Page 144 - 亚洲二十世纪及当代艺术

38 朱德群 1920-2014 Chu Teh-Chun

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ذ੹ ॷ͉ ⟱׵೥̺ Oil on paper mounted on canvas s
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ɓɘɖ㖼ϋЪ 50 × 65 cm. 19 /8 × 25 /8 in. .
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P a i n t e d i n 1 970
Painted in 1970
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Signed in Chinese and English, dated on
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TEH-CHUN 70
ϡᅃ໊ CHU TEH-CHUN 70€̛ɨ S i g n e d i n C h i n e s e a n d E n g l i s h , d a t e d o n
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̈و LITERATURE
2017 ϋd ϡᅃ໊‘ dӜɕ཭ࢫ౶ϖ೥఼dࡐ౱d 2 2017, Chu Teh-Chun, Waddington Custot t
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2019 ϋ 3 ˜ 30 ˚dʕ਷ྗᅃ࠰ಥ݆֙שርึd 3 30 Mar 2019, China Guardian Hong Kong
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N o t e : A l a b e l o f L o n d o n W a d d i n g t o n C u s t o t
Note: A label of London Waddington Custot
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Ъۜᗇࣣ authenticity issued by Fondation Chu Teh- ձ೤፴ගٙ΍͛eձፓ
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uthenticity issued b
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Chun and signed by Mrs. Ching-Chao Chu,
Chun and signed b y Mr s . Ching-Cha o Chu,
HKD 1,300,000 – 1,800,000 spouse of the artist and co-editor of the forthcoming
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USD 166,700 – 230,800 ca tal og ue r aisonné o f Chu T eh-Chun
catalogue raisonné of Chu Teh-Chun
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the colours seep into each other. This brings to mind the magnificence of “sky and
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earth gathering heavenly splendor,” wherein bearing and geography determine light
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and shade, in the poem Mountain Gazing by Tang Dynasty poet Du Fu (712-770). .
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Moreover, the exquisite light and shade in the picture is like the side exposure of a
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spotlight on stage, with the main characters representing good and evil deliberately
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separate, highlighting an imaginary space imbued with drama. This also showcases
s e p a r a t e , h i g h l i g h t i n g a n i m a g i n a r y s p a c e i m b u e d w i t h d r a m a . T h i s a l s o s h o w c a s e s
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the deep and lasting influence the Rembrandt Retrospective exhibition in 1969
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had on this work, which was painted in the 1970s. The right of the painting is cast
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the world of darkness. Moving left across the work, the flying short strokes in light
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yellow, golden yellow, orange, rose red and ocher stir up wonderful brilliance and
y e ll o w , g o l d e n y e ll o w , o r a n g e , r o s e r e d a n d o c h e r s t i r u p w o n d e r f u l b r i ll i a n c e a n d
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a volcano erupting, lava spurting in all directions or a red sun rising in the East.
a v o l c a n o e r u p t i n g , l a v a s p u r t i n g i n a ll d i r e c t io n s o r a r e d s u n r i s i n g i n t h e E a s t .
Pulsating Life of Black and Red
P u l s a t in g L i f e o f B l a c k a n d R e d
The colour black represents mystery, the unknown and shadow, while red
T h e c o l o u r b l a c k r e p r e s e n t s my s t e r y , t h e u n k n o w n a n d s h a d o w , w h i l e r e d
symbolizes blazing fire, vividness and brightness, from which Russian artist Mark
s y m b o l i z e s b l a z i n g fi r e , v i v i d n e s s a n d b r i g h t n e s s , f r o m wh ic h R us s i a n a r t i s t M a r k
Rothko once crafted spiritual, abstract coloured-blocks. However, in the works
Ro t h k o o n c e c r a f t e d s pi r i t ua l , a b s t r a c t c o l o u r e d - b l o c k s . H o we v e r , i n t h e w o r k s
o f C h u T e h - C h u n , b l a c k i s r e p l e t e w i t h t h e
of Chu Teh-Chun, black is replete with the
da n c i n g r h y t h m s o f i n k p a i n t i n g a n d r ic h n e s s
dancing rhythms of ink painting and richness
of oil painting, as well as the vibrance inherent
o f o i l p a i n t i n g , a s we ll a s t h e v i b r a n c e i n h e r e n t
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harmony of heaven and earth, as we view the
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within it the coexistence of all things between
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a s a b a s e , t h e y a r e a l s o a ll - e n c o m p a s s i n g ,
as a base, they are also all-encompassing,
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with abstract expression. Within this symphony
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using rich natural imagination to draw forth
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