Page 264 - 亚洲二十世纪及当代艺术
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64        ږ׹ड 1929 - 2021                    Kim Tschang-Yeul

                  Ύତ                                 Recurrence
                  ذ੹ ೥̺                              Oil on canvas
                                                                3
                  ɓɘɘɖϋЪ                             194 x 259 cm. 76  /8 × 102 in.
                                                     Painted in 1997
                  ಛᗆ
                  SA97001 1997 T.Kim ږ׹ड€೥̛̺ضұɝஈ    Titled, dated, signed in English and Hanja on the
                                                     right of the canvas edge
                  Ը๕                                 PROVENANCE
                  ࠯ဧڌ೥఼                              Pyo Gallery, Seoul
                  ତԭݲࠠࠅӷɛᔛ࢕ٜટᒅІɪࠑԸ๕                  Acquired directly by present important private Asian
                                                     collector from the above
                  HKD 1,250,000 – 1,900,000
                  USD 160,300 – 243,600








        heart, and it can carry my waterdrops and accompany them.”   brilliance and warmth, and imbuing all things with life. This
        Thus, the Recurrence series was born. For nearly 40 years, he   vermillion colour carries the belief in the immense energy of
        meticulously depicted the bold strokes of the “regular script” in   the universe within the East Asian cultural sphere. By filling
        Thousand Character Classic with shimmering water drops that   the canvas with a scarlet base and creating an eye-catching
        refract a dazzling light, internalizing pure energy within. Water   contrast with the blank spaces, the artist has crafted a bold
        drops and Thousand Character Classic accompanied Kim   and powerful “regular script” that appears to emerge from the
        throughout his life and traversed nearly a hundred exhibitions   water’s surface, much like a dignified seal stamp dipped in ink
        across Europe, America, and Asia. They have been included in   and pressed down with solemnity. The softly blended deep red
        the public collections of more than 40 institutions, including   colour adheres to the edges of the characters, enhancing their
        the Kim Tschang-Yeul Museum, the National Museum of   three-dimensionality. The orderly and forceful large characters
        Modern and Contemporary Art in South Korea, the Centre   possess a magical power of faith, sequentially leaping out
        Pompidou in Paris, the Tokyo Metropolitan Art Museum in   as the viewer browses, conveying the complete meaning of
        Japan, and the Boston Museum of Fine Arts in the United   the text from the birth of the universe out of chaos to the
        States. The Recurrence presented in this autumn auction is   creation of the sun, moon, and the four seasons, addressing
        the seventh largest dimension witnessed by Kim Tschang-Yeul   the origin of life as water transforms from clouds into rivers,
        and the largest among the nine rare red colour painting works,   lakes, seas, and mist. The circulation of water brings forth a
        highlighting its significance and rarity.           prosperous and abundant life, upon which human civilization
        Thousand Characters Express the Truth, Drops Overflow   is established. The wise sayings of the ancients are etched into
        with Light                                          the mind, particularly touching the heartstrings.
        The Recurrence Series predominantly features a grand scarlet   Above Thousand Character Classic, brilliant hyper-realistic
        red as its principal colour. Within traditional Korean folklore,   waterdrops slowly seep out, some are round and transparent,
        this colour symbolizes the embodiment of “life and power,”   glistening like pearls, others naturally falling on the verge of
        as it originates from the colour of the sun, representing the   dripping. The fleeting drops flow over the ancient characters,
        ability to resist evil and dispel darkness. Kim deliberately   reflecting the fleeting shadows of history. In the balance
        chooses this palette to construct his competition, evoking the   between the dynamics and stillness, the painting exudes
        imagery of the universe bursting forth from chaos, radiating   the subtle poetic and philosophical essence of East Asian
                                                            philosophy. Kim’s waterdrops define themselves through
                                                            light and shadow: the entire painting shows the waterdrops a
                                                            translucent brilliance coming from the upper right, projecting
                                                            a neat golden-red light and shadow to the lower left, defining
                                                            the consistency of light and showcasing an orderly rhythm.
                                                            It echoes the cosmic rule of “moving from chaos to order” in
                                                            Thousand Character Classic, harmonious yet powerful. This
                                                            work demonstrates Kim’s devout and meditative creative
                                                            spirit, resembling Buddhist rituals, symbolizing the ultimate
                                                            tranquillity he finds within the gaps of time. Observing it quietly,
                                                            one feels as if they can also trace the protection of his spirit
                                                            and enter the realm of unity between heaven and man through
        ږ׹डΎତ PK95015‘dᏀдɢ੹eذ੹೥̺d60 x 122cmd1994 ϋЪdשርϓʹᄆ
        449,700 ʩಥ࿆                                         the purification of the soul.

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