Page 143 - 当代艺术夜场（一）

ARTIST BIOGRAPHIES 艺术家简历

County Museum of Art, Los Angeles, U.S.A; 2018 “Zeng Fanzhi. In the Studio”, Hauser &
Wirth, Hong Kong; “Zeng Fanzhi. In the Studio”, Hauser & Wirth, London, U.K; “Zeng Fanzhi.
In the Studio”, Hauser & Wirth, Zürich, Switzerland; 2017 “Zeng Fanzhi | Van Gogh”, Van Gogh
Museum, Amsterdam, The Netherlands; 2016 “Zeng Fanzhi: Parcours”, UCCA, Beijing; 2015
“Zeng Fanzhi: Paintings, Drawings and Sculptures”, Gagosian Gallery, New York, U.S.A; "Zeng
Fanzhi: The Louvre Project”, ShanghART Beijing, Beijing; 2014 “Zeng Fanzhi”, Louvre Museum,
Paris, France; 2013 “Zeng Fanzhi”, Musee d'Art Moderne de la Ville de Paris, Paris, France

张晓刚（b.1958） 1958年出生于昆明。1982年毕业于四川美术学院油画系，现生活工作于北京。从九十年代中期开始，他运
ZHANG XIAOGANG 用近现代中国流行艺术的风格表现革命时代的脸谱化肖像，传达出具有时代意义的集体心理记忆与情绪。
这种对社会、集体以及家庭、血缘的典型呈现和模拟是一种再演绎，是从艺术、情感以及人生的角度出发
Lot 1719
的，因而具有强烈的当代意义。多次参加国内外的艺术展览，作品被国内外多家美术馆、画廊、以及私人
收藏。他的作品是当代艺术所蕴世故的中国情境的最佳体现。现在，张晓刚仍花大量时间在北京的工作室
里潜心作画。一有空隙，他就会飞到纽约、巴黎去做访问学者。“汲取各方营养，坚持创造性的衍生，始
终保持高水准的画作，是我真正意义上的成就。”他坦言，“我画得比较慢，一幅画大概要一个月才能完
成。所以我常同时画几幅，以节约时间。有的画我甚至用了两年。”
从九十年代中期开始，他运用近现代中国流行艺术的风格表现革命时代的脸谱化肖像，传达出具有时代意
义的集体心理记忆与情绪。这种对社会、集体以及家庭、血缘的典型呈现和模拟是一种再演绎，是从艺
术、情感以及人生的角度出发的，因而具有强烈的当代意义；曾于1997年荣获英国coutts国际艺术基金会所
颁发的亚洲当代艺术家。
主要个展：2014年“Zhang Xiaogang， Memory + ing”，大邱美术馆，大邱，韩国；2013年“张晓刚”，
佩斯画廊，纽约，美国；2012年“北京之声：张晓刚”，佩斯北京，北京；2010年“灵魂上的影子：张
晓刚实验报告展”，坦克库·重庆当代艺术中心，重庆；2009年“张晓刚：灵魂上的影子”，昆士兰美术
馆之现代美术馆（GOMA)，布里斯班，澳大利亚；2008年“中国绘画——张晓刚”，鲁道夫美术馆，布拉
格，捷克；2007年“张晓刚”，萨拉·希尔顿美术馆，坦佩雷，芬兰。

Born in Kunming in 1958, he graduated from the Oil Painting Department of Sichuan Fine
Arts Institute in 1982 and now lives and works in Beijing. Since the mid-1990s, he has been
using the style of modern Chinese pop art to represent the facial portraits of the revolutionary
era, conveying the collective psychological memory and emotions of the times. This typical
presentation and simulation of society, collective as well as family and bloodline is a kind
of reinterpretation, from the perspective of art, emotion and life, and thus has a strong
contemporary significance. He has participated in many art exhibitions both at home and
abroad, and his works have been collected by many art museums, galleries, and private
individuals in China and abroad. His works are the best embodiment of the worldly Chinese
context in which contemporary art is embedded. Today, Zhang Xiaogang still spends much
of his time painting in his studio in Beijing. Whenever he has a gap, he flies to New York and
Paris as a visiting scholar. "Drawing from all sides, insisting on creative derivation and always
maintaining a high standard of painting are my real achievements." He admits, "I paint rather
slowly, and a painting takes about a month to finish. So I often paint several paintings at the
same time to save time. Some paintings I even took two years."
Since the mid-1990s, he has used the style of modern Chinese pop art to represent the face
portraits of the revolutionary era, conveying the collective psychological memory and emotions
of the times. This typical presentation and simulation of society, collective as well as family and
bloodline is a kind of reinterpretation, from the perspective of art, emotion and life, and thus
has a strong contemporary meaning; he was awarded the Asian Contemporary Artist by coutts
International Art Foundation, UK in 1997.
Major solo exhibitions: 2014 “Zhang Xiaogang, Memory + ing”, Daegu Museum of Art, Daegu,
Korea; 2013 "Zhang Xiaogang", Pace Gallery, New York, USA; 2012 "Beijing Voices: Zhang