(1919-2010)            吴冠中,别名荼,1919年,生于江苏宜兴农村。1942年,毕业于杭州国立艺术专科学校,曾任教于国立重
       WU GUANZHONG
                                 庆大学建筑系。1946年,考取全国公费留学绘画第一名。1947年,就读于巴黎国立高等美术学校。1950
                                 年,留学归国,任教于中央美术学院。1953年,任清华大学建筑系副教授。1956年,任教于北京艺术学
       Lot 1557  Lot 1558
                                 院。1964年,任教于中央工艺美术学院。1970年,“文革”期间被下放到河北农村劳动。1973年,调回
                                 北京参加宾馆画创作。1978年,中央工艺美术学院主办“吴冠中作品展”1979年,当选中国美协常务理
                                 事。1987年,香港艺术中心主办“吴冠中回顾展”。1991年,法国文化部授予其“法国文艺最高勋位”。
                                 1992年,大英博物馆打破了只展出古代文物的惯例,首次为在世画家吴冠中举办“吴冠中—二十世纪的
                                 中国画家”展览,并郑重收藏了吴冠中的巨幅彩墨新作《小鸟天堂》。1993年,法国巴黎塞纽奇博物馆举
                                 办“走向世界—吴冠中油画水墨速写展”,并颁发给他“巴黎市金勋章”。1994年,当选为全国政协常
                                 委。1999年,国家文化部主办“吴冠中画展”。2000年,入选法兰西学院艺术院通讯院士,是首位获此殊
       Lot 1559                  荣的中国籍艺术家,这也是法兰西学院成立近二百年来第一位亚洲人获得这一职位。

                                 Renowned contemporary Chinese painter, oil painter and art educator.Born in a village in
                                 Yixing, Jiangsu, in 1919. Graduated from National Arts Academy, Hangzhou, and went to
                                 Paris to study at Ecole Nationale Supérieure des Beaux-Arts in 1942. Between the 1950s and
                                 1970s, Wu focused on oil landscapes in his exploration for oil painting with a Chinese flavor.
                                 His aim was to borrow from the lively realism and the rich palette of European oil painting
                                 while retaining the spirit and aesthetic ideals of traditional Chinese painting. Beginning from
                                 the 1970s, he gradually shifted to Chinese painting and embarked on a revolution of Chinese
                                 painting by using traditional Chinese materials for modern interpretations. Besides making
                                 art, Wu was also a prolific writer and eloquent theorist whose aesthetic arguments about
                                 abstract beauty, formal beauty, and "brush and ink equal zero" stirred up commotions in the
                                 art world. In 2000, this national treasure of China was honored with Medaille des Arts et Lettres
                                 by Academie des Beaux-Arts, l’Institut de France, to become the first Chinese national and the
                                 first Asian to be thus recognized by the institute since its establishment two centuries ago.
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