Page 63 - 亚洲二十世纪及当代艺术
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˜௛ᙑΏऊ౳d௉ഁ஼३ɓӀᛇdʔޡอ݆ఫf™                                    “The snow melts, the ice dissipates, the laughter
                                                                 of children echoing in a village, bringing joy to the
                               {{˚͉་ɛʃ؍ɓ঩€Kobayashi Issa
                                                                 village without fear of the cold of the new spring.”
        1970 ϋ̈͛׵˚͉̏ऎ༸ٙඵࣶ͞ɿd׵ 1991 ϋଭุ׵̏ऎ༸                                             {{Kobayashi Issa, Japanese poet
        ிҖணࠇኪࣧfϾܝί˚͉೥እɽ׳Έ੹dಀ׵ 2003 ʿ 2004 ϋ
        ஹᚃɝ፯˚͉˜Shell ߕஔሧ࢝™dϓމԭݲل˓̙ᆠٙ຅˾ᖵஔ                         Born in 1970 in Hokkaido, Japan, Kiriko Iida graduated from
        ࢕fІ 2006 ϋৎdμ׵˚͉ęᝄεή೯ڌࡈ࢝dԨ࿂׵΢ɽٝ                         Hokkaido Institute of Design in 1991. She then made a name
        Τᖵ௹ึ࿃ᚣቜԅdν࠰ಥˋ෦ဧę̏຅˾e؇ԯ຅˾ഃfՉ                             for herself in the Japanese art scene, earning acclaim as a
                                                                 prominent contemporary artist in Asia. She was selected
        ௴Ъͭԑ׵݂ɺΏ௛dϙίෂ༺˜ᔊఊ೯͛™ٙߕၾ̏਷ฌ̱ɛ                             for the prestigious Shell Art Awards in 2003 and 2004. Since
       €Ainuʔ֡਺දٙ͛նɢd฽బ˚͉ٙ˜ܑ͖™ၾ˜ᣵ੕™ߕኪ                           2006, she has held solo exhibitions in Japan and Taiwan,
        ၚग़dШɦᘾўೌᇊ͛ዚdՉഅɨɛيሯዎᜳਗd௪ա؇Г˙ᔛ࢕                            and made noteworthy appearances in international art fairs
        ৛ડf݊ϣҢࡁ੭Ըμٙ๝าʘЪഃܙ݆˂‘f                                   such as Art Basel Hong Kong, Taipei Dangdai, and Tokyo
        ᄿ಺ɽήʕٙॱߕഁ༑                                               Contemporary. Her works are rooted in the snowy landscapes
                                                                 of her hometown, aiming to convey the beauty of “simplicity”
       ˜௴Ъ݊މəᖭ݂̈ԫٙɓᐛගdڌ༺̈ίͣ௛ʕࣛග৾˟ٙ                               and the indomitable spirit of the Ainu people of the northern
        ɓۀԟf™                                                    Japan. They are richly infused with the Japanese aesthetic
                                                  {{ඵࣶ͞ɿ         spirits of “Yugen” and “Wabi-sabi”, but also contain boundless
                                                                 vitality. The characters she depicts are simple and lively,
        ఫ̆ٙ̏ऎ༸ɛ༦ӼЇeვༀ९႟ٙೌ۩ɽήd෧ிəඵࣶ͞ɿ                             highly sought after by collectors from both the East and the
        ٙ˜ͣЍઋᕿ™fμಀԊj˜ͣЍ݊௰Ϟ࢙̍ɢٙᕙЍdঐˀ݈̈Չ                           West. We present her heartwarming piece, Waiting the Spring.
        ̴ᕙЍٙଉܓf ™ඵ͞ீཀઽቚٙː଻ᝈ࿀˰ޢdਗ਼Չהฌʘɛʿ                           A Pure Fairy-tale in the Vast Land
        ਗಔيᖭ׵І್ߠ౻ʕdઞ॰˰ගٙѢ߮ၾ๝ઋfᖵஔ࢕࿕੬ίᜳ
        Έ৪ତࣛ౤അdШᐼίڋᖭቃ࿊ܝˀూܠඎથႊeכ̘dΎࠠอʵ                            “Creation is the pursuit of capturing a fleeting
                                                                 moment, expressing that ephemeral instant when
        ਔdʔྏՉ๨dᄴᄴัݑdٜЇҬՑ᙮׵ːʕٙ೥ࠦ؟ఖʑ৾അf                            time stands still amidst the white snow.”
        வ၇ːೌࣙᗹٙ৛Ӌd˿μ௰୞ᖭ̈˜ూ੻ڏІ್™ٙॱଋʘЪf
        2014 ϋdμ׵̨̏॰̔ᖵஔʕːᑘ፬ࡈ࢝˜ͣٙيႧ™d຅ʕяତ                                                               {{Kiriko Iida
        əᅰɤష௛ʕɛيӽ྅d˸̏ऎ༸ٙ४ശʘ̆စᖫɛගٙาจၾҎ                            The rarely trodden paths of Hokkaido in the harsh winter,
        ૐfϾഃܙ݆˂‘уމၖʕɢЪd͵݊࢝ගਬɓɓష໵̘ॱͣd                            where the vast land is draped in a silver-white blanket, have
        ઋ౻฽ߧईဘd੭Ϟ४Ѝᙶڀν௛ᙗໝdʩ९ᔮబٙ๝ઋʘЪf                             shaped Kiriko Iida’s “white sentiment.” She once said: “White
                                                                 is the most exclusive colour, capable of reflecting the depths
        ࣹʘ˅˅d᎑޸Չശ
                                                                 of other hues.” Through her keen observation of the world,
        Ϟй׵Չ˼௛ʕɛيЪۜdϤЪʕdඵ͞౜ᖭəɓЗ݆˚࠭ڀʕ݋                            Iida portrays her loved ones and the flora and fauna within
        ଽฆᔷٙܫ᎑ˇɾf૱ඩߠ౻ʕdᒯߒீ̈ν˜Ⴠථ̈֨™ছٙ૱                            the backdrop of nature, exploring the hardships and warmth
        ᔝၾ४ߎdνڋ݆Ώ௛ฆᙑeຬي೤፴ʘЍf୚ጰഅᙃᓃᖭ̈ٙٹ                            of the world. The artist often starts painting at moment of
        ণྲٽၾ͋૓ٙ݋݋४ڀᐑᔎഹ˴ԉdॸ౮ٙڀᖙໝίᓬ̺ছٙڗ                            inspiration but repeatedly contemplates, erases, and redraws
        ቻɪdᓃຒࣹٙ४eᕰරЍᎀᐨڀྠᝋ׵९ͣٙϵᑲɪВdၾˇɾ                            after the initial outline, layering until she finds the desired
        Շ᎔➊ߎ޴ʝ݈ᛖd⥙⥙͛ሾfɛيᕐᐘ਒˥dᐘˆʕᜑ଻ٙ݋                             atmospheric ambiance she envisions in her mind. This
        ͣdཫͪഹ˴ԉ଻ʕᒔܙऊፄٙጐ௛dɰഗɛ˸ʔ࠮ɛ๧ٙ୭ڳʘ                            relentless pursuit ultimately allows her to create pure works
        ชf݆ʘྶߎั׵Չ଻࿊eᑕ᎔eᄀφၾЀۧdฮఏᘌ̆͊ədᚥ                            that “return to nature.” In 2014, she held a solo exhibition
        ޸݆Їٙ͛ն๝ܓdЪۜ̂͆ഹ˚͉ෂ୕ᖭ೥ၾ˖ኪ༁˜ۑϾʔ                             White Words at the Soka Art Centre in Taiwan, showcasing
        ෆ™ٙंሯdჯᝈ٫ɓԈग़।௛਷༁ٙॱၘʘɛdўႅ๝าdଋʷ                            dozens of portraits in the snow. Her works are pure and
                                                                 ethereal, interpreting the warmth and hope of humanity in the
        ːᜳf
                                                                 powdered winter of Hokkaido. Waiting the Spring is one of her
       ˜ҢίЪۜɪवͣdҎૐᝈ٫̙˸ชաՑᒯᔛίҢЪۜʕ٤ͣ                               masterpieces, the only one in the exhibition that transcends
        ʘஈٙߕf™                                                   pure white. It’s an extremely romantic scene with pink
                                                                 cherry blossoms falling like snow, creating a rich and warm
                                                  {{ඵࣶ͞ɿ         atmosphere.
        ඵ͞࿁ͣЍٙᄫᆞ༶͜ၾઋชڌ༺dʔසڌତ׵Ѝ੹dһ׵೥ࠦஈ                            The Blushing Promise: A Whisper Awaits Blossoming
        ஈ̙Ԉٙ˜वͣ™fШϤஈٙͣ݊ᖵஔ࢕˸εࠠ޴ڐЍሜᔟܑฆᜊ                            Diverging from other works set in the snowy landscape,
        ʷጐଢ଼הߧd᜗ତίɾɿ९ଋٙВႜeߠ౻ʿ˂٤ஈdйϞ͜ːf                            this piece depicts a serene girl with starry eyes amidst the
        Ͼձ๮ٙජΈᅥ๐ՉගdᜫЪۜኯ૴఻eʱ᎑ᑿၥᘆdᐄி݆าڀ                            blooming flowers of spring. Hints of pale blue and pink can
        කٙҎૐd˿Ъཱིۜў؇˙ٙўႅʘߕf                                       be faintly seen in the background, evoking the softening of
                                                                 ice and snow in early spring and signalling the awakening of
        ߵ਷་ɛ௛ഺߐГࠬ཰‘ʕᄳ༸j˜ν؈̆˂Ըəd݆˂ᒔึჃ                            all things. Delicate brushstrokes depict tender grass sprouts
        ෗k™᎑ۜඵࣶ͞ɿʘЪdҗֽঐᛓԈ௛ໝڀකٙᑊࠪdν͛նڋ                            and pink flowers swirling around the protagonist, with petals
        ֐׵І್dɓʲᆎଋᆪᐓdҢࡁʔᙰ̆ʘᄋՋd̥޸݆ʘԸᑗl                             cascading onto her waterfall-like tresses. Adorning her

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