Page 235 - 亚洲二十世纪及当代艺术
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೥ʕʘ೥dᒻѸٙˌ˰ʘᐘ
       ˜πίவԬ೥ʕٙيၾ྅dᐼϞԬत֛ٙ൥ᅄd̴ࡁ݅ᎇːה૧dɰॆ
        ྼπίd̍ўəɛၾيٙჀޮІ͟dɰו༱əዝ̦ၾઋชٙێࠠfɰ
        ஢ί༨൳əՇ၇ʔΝٙ˖ʷᐑྤʘܝdһԴҢٙ࣬୻ଉಔ׵͛ն͉
        ԒdϾ༪୭ə࿁ήਹ׌຾᜕ઞ॰ٙಸૐdɰᜫҢҳɝՑһމᄿعٙ
        ɛᗳ΍׌ٙઞӋf™
                                                           { ௩ᙘ

        җֽ݊˸ᖵஔ࢕ٙˌ੹ʘᐘᝈ˰e೥˰dί݊ϣяତٙࢀ˚‘ʕd௩ᙘ
        ͟І್ʘྤdፄɝईဘ˴່ٙग़༑Ѝ੹ձڌତ˴່ٙၚग़ܸˏd௴ி̈ɓ
        ஈνྫྷྤছٙփˌʘήf޴༰׵ෂ୕ٙᒺ৵ᕣ˓d೥ʕٙ˴ԉ͍ხՈ຅˾
        ชήቷትዚਗཥԓdཱུБ׵ಌ؍ᛃ༸ʘɪfഓᖯᚆٙ˂٤֠ቱ૵ߎᒳΈd
        ၯၠٙዓᇵʊऍݑଉዢցЍdᓥ೻ٙ༸༩މϷරٙΈั๫ڥdϾίԟ༸༩
        ٙՇਉdɓಊಊ˙෯ʃ܊ʊနᚣ࢕෤ٙ๝ᙚfίΈၾᅂٙᘰॸʹᔌdʿи                              ֗дႋӛ˦ԓ‘dذ੹೥̺d84.5Ò109cmd1900 ϋЪdෳ౶௔֗дߕஔ᎜ᔛ
        า࿁ˢЍٙΥ۱ɨdɪစഹර׾ࣛʱٙईဘૅܛfМᎇᇞૢձቃ࿊ٙॸ್                              Fu Rao entered Tsinghua Academy of Fine Arts in 1999
        ݴਗd౴ᙴވ੹ᎇʘཱུ࠭eݴᔷd୭ᕎତྼছ༷Ԑίซ൥ձྫྷྤٙ˰ޢf                              and went to Germany in 2001 to study at the famous
        ϾίϤʘɪdᖵஔ࢕Ԩ˸ӼԈٙ˜೥ʕ೥™ҖόЪ̈ၚѶڌ༺d෧ிᄴᄴ                              Dresden Academy of Art, where he studied plastic art
        ٙ٤ගੵɢdˏኬഹൖᇞΣʕːၳೊj᎘Ꮦˬ˺సٙӲɿ͍ᚨԓۃБdન                              and art psychology. Leaving China, where he had lived
        ׵ԓҪʘɪٙᒅي஛dяତ̈൨Υ͛ݺٙତྼจբdϾၾʘҖϓ࿁ˢٙd                              for 23 years, Fu Rao deliciated himself to creating art in
        ۆ݊ܝࢭͣቻ࠭౮ٙɾɿd͍˓ܵɓషࠬ౻ذ೥d೥ʕዓᅂ੏ࢄdʃࢰઅ                              Germany for the past 22 years. This unique experience
        ڗd͍ᅂ࢛ഹ˴ɛʮٙତࣛʘ༩f؍˝ᇼডdਗ਼೥༁e೥̮ஹஷɓ᜗d͟                              has endowed him with both Eastern and Western
        ϤЕᑌഹՉ࿁ɛ˖eዝ̦ٙࣛ٤ܠ॰f                                             cultural roots: the traditional landscape painting and
                                                                      calligraphy nourish his oriental heritage, while the
        Ͼ˸˜೥ʕ೥™࿴ϓ༁̮٤ගխᏐ̷ٙܠd௩ᙘһจίਗ਼̚Պᖵஔ࿁ॱࠬ                              multi-cultural influences of European romanticism,
        ౻ٙ৛ӋdၾՉ຅˾௴ЪʕፄΥɛيeાԫٙڌࠑආБˢ༰dᔟϤฮͪᖵ                              German philosophy, and neo-expressionism have
        ஔ͉Ԓ࿁ɛ˖ٙࠠࠅจ່ձᅂᚤf˼ίϤՍจίՇ٫ග˸ᖵஔҖόٙڌ༺                              broadened his knowledge and inspired him to create a
        Ъ̈ਜʱfίԟ༸ೌɛٙࠬ౻ʕdՇࣙٙዓ؍ྌʱ̈˂٤ࡀɧԉًٙ٤                               transcultural and multi-dimensional perspective on life
        ͣd႒⟣ٙ༸༩֢׵೥ʕࣨːd͍࢝ତˋˢؒ೥ݼᖵஔ࢕ٙ຾Պ࿴ྡdϾ                              and the passage of time.
        ᎇࠬᙗ౮ٙዓ،d੭ഹ෦֠അɨ໋ၪдεʆۃٙиӄdࢳจϾ׻౮ήФ                               In 2011, Fu Rao’s Mirage was collected by the Staatliche
        ࢝fഐΥΙ൥ݼٙࠬᇍd௩ᙘίՉʕԨ˸̂တ؇˙ᄳจชٙᇞૢd௴ிഹ                              Kunstsammlungen Dresden (SKD) and exhibited with
        ͛նٙ׶ସҖ࿒dϾԟ९ඩٙ૵ಅረЍd͍༸̈ɓ΅Ꮄඩٙ̚Պᗲբd͟                              German expressionist artists such as Georg Baselitz
        ϤЪ̈࿁ෂ୕ٙߧหfϾΫՑࢀ˚‘ʕԟ֗д€Edvard Munchছٙ                         and Gerhard Richter. Since then, he has held solo
        ုᘆࣛ٤d݊သீίІ್ʕe˸೥࢕ʘ଻הጕԈٙ൴ତྼވ੹dһ݊ईဘ                              exhibitions in Berlin, Beijing, Luxembourg, Taiwan and
        ˴່࿁˂ήٙᓋֻd͵݊ਿ׵ତྼϾڏᒔ̈ٙɓ΅ɛઋʘբfίՉʕ་จ                              New York, attracting the attention of collectors from
        ಐ֢ٙɛࡁdί˚ూɓ˚ٙర੬͛ݺʘ̮d੔ৄഹ࿁׵ᖵஔ͉Ԓٙᆠฌf                              both the East and West. In 2022, he was included in the
        Ͼவ΅ᆠฌdکԑ˸༸း͛նၾᖵஔගೌ̙ʱ௲ٙЇॆจ່f                                   latest book on contemporary Germany painting history
                                                                      since 1970 by the German Contemporary Painting
        ၚग़ጙБd͛նٙଣซʘྤ
                                                                      Forum. In 2023 Hong Kong Art Basel, his solo exhibition
        ৰϤʘ̮dࢀ˚‘͵˿ɛᑌซՑᅃ਷ɤɘ˰ߏईဘ˴່Τ࢕̿ཤᅃԢҎ                              Night Feast garnered widespread attention and
       €Casper Friedrichኑૐ˜ڥٙՇɛ‘ʕd߈ཀዓ؍e੭ഹԴնชeԐ                      discussions. With its innovative and colourful vision, it
        ΣІ್ٙग़।೥ྤf್Ͼd˸ӉБઞ॰ٙࣛ˾ʊϓމཀֻdνʦٙ೥ʕ                               mesmerized every viewer!
        ɛd੭ഹ׷˚ٙሾ๯ၾʦ˚ٙซ൥d͍˸ΌอٙɢඎᘱᚃБትίІ್ʘ                               The Enchanting Gaze of a Vibrant Fantasy World
        ʕfೌሞ݊ͣቻɾɿԟხՈग़༑Ѝ੹ٙ൴್Җ൥dᒔ݊Ӳɿνᕣɻছٙၚ                              In the artwork Summer Days, Fu Rao incorporates
        ग़ࠦႶd೥ʕᘰॸٙɛيतᓃፄԨə̚Պၾ຅˾eତྼၾซ൥dίอ጑ᆠ                              elements of romantic mythology and the spirit of
        डٙ੹അʕdၛ׳̈͛նࠦ࿁І್eρ֞ٙ༺ᝈfνΝईဘ˴່הҖ࢙ٙ                              expressionism, blending them with the natural setting
       ˜ಌ؍ٙዹБ٫™€Waldeinsamkeitd˼ࡁ˸ᜳ჻࿁༑І್e࿁༑ࣛ٤d                       to create a fantastical realm. Unlike traditional
        రӋʫίڦ΃ٙ๕ݰfɰ͍νʃႭ࢕Ԥᅅ֪הԊd˜ԟ݊ɓ၇Ό್੽ІҢ                              equestrians, the protagonist in the painting is driving
        ̈೯e˸ಂঐ੄ٜટࠦ࿁ॆྼٙ͛նρ֞dΝࣛɰ݊੭ഹዧઋၾ་จٙ֘                              a motor vehicle through the winding forest path, giving
        ዹБࣚd୞ᓃۆ݊ІҢҁϓၾيҢ୞׵Υɓٙଣซྤήf ™Ъމତ˾ʘɛ                             it a contemporary feel. The sky is still adorned with a
        ٙ௩ᙘd˼˸ϤՍٙ˖׼ାૐ̚ʦdਗ਼ʔᜊٙଣซd੔భ׵ᜊʷʘɪfᖵ                              light crimson glow, while the lush green shadows are
        ஔʘߕdί׵௴ிdί׵ɛމٙɢඎf຅Ңࡁᄴᄴଉɝdరܑઞฆdک୞                              engulfed by the deepening night. The road back home
        ึ޶Ցԟഄ৵ֆᙜࣛٙഘᘆࠬ౻l                                               is illuminated by a soft yellow halo, and on either side of
                                                                      the road, a cluster of square cottages begin to reveal the
                                                                      warmth of a home. The interplay of light and shadow,
                                                                      warm and cool colours, creates a fluidity in the lines and


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