Page 104 - 二十世纪艺术夜场

艺术家简历 ARTIST BIOGRAPHIES

Looking back at his figure paintings, the portraits of each era bear the aesthetic marks of the
times, reflecting the relationship between the foundations of life and ideology and literary and
artistic guidelines. It is accurate to say that when you see the portraits painted by Mr. Su, you
can read the times. His "Girl in Black" is like emerging from a Dunhuang fresco, with its gentle,
simple geometric composition testifying to the wisdom of ancient oriental creations soon after
the inflow of Western modernism into China. The shape of the hand is not a Buddha or a donor,
and the poetic romance achieves the symbolic meaning of the form. I also like his portrait of
the poet Zang Yunyuan. This painting achieves subtlety in the portrayal of the gods and forms.
Often, romantic expressions are less profound, ethereal expressions are less heavy, and subtle
portrayals are less subjective, but it is precisely Mr. Su's "Poetic Intoxication --- Portrait of
Zang Yunyuan" that organically integrates all the contradictions and conflicts into a moody
and expressive atmosphere. As an art master of his generation, Mr. Su Tianci's art is related
to his time, his artistic authenticity that goes beyond objective images to the heart, his artistic
enlightenment that integrates the East and the West, the ancient and the modern into one, and
his artistic spirituality that blends personal emotions with oriental charm and human feelings,
which is highly valuable for academic research today.

孙宗慰 (1912-1979） 1912年生于江苏常熟，寄居北京。1934年考入中央大学艺术系。1938年毕业于中央大学，并留学任教,积
SUN ZONGWEI 极加入“中央大学艺术系战地写生团”赴前线宣传抗日。1941年，由当时中央大学艺术系主任吕斯百推
荐，成为张大千赴敦煌考察研究之助手。1942年返中央大学艺术系继续任教；创作《持烟斗的自画像》，
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此为孙宗慰这一阶段的代表作。1943年，孙宗慰随徐悲鸿赴成都，并积极筹备参加在重庆举办的“中国美
术学院画展”；油画作品《蒙藏妇女舞蹈》、《塔尔寺庙会》，国画作品《藏族歌舞》、《梵王赴会图》
参加第二届全国美展，部分作品被选送出国巡回展览。1944年参加在重庆举办的“劳军美展”、“西北写
生画展”引起画界轰动。1945年在重庆举办个展，徐悲鸿、傅抱石等人以专文肯定孙宗慰之艺术成就。
1946年徐悲鸿任北平艺专校长，聘孙宗慰为副教授。1947年入选由中华全国美术会编辑出版的《中国美术
年鉴》。1948年兼任北平师大美工系副教授，作品《流浪儿》参加由中国美术学院、北平美术作家协会、
国立北平艺专联合举办的美术展览，获好评，并发表於《新艺苑》。1950年中央美术学院成立，孙宗慰任
该院副教授，靳尚谊等人为其学生。1953年作品《石景山厂工人》、《钢铁厂工人》参加中华人民共和国
“第一届全国美展”。1955年转任中央戏剧学院教授。1979年病故。1983年在中央美术学院陈列馆举办
“孙宗慰遗作展”，其中展出油画、国画、素描、速写等作品，并举行“孙宗慰绘画艺术研讨会”；1998
年作品参加“’98台北国际艺术博览会”；2023年2月28日—3月26日“心影馨香——孙宗慰绘画主题展”
中央美术学院美术馆。

Born in Changshu, Jiangsu Province in 1912, he lived in Beijing and entered the Art Department
of Central University in 1934; he graduated from Central University in 1938 and taught abroad;
he actively joined the "War Sketching Group of the Art Department of Central University"
and went to the front to promote anti-Japanese propaganda. In 1942, he returned to the Art
Department of the Central University to continue teaching; he created "Self-Portrait with Pipe",
which was Sun Zong'ie's representative work at this stage. In 1944, he participated in the
"Military Art Exhibition" and the "Northwest Life Drawing Exhibition" held in Chongqing, which
caused a sensation in the painting world. In 1945, when he held a solo exhibition in Chongqing,
Xu Beihong, Fu Baoshi and others affirmed Sun Zongwei's artistic achievements in a special
article. In 1947, he was selected as an associate professor in the Chinese Art Yearbook
edited and published by the Chinese National Art Association. 1948, he was also an associate
professor in the Department of Fine Arts and Engineering of Beiping Teachers' University. In
1953, his works "Shijingshan Factory Workers" and "Iron and Steel Factory Workers" were
exhibited in the "First National Art Exhibition" of the People's Republic of China, and in 1955,
he became a professor at the Central Academy of Drama, and died in 1979. "In 1983, Sun
Zongwei's posthumous exhibition was held in the exhibition hall of the Central Academy of