Page 310 - 亚洲二十世纪及当代艺术
P. 310

82        ͩډ b.1942                          Shi Hu

                  મᓘྡ                                Picking
                  ੹ኈ ॷ͉                              Ink and colour on paper
                  ɓɘɘɓϋЪ                             137 × 68.5 cm. 54 × 27 in.
                                                     Painted in 1991
                  ಛᗆ
                  મᓘྡ€̛ɪ91 ͩډ ᖵஔ࢕ඕΙ€̛ɨ             Titled in Chinese on upper right; signed in Chinese
                                                     and dated with an artist’s seal on bottom right
                  ̈و                                 LITERATURE
                  2018 ϋdͩډ೥ණ‘dᆎܠ෤೥఼d࠰ಥdୋ           2018, Shi Hu Collection, Chelesa Art, Hong Kong, p.
                  15 Ї 16 ࠫ                          15-16
                  Ը๕                                 PROVENANCE
                  ࠰ಥᆎܠ෤೥఼                            Chelesa Art, Hong Kong
                  ԭݲӷɛϗᔛ                             Private Collection, Asia

                  HKD 120,000 – 220,000
                  USD 15,400 – 28,200

































        are depicted with abstract brushstrokes, representing the   red beans in the forest, using a
        flourishing red bean fruit gently swaying in the wind. On the left   token symbolizing “lovesickness”
        and upper parts of the painting, grey mist diffuses, blurring   in traditional Chinese culture to
        the boundaries of time and space in the work, echoing the   express delicate emotions that
        subtle and melodious aesthetic taste of Chinese ink painting.   are difficult to put into words.
        Splashes of red, ink, and warm yellow colours are scattered   Their graceful bodies are faintly
        throughout the painting, employing the drip technique is   visible behind the snowy white
        reminiscent of abstract expressionist master Jackson Pollock,   branches, while the bronze-
        adding a touch of dynamic energy to the artwork. The fusion of   coloured shadows and pale
        various techniques and elements showcases the traces of the   highlights uniquely shape the
        flow of time and continuous energy, filling the painting with a   women, giving them a three-
        sense of spirituality and transcendence.            dimensional feel reminiscent
                                                            of Western perspective. Shi
        Amidst the dense and speckled forest, the faint outlines of   Hu presents the classical
        two women can be vaguely seen. On the left, a young maiden   beauty of Western ancient
        mysteriously reveals half of her plump and lush face behind   Greek and Roman sculptures
        the foliage. Her affectionate gaze is captivating, and her red   and Renaissance oil paintings
        lips echo the radiant red beans on the branches. She looks   through Chinese ink and paper,   ͩډ੗؍ˇɾ‘d੹ኈॷ͉d180 x
        ahead, seemingly immersed in deep longing for a distant lover.   evoking a sense of ancient and   97 cmd1990 ϋ ˾ Ъdש ር ϓ ʹ ᄆ
                                                                                        833,700 ʩಥ࿆
        On the right, the woman’s face is hidden, only showcasing her   everlasting.
        graceful and full figure from the back. The young girl collects

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